Mothers up-close in argentine cinema

Autores
Der-Ohannesian, Nadia
Año de publicación
2019
Idioma
inglés
Tipo de recurso
parte de libro
Estado
versión publicada
Descripción
Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones Facultad de Filosofía y Humanidades; Argentina.
Fil: Der-Ohannesian, Nadia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina.
Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Lenguas. Centro de Investigaciones de la Facultad de Lenguas; Argentina.
Argentine cinema has recently been in the mainstream's limelight thanks to films such as El secreto de sus ojos (2009) or Relatos salvajes (2014). It goes without saying that there exist a host of Argentine movies which are nor acknowledged in these circles but are nevertheless excellent quality and which deal with themes no less central to the human condition than the ones dealt with in the films previously mentioned. Of particular interest to the scope of this analysis are two recent Argentine films that deal with motherhood and convention, with an inevitable focus on the representation of women that find themselves deviating from the norm. These are Lengua materna (2010), written and directed by Liliana Paolinelli and Soleada (2016) written and directed by Gabriella Trettel. Lengua materna narrates the process of acceptance and learning undergone by a mother at finding out that her daughter is a lesbian and has been in a relationship for several years with whom she thought her roommate. Soleada, from a more intimate perspective, deals with the circumstances by which a woman, mother of teenagers, starts questioning her apparently uneventful and conventional life and wondering whether that is what she really wants when she finds herself alone in their newly acquired summer home. My aim is to explore the places assigned to motherhood, how these mothers resist impositions and try to appropriate other places to which they do not belong, and the power struggles involved in reclaiming these. Inhabiting other places than those assigned constructs a different sociality and a different subjectivity. The emphasis will be on the configuration of domestic versus non-domestic spaces and their intersections, categories which will be elaborated upon drawing from human geography´s notions of home, nature and Thirdspace (Soja).
publishedVersion
Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones Facultad de Filosofía y Humanidades; Argentina.
Fil: Der-Ohannesian, Nadia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina.
Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Lenguas. Centro de Investigaciones de la Facultad de Lenguas; Argentina.
Otras Humanidades
Materia
Motherhood
Place
Domesticity
Nature
Nivel de accesibilidad
acceso abierto
Condiciones de uso
Repositorio
Repositorio Digital Universitario (UNC)
Institución
Universidad Nacional de Córdoba
OAI Identificador
oai:rdu.unc.edu.ar:11086/559408

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network_name_str Repositorio Digital Universitario (UNC)
spelling Mothers up-close in argentine cinemaDer-Ohannesian, NadiaMotherhoodPlaceDomesticityNatureFil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones Facultad de Filosofía y Humanidades; Argentina.Fil: Der-Ohannesian, Nadia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina.Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Lenguas. Centro de Investigaciones de la Facultad de Lenguas; Argentina.Argentine cinema has recently been in the mainstream's limelight thanks to films such as El secreto de sus ojos (2009) or Relatos salvajes (2014). It goes without saying that there exist a host of Argentine movies which are nor acknowledged in these circles but are nevertheless excellent quality and which deal with themes no less central to the human condition than the ones dealt with in the films previously mentioned. Of particular interest to the scope of this analysis are two recent Argentine films that deal with motherhood and convention, with an inevitable focus on the representation of women that find themselves deviating from the norm. These are Lengua materna (2010), written and directed by Liliana Paolinelli and Soleada (2016) written and directed by Gabriella Trettel. Lengua materna narrates the process of acceptance and learning undergone by a mother at finding out that her daughter is a lesbian and has been in a relationship for several years with whom she thought her roommate. Soleada, from a more intimate perspective, deals with the circumstances by which a woman, mother of teenagers, starts questioning her apparently uneventful and conventional life and wondering whether that is what she really wants when she finds herself alone in their newly acquired summer home. My aim is to explore the places assigned to motherhood, how these mothers resist impositions and try to appropriate other places to which they do not belong, and the power struggles involved in reclaiming these. Inhabiting other places than those assigned constructs a different sociality and a different subjectivity. The emphasis will be on the configuration of domestic versus non-domestic spaces and their intersections, categories which will be elaborated upon drawing from human geography´s notions of home, nature and Thirdspace (Soja).publishedVersionFil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones Facultad de Filosofía y Humanidades; Argentina.Fil: Der-Ohannesian, Nadia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina.Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Lenguas. Centro de Investigaciones de la Facultad de Lenguas; Argentina.Otras Humanidades2019info:eu-repo/semantics/bookPartinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_3248info:ar-repo/semantics/parteDeLibroapplication/pdf978-1-77258-200-0http://hdl.handle.net/11086/559408enginfo:eu-repo/semantics/openAccessreponame:Repositorio Digital Universitario (UNC)instname:Universidad Nacional de Córdobainstacron:UNC2025-11-27T08:37:49Zoai:rdu.unc.edu.ar:11086/559408Institucionalhttps://rdu.unc.edu.ar/Universidad públicaNo correspondehttp://rdu.unc.edu.ar/oai/snrdoca.unc@gmail.comArgentinaNo correspondeNo correspondeNo correspondeopendoar:25722025-11-27 08:37:49.541Repositorio Digital Universitario (UNC) - Universidad Nacional de Córdobafalse
dc.title.none.fl_str_mv Mothers up-close in argentine cinema
title Mothers up-close in argentine cinema
spellingShingle Mothers up-close in argentine cinema
Der-Ohannesian, Nadia
Motherhood
Place
Domesticity
Nature
title_short Mothers up-close in argentine cinema
title_full Mothers up-close in argentine cinema
title_fullStr Mothers up-close in argentine cinema
title_full_unstemmed Mothers up-close in argentine cinema
title_sort Mothers up-close in argentine cinema
dc.creator.none.fl_str_mv Der-Ohannesian, Nadia
author Der-Ohannesian, Nadia
author_facet Der-Ohannesian, Nadia
author_role author
dc.subject.none.fl_str_mv Motherhood
Place
Domesticity
Nature
topic Motherhood
Place
Domesticity
Nature
dc.description.none.fl_txt_mv Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones Facultad de Filosofía y Humanidades; Argentina.
Fil: Der-Ohannesian, Nadia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina.
Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Lenguas. Centro de Investigaciones de la Facultad de Lenguas; Argentina.
Argentine cinema has recently been in the mainstream's limelight thanks to films such as El secreto de sus ojos (2009) or Relatos salvajes (2014). It goes without saying that there exist a host of Argentine movies which are nor acknowledged in these circles but are nevertheless excellent quality and which deal with themes no less central to the human condition than the ones dealt with in the films previously mentioned. Of particular interest to the scope of this analysis are two recent Argentine films that deal with motherhood and convention, with an inevitable focus on the representation of women that find themselves deviating from the norm. These are Lengua materna (2010), written and directed by Liliana Paolinelli and Soleada (2016) written and directed by Gabriella Trettel. Lengua materna narrates the process of acceptance and learning undergone by a mother at finding out that her daughter is a lesbian and has been in a relationship for several years with whom she thought her roommate. Soleada, from a more intimate perspective, deals with the circumstances by which a woman, mother of teenagers, starts questioning her apparently uneventful and conventional life and wondering whether that is what she really wants when she finds herself alone in their newly acquired summer home. My aim is to explore the places assigned to motherhood, how these mothers resist impositions and try to appropriate other places to which they do not belong, and the power struggles involved in reclaiming these. Inhabiting other places than those assigned constructs a different sociality and a different subjectivity. The emphasis will be on the configuration of domestic versus non-domestic spaces and their intersections, categories which will be elaborated upon drawing from human geography´s notions of home, nature and Thirdspace (Soja).
publishedVersion
Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones Facultad de Filosofía y Humanidades; Argentina.
Fil: Der-Ohannesian, Nadia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina.
Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Lenguas. Centro de Investigaciones de la Facultad de Lenguas; Argentina.
Otras Humanidades
description Fil: Der-Ohannesian, Nadia. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones Facultad de Filosofía y Humanidades; Argentina.
publishDate 2019
dc.date.none.fl_str_mv 2019
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info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_3248
info:ar-repo/semantics/parteDeLibro
format bookPart
status_str publishedVersion
dc.identifier.none.fl_str_mv 978-1-77258-200-0
http://hdl.handle.net/11086/559408
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dc.language.none.fl_str_mv eng
language eng
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dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Repositorio Digital Universitario (UNC)
instname:Universidad Nacional de Córdoba
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reponame_str Repositorio Digital Universitario (UNC)
collection Repositorio Digital Universitario (UNC)
instname_str Universidad Nacional de Córdoba
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institution UNC
repository.name.fl_str_mv Repositorio Digital Universitario (UNC) - Universidad Nacional de Córdoba
repository.mail.fl_str_mv oca.unc@gmail.com
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