Consonant length as expressive resource in sung Spanish
- Autores
- Guzmán, Mariano Nicolás; Shifres, Favio
- Año de publicación
- 2018
- Idioma
- inglés
- Tipo de recurso
- documento de conferencia
- Estado
- versión publicada
- Descripción
- A review of 19th-century Spanish literature on vocal pedagogy (Guzmán, Shifres & Carranza, 2017) found that in classical singing the pronunciation of Spanish is subordinated to an aesthetic canon, which limits the expressive range of speech. According to this canon, vowels have a leading role since they can be sustained, while consonants must be articulated “clearly” but “marked”. Due to these requirements, consonants must be shortened in classical singing (Miller, 1996), which ignores the variability of segmental length in spoken Spanish (Mendoza et al., 2003) and its identity effects on communication (Carter & Wolford, 2016). Although recent studies compare the expressiveness in speaking and singing (Scherer et al., 2015), the scope of consonant length as expressive resource in sung Spanish is still unknown.
Facultad de Bellas Artes - Materia
-
Bellas Artes
Música
canto - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-nd/4.0/
- Repositorio
.jpg)
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/68407
Ver los metadatos del registro completo
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Consonant length as expressive resource in sung SpanishGuzmán, Mariano NicolásShifres, FavioBellas ArtesMúsicacantoA review of 19th-century Spanish literature on vocal pedagogy (Guzmán, Shifres & Carranza, 2017) found that in classical singing the pronunciation of Spanish is subordinated to an aesthetic canon, which limits the expressive range of speech. According to this canon, vowels have a leading role since they can be sustained, while consonants must be articulated “clearly” but “marked”. Due to these requirements, consonants must be shortened in classical singing (Miller, 1996), which ignores the variability of segmental length in spoken Spanish (Mendoza et al., 2003) and its identity effects on communication (Carter & Wolford, 2016). Although recent studies compare the expressiveness in speaking and singing (Scherer et al., 2015), the scope of consonant length as expressive resource in sung Spanish is still unknown.Facultad de Bellas Artes2018-07-26info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionResumenhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdf291-292http://sedici.unlp.edu.ar/handle/10915/68407enginfo:eu-repo/semantics/altIdentifier/isbn/978-3-200-05771-5info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-11-26T09:48:38Zoai:sedici.unlp.edu.ar:10915/68407Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-11-26 09:48:39.182SEDICI (UNLP) - Universidad Nacional de La Platafalse |
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Consonant length as expressive resource in sung Spanish |
| title |
Consonant length as expressive resource in sung Spanish |
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Consonant length as expressive resource in sung Spanish Guzmán, Mariano Nicolás Bellas Artes Música canto |
| title_short |
Consonant length as expressive resource in sung Spanish |
| title_full |
Consonant length as expressive resource in sung Spanish |
| title_fullStr |
Consonant length as expressive resource in sung Spanish |
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Consonant length as expressive resource in sung Spanish |
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Consonant length as expressive resource in sung Spanish |
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Guzmán, Mariano Nicolás Shifres, Favio |
| author |
Guzmán, Mariano Nicolás |
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Guzmán, Mariano Nicolás Shifres, Favio |
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author |
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Shifres, Favio |
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author |
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Bellas Artes Música canto |
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Bellas Artes Música canto |
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A review of 19th-century Spanish literature on vocal pedagogy (Guzmán, Shifres & Carranza, 2017) found that in classical singing the pronunciation of Spanish is subordinated to an aesthetic canon, which limits the expressive range of speech. According to this canon, vowels have a leading role since they can be sustained, while consonants must be articulated “clearly” but “marked”. Due to these requirements, consonants must be shortened in classical singing (Miller, 1996), which ignores the variability of segmental length in spoken Spanish (Mendoza et al., 2003) and its identity effects on communication (Carter & Wolford, 2016). Although recent studies compare the expressiveness in speaking and singing (Scherer et al., 2015), the scope of consonant length as expressive resource in sung Spanish is still unknown. Facultad de Bellas Artes |
| description |
A review of 19th-century Spanish literature on vocal pedagogy (Guzmán, Shifres & Carranza, 2017) found that in classical singing the pronunciation of Spanish is subordinated to an aesthetic canon, which limits the expressive range of speech. According to this canon, vowels have a leading role since they can be sustained, while consonants must be articulated “clearly” but “marked”. Due to these requirements, consonants must be shortened in classical singing (Miller, 1996), which ignores the variability of segmental length in spoken Spanish (Mendoza et al., 2003) and its identity effects on communication (Carter & Wolford, 2016). Although recent studies compare the expressiveness in speaking and singing (Scherer et al., 2015), the scope of consonant length as expressive resource in sung Spanish is still unknown. |
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