Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel

Autores
Rubino, Atilio Raúl
Año de publicación
2015
Idioma
español castellano
Tipo de recurso
artículo
Estado
versión publicada
Descripción
Based on the concept of the uncanny (Das Unheimliche), which was coined by Freud in 1919, this article has the purpose of analyzing elements that are characteristic of the horror genre in three films by the Argentine filmmaker Lucrecia Martel: La Ciénaga (2001), La niña santa (a.k.a. "The Holy Girl", 2004) y La mujer sin cabeza (a.k.a. "The Headless Woman", 2008). In these films, there are a number of supernatural and horror elements, such as the apparitions of the Virgin Mary and the African rat in La ciénaga, the signs and the divine callings in The Holy Girl, and the ghosts in The Headless Woman, among others. These elements, however, work as a fantasy and horror counterpoint for the real-world uncanny presences, which arise from the everyday things and threaten to disturb the order: death, murder and, in particular, non-normative sexualities, that is, active and free female sexuality, child and teenage sexuality, incest, homosexuality and lesbianism.
Fil: Rubino, Atilio Raúl. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.
Fuente
HeLix(7), 71-87. (2015)
ISSN 2191-642X
Materia
Literatura
Cinematografía
Terror
Martel, Lucrecia
Sexualidad disidente
Sexualidad femenina
Sexualidad adolescente
Sexualidad infantil
Lucrecia Martel
Das Unheimliche
The uncanny
Horror movie
Argentine cinema
Sexuality
Monster children
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
Memoria Académica (UNLP-FAHCE)
Institución
Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
OAI Identificador
oai:memoria.fahce.unlp.edu.ar:snrd:Jpr9804
Acceder
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oai_identifier_str oai:memoria.fahce.unlp.edu.ar:snrd:Jpr9804
network_acronym_str MemAca
repository_id_str 1341
network_name_str Memoria Académica (UNLP-FAHCE)
spelling Terror y sexualidad. Lo ominoso en el cine de Lucrecia MartelRubino, Atilio RaúlLiteraturaCinematografíaTerrorMartel, LucreciaSexualidad disidenteSexualidad femeninaSexualidad adolescenteSexualidad infantilLucrecia MartelDas UnheimlicheThe uncannyHorror movieArgentine cinemaSexualityMonster childrenBased on the concept of the uncanny (Das Unheimliche), which was coined by Freud in 1919, this article has the purpose of analyzing elements that are characteristic of the horror genre in three films by the Argentine filmmaker Lucrecia Martel: La Ciénaga (2001), La niña santa (a.k.a. "The Holy Girl", 2004) y La mujer sin cabeza (a.k.a. "The Headless Woman", 2008). In these films, there are a number of supernatural and horror elements, such as the apparitions of the Virgin Mary and the African rat in La ciénaga, the signs and the divine callings in The Holy Girl, and the ghosts in The Headless Woman, among others. These elements, however, work as a fantasy and horror counterpoint for the real-world uncanny presences, which arise from the everyday things and threaten to disturb the order: death, murder and, in particular, non-normative sexualities, that is, active and free female sexuality, child and teenage sexuality, incest, homosexuality and lesbianism.Fil: Rubino, Atilio Raúl. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.2015info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfhttps://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9804/pr.9804.pdfHeLix(7), 71-87. (2015)ISSN 2191-642Xreponame:Memoria Académica (UNLP-FAHCE)instname:Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educacióninstacron:UNLPspainfo:eu-repo/semantics/altIdentifier/hdl/10915/120536info:eu-repo/semantics/altIdentifier/doi/10.11588/helix.2015.0.19399info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/4.0/2025-09-29T11:58:05Zoai:memoria.fahce.unlp.edu.ar:snrd:Jpr9804Institucionalhttps://www.memoria.fahce.unlp.edu.ar/Universidad públicahttps://www.fahce.unlp.edu.ar/https://www.memoria.fahce.unlp.edu.ar/oaiserver.cgimemoria@fahce.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13412025-09-29 11:58:06.229Memoria Académica (UNLP-FAHCE) - Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educaciónfalse
dc.title.none.fl_str_mv Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel
title Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel
spellingShingle Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel
