Tango, senses and sensuality

Autores
Montes, Maria de Los Angeles
Año de publicación
2014
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
One of the most important contributions of the Peircean paradigm to semiotics consists in its opening the sign to development and modification. Sense, meaning, is no longer a static and fixed property. The Peircean paradigm allows us to wonder about how signs are interpreted, how they make sense in actual reception practices.The purpose of this paper is to address the problem of the relationship between appropriation practices (Montes, 2011) and significance processes from the analysis of an empirical case, observing how signs of sensuality are produced in the ballroom tango dance.Tango has earned international reputation mainly as a sensuality dance thanks to its spectacularization and subsequent mediatization. However, as I expect to demonstrate, at the moment of reception, people put those discourses in interaction with specific appropriation practices that shape very special interpretive habits.I will address the issue from an empirical investigation, especially focused on the production of interpretants (emotional, energetic, and logical), that is to say, looking back to the sign reception from the body to the mind.From a corpus of 25 focused interviews with people who got to know tango through mass media but that afterwards learnt to dance it as a social dance, it is my intention to show what sensuality means to them today, and how that current practice interacts with other external and previous discourses to produce interpretive habits. Finally, I wish to offer a theoretical reflection about the relationship between these three types of interpretants, their interaction with the discourse of the mass media and the place corporality has in the reception processes.
Fil: Montes, Maria de Los Angeles. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones María Saleme Burnichón; Argentina
Materia
MEANING
INTERPRETATION
RECEPTION
SENSUALITY
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/103686
Acceder
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network_name_str CONICET Digital (CONICET)
spelling Tango, senses and sensualityMontes, Maria de Los AngelesMEANINGINTERPRETATIONRECEPTIONSENSUALITYhttps://purl.org/becyt/ford/5.8https://purl.org/becyt/ford/5One of the most important contributions of the Peircean paradigm to semiotics consists in its opening the sign to development and modification. Sense, meaning, is no longer a static and fixed property. The Peircean paradigm allows us to wonder about how signs are interpreted, how they make sense in actual reception practices.The purpose of this paper is to address the problem of the relationship between appropriation practices (Montes, 2011) and significance processes from the analysis of an empirical case, observing how signs of sensuality are produced in the ballroom tango dance.Tango has earned international reputation mainly as a sensuality dance thanks to its spectacularization and subsequent mediatization. However, as I expect to demonstrate, at the moment of reception, people put those discourses in interaction with specific appropriation practices that shape very special interpretive habits.I will address the issue from an empirical investigation, especially focused on the production of interpretants (emotional, energetic, and logical), that is to say, looking back to the sign reception from the body to the mind.From a corpus of 25 focused interviews with people who got to know tango through mass media but that afterwards learnt to dance it as a social dance, it is my intention to show what sensuality means to them today, and how that current practice interacts with other external and previous discourses to produce interpretive habits. Finally, I wish to offer a theoretical reflection about the relationship between these three types of interpretants, their interaction with the discourse of the mass media and the place corporality has in the reception processes.Fil: Montes, Maria de Los Angeles. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones María Saleme Burnichón; ArgentinaFundación Ocula2014-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/103686Montes, Maria de Los Angeles; Tango, senses and sensuality; Fundación Ocula; Ocula; 15; 1-2014; 1-181724-7810CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/doi/10.12977/ocula36info:eu-repo/semantics/altIdentifier/url/https://www.ocula.it/metadata.php?id=367info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T14:24:04Zoai:ri.conicet.gov.ar:11336/103686instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 14:24:04.352CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Tango, senses and sensuality
title Tango, senses and sensuality
spellingShingle Tango, senses and sensuality
Montes, Maria de Los Angeles
MEANING
INTERPRETATION
RECEPTION
SENSUALITY
title_short Tango, senses and sensuality
title_full Tango, senses and sensuality
title_fullStr Tango, senses and sensuality
title_full_unstemmed Tango, senses and sensuality
title_sort Tango, senses and sensuality
dc.creator.none.fl_str_mv Montes, Maria de Los Angeles
author Montes, Maria de Los Angeles
author_facet Montes, Maria de Los Angeles
author_role author
dc.subject.none.fl_str_mv MEANING
INTERPRETATION
RECEPTION
SENSUALITY
topic MEANING
INTERPRETATION
RECEPTION
SENSUALITY
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.8
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv One of the most important contributions of the Peircean paradigm to semiotics consists in its opening the sign to development and modification. Sense, meaning, is no longer a static and fixed property. The Peircean paradigm allows us to wonder about how signs are interpreted, how they make sense in actual reception practices.The purpose of this paper is to address the problem of the relationship between appropriation practices (Montes, 2011) and significance processes from the analysis of an empirical case, observing how signs of sensuality are produced in the ballroom tango dance.Tango has earned international reputation mainly as a sensuality dance thanks to its spectacularization and subsequent mediatization. However, as I expect to demonstrate, at the moment of reception, people put those discourses in interaction with specific appropriation practices that shape very special interpretive habits.I will address the issue from an empirical investigation, especially focused on the production of interpretants (emotional, energetic, and logical), that is to say, looking back to the sign reception from the body to the mind.From a corpus of 25 focused interviews with people who got to know tango through mass media but that afterwards learnt to dance it as a social dance, it is my intention to show what sensuality means to them today, and how that current practice interacts with other external and previous discourses to produce interpretive habits. Finally, I wish to offer a theoretical reflection about the relationship between these three types of interpretants, their interaction with the discourse of the mass media and the place corporality has in the reception processes.
Fil: Montes, Maria de Los Angeles. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones María Saleme Burnichón; Argentina
description One of the most important contributions of the Peircean paradigm to semiotics consists in its opening the sign to development and modification. Sense, meaning, is no longer a static and fixed property. The Peircean paradigm allows us to wonder about how signs are interpreted, how they make sense in actual reception practices.The purpose of this paper is to address the problem of the relationship between appropriation practices (Montes, 2011) and significance processes from the analysis of an empirical case, observing how signs of sensuality are produced in the ballroom tango dance.Tango has earned international reputation mainly as a sensuality dance thanks to its spectacularization and subsequent mediatization. However, as I expect to demonstrate, at the moment of reception, people put those discourses in interaction with specific appropriation practices that shape very special interpretive habits.I will address the issue from an empirical investigation, especially focused on the production of interpretants (emotional, energetic, and logical), that is to say, looking back to the sign reception from the body to the mind.From a corpus of 25 focused interviews with people who got to know tango through mass media but that afterwards learnt to dance it as a social dance, it is my intention to show what sensuality means to them today, and how that current practice interacts with other external and previous discourses to produce interpretive habits. Finally, I wish to offer a theoretical reflection about the relationship between these three types of interpretants, their interaction with the discourse of the mass media and the place corporality has in the reception processes.
publishDate 2014
dc.date.none.fl_str_mv 2014-01
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/103686
Montes, Maria de Los Angeles; Tango, senses and sensuality; Fundación Ocula; Ocula; 15; 1-2014; 1-18
1724-7810
CONICET Digital
CONICET
url http://hdl.handle.net/11336/103686
identifier_str_mv Montes, Maria de Los Angeles; Tango, senses and sensuality; Fundación Ocula; Ocula; 15; 1-2014; 1-18
1724-7810
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/doi/10.12977/ocula36
info:eu-repo/semantics/altIdentifier/url/https://www.ocula.it/metadata.php?id=367
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Fundación Ocula
publisher.none.fl_str_mv Fundación Ocula
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.22299

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