Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel
- Autores
- Rubino, Atilio Raúl
- Año de publicación
- 2015
- Idioma
- español castellano
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- Based on the concept of the uncanny (Das Unheimliche), which was coined by Freud in 1919, this article has the purpose of analyzing elements that are characteristic of the horror genre in three films by the Argentine filmmaker Lucrecia Martel: La Ciénaga (2001), La niña santa (a.k.a. "The Holy Girl", 2004) y La mujer sin cabeza (a.k.a. "The Headless Woman", 2008). In these films, there are a number of supernatural and horror elements, such as the apparitions of the Virgin Mary and the African rat in La ciénaga, the signs and the divine callings in The Holy Girl, and the ghosts in The Headless Woman, among others. These elements, however, work as a fantasy and horror counterpoint for the real-world uncanny presences, which arise from the everyday things and threaten to disturb the order: death, murder and, in particular, non-normative sexualities, that is, active and free female sexuality, child and teenage sexuality, incest, homosexuality and lesbianism.
Fil: Rubino, Atilio Raúl. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina. - Fuente
- HeLix(7), 71-87. (2015)
ISSN 2191-642X - Materia
-
Literatura
Cinematografía
Terror
Martel, Lucrecia
Sexualidad disidente
Sexualidad femenina
Sexualidad adolescente
Sexualidad infantil
Lucrecia Martel
Das Unheimliche
The uncanny
Horror movie
Argentine cinema
Sexuality
Monster children - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/4.0/
- Repositorio
- Institución
- Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
- OAI Identificador
- oai:memoria.fahce.unlp.edu.ar:snrd:Jpr9804
Ver los metadatos del registro completo
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Terror y sexualidad. Lo ominoso en el cine de Lucrecia MartelRubino, Atilio RaúlLiteraturaCinematografíaTerrorMartel, LucreciaSexualidad disidenteSexualidad femeninaSexualidad adolescenteSexualidad infantilLucrecia MartelDas UnheimlicheThe uncannyHorror movieArgentine cinemaSexualityMonster childrenBased on the concept of the uncanny (Das Unheimliche), which was coined by Freud in 1919, this article has the purpose of analyzing elements that are characteristic of the horror genre in three films by the Argentine filmmaker Lucrecia Martel: La Ciénaga (2001), La niña santa (a.k.a. "The Holy Girl", 2004) y La mujer sin cabeza (a.k.a. "The Headless Woman", 2008). In these films, there are a number of supernatural and horror elements, such as the apparitions of the Virgin Mary and the African rat in La ciénaga, the signs and the divine callings in The Holy Girl, and the ghosts in The Headless Woman, among others. These elements, however, work as a fantasy and horror counterpoint for the real-world uncanny presences, which arise from the everyday things and threaten to disturb the order: death, murder and, in particular, non-normative sexualities, that is, active and free female sexuality, child and teenage sexuality, incest, homosexuality and lesbianism.Fil: Rubino, Atilio Raúl. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.2015info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfhttps://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9804/pr.9804.pdfHeLix(7), 71-87. (2015)ISSN 2191-642Xreponame:Memoria Académica (UNLP-FAHCE)instname:Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educacióninstacron:UNLPspainfo:eu-repo/semantics/altIdentifier/hdl/10915/120536info:eu-repo/semantics/altIdentifier/doi/10.11588/helix.2015.0.19399info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/4.0/2025-09-03T12:07:28Zoai:memoria.fahce.unlp.edu.ar:snrd:Jpr9804Institucionalhttps://www.memoria.fahce.unlp.edu.ar/Universidad públicahttps://www.fahce.unlp.edu.ar/https://www.memoria.fahce.unlp.edu.ar/oaiserver.cgimemoria@fahce.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13412025-09-03 12:07:29.108Memoria Académica (UNLP-FAHCE) - Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educaciónfalse |
dc.title.none.fl_str_mv |
Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel |
title |
Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel |
spellingShingle |
Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel Rubino, Atilio Raúl Literatura Cinematografía Terror Martel, Lucrecia Sexualidad disidente Sexualidad femenina Sexualidad adolescente Sexualidad infantil Lucrecia Martel Das Unheimliche The uncanny Horror movie Argentine cinema Sexuality Monster children |