Rubino, Atilio Raúl
Literatura
Cinematografía
Terror
Martel, Lucrecia
Sexualidad disidente
Sexualidad femenina
Sexualidad adolescente
Sexualidad infantil
Lucrecia Martel
Das Unheimliche
The uncanny
Horror movie
Argentine cinema
Sexuality
Monster children
title_short Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel
title_full Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel
title_fullStr Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel
title_full_unstemmed Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel
title_sort Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel
dc.creator.none.fl_str_mv Rubino, Atilio Raúl
author Rubino, Atilio Raúl
author_facet Rubino, Atilio Raúl
author_role author
dc.subject.none.fl_str_mv Literatura
Cinematografía
Terror
Martel, Lucrecia
Sexualidad disidente
Sexualidad femenina
Sexualidad adolescente
Sexualidad infantil
Lucrecia Martel
Das Unheimliche
The uncanny
Horror movie
Argentine cinema
Sexuality
Monster children
topic Literatura
Cinematografía
Terror
Martel, Lucrecia
Sexualidad disidente
Sexualidad femenina
Sexualidad adolescente
Sexualidad infantil
Lucrecia Martel
Das Unheimliche
The uncanny
Horror movie
Argentine cinema
Sexuality
Monster children
dc.description.none.fl_txt_mv Based on the concept of the uncanny (Das Unheimliche), which was coined by Freud in 1919, this article has the purpose of analyzing elements that are characteristic of the horror genre in three films by the Argentine filmmaker Lucrecia Martel: La Ciénaga (2001), La niña santa (a.k.a. "The Holy Girl", 2004) y La mujer sin cabeza (a.k.a. "The Headless Woman", 2008). In these films, there are a number of supernatural and horror elements, such as the apparitions of the Virgin Mary and the African rat in La ciénaga, the signs and the divine callings in The Holy Girl, and the ghosts in The Headless Woman, among others. These elements, however, work as a fantasy and horror counterpoint for the real-world uncanny presences, which arise from the everyday things and threaten to disturb the order: death, murder and, in particular, non-normative sexualities, that is, active and free female sexuality, child and teenage sexuality, incest, homosexuality and lesbianism.
Fil: Rubino, Atilio Raúl. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.
description Based on the concept of the uncanny (Das Unheimliche), which was coined by Freud in 1919, this article has the purpose of analyzing elements that are characteristic of the horror genre in three films by the Argentine filmmaker Lucrecia Martel: La Ciénaga (2001), La niña santa (a.k.a. "The Holy Girl", 2004) y La mujer sin cabeza (a.k.a. "The Headless Woman", 2008). In these films, there are a number of supernatural and horror elements, such as the apparitions of the Virgin Mary and the African rat in La ciénaga, the signs and the divine callings in The Holy Girl, and the ghosts in The Headless Woman, among others. These elements, however, work as a fantasy and horror counterpoint for the real-world uncanny presences, which arise from the everyday things and threaten to disturb the order: death, murder and, in particular, non-normative sexualities, that is, active and free female sexuality, child and teenage sexuality, incest, homosexuality and lesbianism.
publishDate 2015
dc.date.none.fl_str_mv 2015
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9804/pr.9804.pdf
url https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9804/pr.9804.pdf
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/hdl/10915/120536
info:eu-repo/semantics/altIdentifier/doi/10.11588/helix.2015.0.19399
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/4.0/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0/
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv HeLix(7), 71-87. (2015)
ISSN 2191-642X
reponame:Memoria Académica (UNLP-FAHCE)
instname:Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
instacron:UNLP
reponame_str Memoria Académica (UNLP-FAHCE)
collection Memoria Académica (UNLP-FAHCE)
instname_str Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
instacron_str UNLP
institution UNLP
repository.name.fl_str_mv Memoria Académica (UNLP-FAHCE) - Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
repository.mail.fl_str_mv memoria@fahce.unlp.edu.ar
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score 13.070432

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