Towards the construction of new audiences: ‘Fictions’ in contemporary media

Autores
Duek, Sara Carolina
Año de publicación
2013
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
In this paper I aim to work with a concept that I defined as “fictions” or better, “Hegemonic fictions”. The concept of fiction is based not on a “lie”, but on a hegemonic representation that media produce and reproduce in every show, game, interaction or presentation. That is why I chose to call them fictions: the ways through which media build hegemonic representations about everything that should matter in a specific moment of time and history. I identified four different fictions and, through them, I propose to analyze different aspects of both the contemporary media and their audiences. The first one is the fiction of choice. The analysis that I made of this fiction is based on the diversity of available electronic devices and the real possibilities that audiences have to choose. The second one is the fiction of participation. The emphasis in the so called “decision of the audience” is built upon a new fiction: we do not get to choose who participates on a show, a survey or a contest but we are summoned to “vote” or answer questions in order to construct a feeling that we are participating. The third fiction is the one of the objectivity. The aim of this fiction is to analyze the operations through which media present their sayings, images, news and opinions as “objective”. In the same line, the fourth fiction is about the reception stage. I do not sustain that reception is a fiction but I will analyze the variables and the mediations that exist between media messages and the audiences who receive, read, write and listen to those messages. New audiences and new media seem to be changing and developing at the same time in the same space. We aim to question the naturalization of the different and varied relationships between media and audiences in order to present possible new approaches that might lead to new questions and researches.
Fil: Duek, Sara Carolina. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
Fictions
Media
Children
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/28240

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spelling Towards the construction of new audiences: ‘Fictions’ in contemporary mediaDuek, Sara CarolinaFictionsMediaChildrenhttps://purl.org/becyt/ford/5.8https://purl.org/becyt/ford/5In this paper I aim to work with a concept that I defined as “fictions” or better, “Hegemonic fictions”. The concept of fiction is based not on a “lie”, but on a hegemonic representation that media produce and reproduce in every show, game, interaction or presentation. That is why I chose to call them fictions: the ways through which media build hegemonic representations about everything that should matter in a specific moment of time and history. I identified four different fictions and, through them, I propose to analyze different aspects of both the contemporary media and their audiences. The first one is the fiction of choice. The analysis that I made of this fiction is based on the diversity of available electronic devices and the real possibilities that audiences have to choose. The second one is the fiction of participation. The emphasis in the so called “decision of the audience” is built upon a new fiction: we do not get to choose who participates on a show, a survey or a contest but we are summoned to “vote” or answer questions in order to construct a feeling that we are participating. The third fiction is the one of the objectivity. The aim of this fiction is to analyze the operations through which media present their sayings, images, news and opinions as “objective”. In the same line, the fourth fiction is about the reception stage. I do not sustain that reception is a fiction but I will analyze the variables and the mediations that exist between media messages and the audiences who receive, read, write and listen to those messages. New audiences and new media seem to be changing and developing at the same time in the same space. We aim to question the naturalization of the different and varied relationships between media and audiences in order to present possible new approaches that might lead to new questions and researches.Fil: Duek, Sara Carolina. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaUniversidad de Sevilla2013-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/28240Duek, Sara Carolina; Towards the construction of new audiences: ‘Fictions’ in contemporary media ; Universidad de Sevilla; Sociedad de la Información; 44; 11-2013; 237-2561578-326XCONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://www.sociedadelainformacion.com/cost2013.htmlinfo:eu-repo/semantics/altIdentifier/url/http://www.sociedadelainformacion.com/cost_2013/towards.pdfinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:58:02Zoai:ri.conicet.gov.ar:11336/28240instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:58:03.139CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Towards the construction of new audiences: ‘Fictions’ in contemporary media
title Towards the construction of new audiences: ‘Fictions’ in contemporary media
spellingShingle Towards the construction of new audiences: ‘Fictions’ in contemporary media
Duek, Sara Carolina
Fictions
Media
Children
title_short Towards the construction of new audiences: ‘Fictions’ in contemporary media
