La katábasis classique et sa projection dans la littérature argentine
- Autores
- Bauza, Hugo Francisco
- Año de publicación
- 2013
- Idioma
- francés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- The descent to the underworld, or katabasis, is a well-documented mytheme and a wide-spread literary topos; due to the influence of such canonical authors as Homer, Virgil or Dante Alighieri, it has become one of the prominent symbols for human mortality. Nonetheless, the typical descent to the underworld is not limited to describing the hopeless land of the dead. The hero, during katabasis, might encounter lands of serene happiness, which can be etymologically classified as utopias (eutopia, “happy place”). Modern Argentine literature, on the other hand, as this paper implies, developed a different conception of the katabasis, one in which the hero is more likely to encounter dystopian literary landscapes. Writers such as Ernesto Sábato, Jorge Luis Borges, Abelardo Castillo and Leopoldo Marechal have all remodeled in their prose fiction the descent to the underworld in response to an increasing postwar skepticism toward human nature.
Fil: Bauza, Hugo Francisco. Universidad Nacional de San Martin. Escuela de Humanidades; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina - Materia
-
Descent To the Underworld
Mythology
Dystopia
Classical Antiquity
Modern Argentine Literature - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/3668
Ver los metadatos del registro completo
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La katábasis classique et sa projection dans la littérature argentineBauza, Hugo FranciscoDescent To the UnderworldMythologyDystopiaClassical AntiquityModern Argentine Literaturehttps://purl.org/becyt/ford/6.2https://purl.org/becyt/ford/6The descent to the underworld, or katabasis, is a well-documented mytheme and a wide-spread literary topos; due to the influence of such canonical authors as Homer, Virgil or Dante Alighieri, it has become one of the prominent symbols for human mortality. Nonetheless, the typical descent to the underworld is not limited to describing the hopeless land of the dead. The hero, during katabasis, might encounter lands of serene happiness, which can be etymologically classified as utopias (eutopia, “happy place”). Modern Argentine literature, on the other hand, as this paper implies, developed a different conception of the katabasis, one in which the hero is more likely to encounter dystopian literary landscapes. Writers such as Ernesto Sábato, Jorge Luis Borges, Abelardo Castillo and Leopoldo Marechal have all remodeled in their prose fiction the descent to the underworld in response to an increasing postwar skepticism toward human nature.Fil: Bauza, Hugo Francisco. Universidad Nacional de San Martin. Escuela de Humanidades; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFundaţia Culturală Echinox2013-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/3668Bauza, Hugo Francisco; La katábasis classique et sa projection dans la littérature argentine; Fundaţia Culturală Echinox; Caíetele Echínox; 25; 11-2013; 9-201582-960Xfrainfo:eu-repo/semantics/altIdentifier/purl/http://phantasma.lett.ubbcluj.ro/?p=4787info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:03:46Zoai:ri.conicet.gov.ar:11336/3668instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:03:46.583CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
La katábasis classique et sa projection dans la littérature argentine |
title |
La katábasis classique et sa projection dans la littérature argentine |
spellingShingle |
La katábasis classique et sa projection dans la littérature argentine Bauza, Hugo Francisco Descent To the Underworld Mythology Dystopia Classical Antiquity Modern Argentine Literature |
title_short |
La katábasis classique et sa projection dans la littérature argentine |
title_full |
La katábasis classique et sa projection dans la littérature argentine |
title_fullStr |
La katábasis classique et sa projection dans la littérature argentine |
title_full_unstemmed |
La katábasis classique et sa projection dans la littérature argentine |
title_sort |
La katábasis classique et sa projection dans la littérature argentine |
dc.creator.none.fl_str_mv |
Bauza, Hugo Francisco |
author |
Bauza, Hugo Francisco |
author_facet |
Bauza, Hugo Francisco |
author_role |
author |
dc.subject.none.fl_str_mv |
Descent To the Underworld Mythology Dystopia Classical Antiquity Modern Argentine Literature |
topic |
Descent To the Underworld Mythology Dystopia Classical Antiquity Modern Argentine Literature |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.2 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
The descent to the underworld, or katabasis, is a well-documented mytheme and a wide-spread literary topos; due to the influence of such canonical authors as Homer, Virgil or Dante Alighieri, it has become one of the prominent symbols for human mortality. Nonetheless, the typical descent to the underworld is not limited to describing the hopeless land of the dead. The hero, during katabasis, might encounter lands of serene happiness, which can be etymologically classified as utopias (eutopia, “happy place”). Modern Argentine literature, on the other hand, as this paper implies, developed a different conception of the katabasis, one in which the hero is more likely to encounter dystopian literary landscapes. Writers such as Ernesto Sábato, Jorge Luis Borges, Abelardo Castillo and Leopoldo Marechal have all remodeled in their prose fiction the descent to the underworld in response to an increasing postwar skepticism toward human nature. Fil: Bauza, Hugo Francisco. Universidad Nacional de San Martin. Escuela de Humanidades; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina |
description |
The descent to the underworld, or katabasis, is a well-documented mytheme and a wide-spread literary topos; due to the influence of such canonical authors as Homer, Virgil or Dante Alighieri, it has become one of the prominent symbols for human mortality. Nonetheless, the typical descent to the underworld is not limited to describing the hopeless land of the dead. The hero, during katabasis, might encounter lands of serene happiness, which can be etymologically classified as utopias (eutopia, “happy place”). Modern Argentine literature, on the other hand, as this paper implies, developed a different conception of the katabasis, one in which the hero is more likely to encounter dystopian literary landscapes. Writers such as Ernesto Sábato, Jorge Luis Borges, Abelardo Castillo and Leopoldo Marechal have all remodeled in their prose fiction the descent to the underworld in response to an increasing postwar skepticism toward human nature. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-11 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/3668 Bauza, Hugo Francisco; La katábasis classique et sa projection dans la littérature argentine; Fundaţia Culturală Echinox; Caíetele Echínox; 25; 11-2013; 9-20 1582-960X |
url |
http://hdl.handle.net/11336/3668 |
identifier_str_mv |
Bauza, Hugo Francisco; La katábasis classique et sa projection dans la littérature argentine; Fundaţia Culturală Echinox; Caíetele Echínox; 25; 11-2013; 9-20 1582-960X |
dc.language.none.fl_str_mv |
fra |
language |
fra |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/purl/http://phantasma.lett.ubbcluj.ro/?p=4787 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Fundaţia Culturală Echinox |
publisher.none.fl_str_mv |
Fundaţia Culturală Echinox |
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reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) |
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CONICET Digital (CONICET) |
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Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
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dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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