title_short |
Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel |
title_full |
Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel |
title_fullStr |
Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel |
title_full_unstemmed |
Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel |
title_sort |
Terror y sexualidad. Lo ominoso en el cine de Lucrecia Martel |
dc.creator.none.fl_str_mv |
Rubino, Atilio Raúl |
author |
Rubino, Atilio Raúl |
author_facet |
Rubino, Atilio Raúl |
author_role |
author |
dc.subject.none.fl_str_mv |
Literatura Cinematografía Terror Martel, Lucrecia Sexualidad disidente Sexualidad femenina Sexualidad adolescente Sexualidad infantil Lucrecia Martel Das Unheimliche The uncanny Horror movie Argentine cinema Sexuality Monster children |
topic |
Literatura Cinematografía Terror Martel, Lucrecia Sexualidad disidente Sexualidad femenina Sexualidad adolescente Sexualidad infantil Lucrecia Martel Das Unheimliche The uncanny Horror movie Argentine cinema Sexuality Monster children |
dc.description.none.fl_txt_mv |
Based on the concept of the uncanny (Das Unheimliche), which was coined by Freud in 1919, this article has the purpose of analyzing elements that are characteristic of the horror genre in three films by the Argentine filmmaker Lucrecia Martel: La Ciénaga (2001), La niña santa (a.k.a. "The Holy Girl", 2004) y La mujer sin cabeza (a.k.a. "The Headless Woman", 2008). In these films, there are a number of supernatural and horror elements, such as the apparitions of the Virgin Mary and the African rat in La ciénaga, the signs and the divine callings in The Holy Girl, and the ghosts in The Headless Woman, among others. These elements, however, work as a fantasy and horror counterpoint for the real-world uncanny presences, which arise from the everyday things and threaten to disturb the order: death, murder and, in particular, non-normative sexualities, that is, active and free female sexuality, child and teenage sexuality, incest, homosexuality and lesbianism. Fil: Rubino, Atilio Raúl. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina. |
description |
Based on the concept of the uncanny (Das Unheimliche), which was coined by Freud in 1919, this article has the purpose of analyzing elements that are characteristic of the horror genre in three films by the Argentine filmmaker Lucrecia Martel: La Ciénaga (2001), La niña santa (a.k.a. "The Holy Girl", 2004) y La mujer sin cabeza (a.k.a. "The Headless Woman", 2008). In these films, there are a number of supernatural and horror elements, such as the apparitions of the Virgin Mary and the African rat in La ciénaga, the signs and the divine callings in The Holy Girl, and the ghosts in The Headless Woman, among others. These elements, however, work as a fantasy and horror counterpoint for the real-world uncanny presences, which arise from the everyday things and threaten to disturb the order: death, murder and, in particular, non-normative sexualities, that is, active and free female sexuality, child and teenage sexuality, incest, homosexuality and lesbianism. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
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https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9804/pr.9804.pdf |
url |
https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9804/pr.9804.pdf |
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spa |
language |
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info:eu-repo/semantics/altIdentifier/hdl/10915/120536 info:eu-repo/semantics/altIdentifier/doi/10.11588/helix.2015.0.19399 |
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info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/4.0/ |
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openAccess |
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https://creativecommons.org/licenses/by-nc-sa/4.0/ |
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application/pdf |
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HeLix(7), 71-87. (2015) ISSN 2191-642X reponame:Memoria Académica (UNLP-FAHCE) instname:Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación instacron:UNLP |
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Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación |
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Memoria Académica (UNLP-FAHCE) - Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación |
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