title_full Towards the construction of new audiences: ‘Fictions’ in contemporary media
title_fullStr Towards the construction of new audiences: ‘Fictions’ in contemporary media
title_full_unstemmed Towards the construction of new audiences: ‘Fictions’ in contemporary media
title_sort Towards the construction of new audiences: ‘Fictions’ in contemporary media
dc.creator.none.fl_str_mv Duek, Sara Carolina
author Duek, Sara Carolina
author_facet Duek, Sara Carolina
author_role author
dc.subject.none.fl_str_mv Fictions
Media
Children
topic Fictions
Media
Children
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.8
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv In this paper I aim to work with a concept that I defined as “fictions” or better, “Hegemonic fictions”. The concept of fiction is based not on a “lie”, but on a hegemonic representation that media produce and reproduce in every show, game, interaction or presentation. That is why I chose to call them fictions: the ways through which media build hegemonic representations about everything that should matter in a specific moment of time and history. I identified four different fictions and, through them, I propose to analyze different aspects of both the contemporary media and their audiences. The first one is the fiction of choice. The analysis that I made of this fiction is based on the diversity of available electronic devices and the real possibilities that audiences have to choose. The second one is the fiction of participation. The emphasis in the so called “decision of the audience” is built upon a new fiction: we do not get to choose who participates on a show, a survey or a contest but we are summoned to “vote” or answer questions in order to construct a feeling that we are participating. The third fiction is the one of the objectivity. The aim of this fiction is to analyze the operations through which media present their sayings, images, news and opinions as “objective”. In the same line, the fourth fiction is about the reception stage. I do not sustain that reception is a fiction but I will analyze the variables and the mediations that exist between media messages and the audiences who receive, read, write and listen to those messages. New audiences and new media seem to be changing and developing at the same time in the same space. We aim to question the naturalization of the different and varied relationships between media and audiences in order to present possible new approaches that might lead to new questions and researches.
Fil: Duek, Sara Carolina. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description In this paper I aim to work with a concept that I defined as “fictions” or better, “Hegemonic fictions”. The concept of fiction is based not on a “lie”, but on a hegemonic representation that media produce and reproduce in every show, game, interaction or presentation. That is why I chose to call them fictions: the ways through which media build hegemonic representations about everything that should matter in a specific moment of time and history. I identified four different fictions and, through them, I propose to analyze different aspects of both the contemporary media and their audiences. The first one is the fiction of choice. The analysis that I made of this fiction is based on the diversity of available electronic devices and the real possibilities that audiences have to choose. The second one is the fiction of participation. The emphasis in the so called “decision of the audience” is built upon a new fiction: we do not get to choose who participates on a show, a survey or a contest but we are summoned to “vote” or answer questions in order to construct a feeling that we are participating. The third fiction is the one of the objectivity. The aim of this fiction is to analyze the operations through which media present their sayings, images, news and opinions as “objective”. In the same line, the fourth fiction is about the reception stage. I do not sustain that reception is a fiction but I will analyze the variables and the mediations that exist between media messages and the audiences who receive, read, write and listen to those messages. New audiences and new media seem to be changing and developing at the same time in the same space. We aim to question the naturalization of the different and varied relationships between media and audiences in order to present possible new approaches that might lead to new questions and researches.
publishDate 2013
dc.date.none.fl_str_mv 2013-11
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/28240
Duek, Sara Carolina; Towards the construction of new audiences: ‘Fictions’ in contemporary media ; Universidad de Sevilla; Sociedad de la Información; 44; 11-2013; 237-256
1578-326X
CONICET Digital
CONICET
url http://hdl.handle.net/11336/28240
identifier_str_mv Duek, Sara Carolina; Towards the construction of new audiences: ‘Fictions’ in contemporary media ; Universidad de Sevilla; Sociedad de la Información; 44; 11-2013; 237-256
1578-326X
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/http://www.sociedadelainformacion.com/cost2013.html
info:eu-repo/semantics/altIdentifier/url/http://www.sociedadelainformacion.com/cost_2013/towards.pdf
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidad de Sevilla
publisher.none.fl_str_mv Universidad de Sevilla
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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