Situated Museum: Three Names and a Network
- Autores
- Longoni, Ana
- Año de publicación
- 2022
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- This article charts certain moments in the history of a complex relationship: an ongoing collaborative network that began developing in 2018 between various neighbourhood groups in Madrid, specifically in the areas of Lavapiés and the Museo Reina Sofía (Queen Sofía Museum). Taking the names of three individuals as our starting point—namely the migrants Mame Mbaye and Mohammed Hossein and the theologian and activist Pepa Torres—this paper examines specific moments and dimensions of this movement, which has critically interrogated what we conventionally expect from an art museum, redefining how it affects its immediate environment and the ways it occupies that space.
Fil: Longoni, Ana. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina - Materia
-
MUSEUM NETWORK
SITUATED MUSEUM
MEMORY ACTIVISM
POLITICS OF MEMORY - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-nd/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/239051
Ver los metadatos del registro completo
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Situated Museum: Three Names and a NetworkLongoni, AnaMUSEUM NETWORKSITUATED MUSEUMMEMORY ACTIVISMPOLITICS OF MEMORYhttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6This article charts certain moments in the history of a complex relationship: an ongoing collaborative network that began developing in 2018 between various neighbourhood groups in Madrid, specifically in the areas of Lavapiés and the Museo Reina Sofía (Queen Sofía Museum). Taking the names of three individuals as our starting point—namely the migrants Mame Mbaye and Mohammed Hossein and the theologian and activist Pepa Torres—this paper examines specific moments and dimensions of this movement, which has critically interrogated what we conventionally expect from an art museum, redefining how it affects its immediate environment and the ways it occupies that space.Fil: Longoni, Ana. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; ArgentinaZürcher Hochschule der Künste2022-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/239051Longoni, Ana; Situated Museum: Three Names and a Network; Zürcher Hochschule der Künste; Insert. Artistic Practices and Cultural Inquiries; 3; 6-2022; 1-112813-2904CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://insert.art/ausgaben/participatory-critique/museo-situado/info:eu-repo/semantics/altIdentifier/doi/10.5281/zenodo.7354870info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-nd/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:00:36Zoai:ri.conicet.gov.ar:11336/239051instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:00:36.557CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Situated Museum: Three Names and a Network |
title |
Situated Museum: Three Names and a Network |
spellingShingle |
Situated Museum: Three Names and a Network Longoni, Ana MUSEUM NETWORK SITUATED MUSEUM MEMORY ACTIVISM POLITICS OF MEMORY |
title_short |
Situated Museum: Three Names and a Network |
title_full |
Situated Museum: Three Names and a Network |
title_fullStr |
Situated Museum: Three Names and a Network |
title_full_unstemmed |
Situated Museum: Three Names and a Network |
title_sort |
Situated Museum: Three Names and a Network |
dc.creator.none.fl_str_mv |
Longoni, Ana |
author |
Longoni, Ana |
author_facet |
Longoni, Ana |
author_role |
author |
dc.subject.none.fl_str_mv |
MUSEUM NETWORK SITUATED MUSEUM MEMORY ACTIVISM POLITICS OF MEMORY |
topic |
MUSEUM NETWORK SITUATED MUSEUM MEMORY ACTIVISM POLITICS OF MEMORY |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.4 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
This article charts certain moments in the history of a complex relationship: an ongoing collaborative network that began developing in 2018 between various neighbourhood groups in Madrid, specifically in the areas of Lavapiés and the Museo Reina Sofía (Queen Sofía Museum). Taking the names of three individuals as our starting point—namely the migrants Mame Mbaye and Mohammed Hossein and the theologian and activist Pepa Torres—this paper examines specific moments and dimensions of this movement, which has critically interrogated what we conventionally expect from an art museum, redefining how it affects its immediate environment and the ways it occupies that space. Fil: Longoni, Ana. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina |
description |
This article charts certain moments in the history of a complex relationship: an ongoing collaborative network that began developing in 2018 between various neighbourhood groups in Madrid, specifically in the areas of Lavapiés and the Museo Reina Sofía (Queen Sofía Museum). Taking the names of three individuals as our starting point—namely the migrants Mame Mbaye and Mohammed Hossein and the theologian and activist Pepa Torres—this paper examines specific moments and dimensions of this movement, which has critically interrogated what we conventionally expect from an art museum, redefining how it affects its immediate environment and the ways it occupies that space. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-06 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/239051 Longoni, Ana; Situated Museum: Three Names and a Network; Zürcher Hochschule der Künste; Insert. Artistic Practices and Cultural Inquiries; 3; 6-2022; 1-11 2813-2904 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/239051 |
identifier_str_mv |
Longoni, Ana; Situated Museum: Three Names and a Network; Zürcher Hochschule der Künste; Insert. Artistic Practices and Cultural Inquiries; 3; 6-2022; 1-11 2813-2904 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/https://insert.art/ausgaben/participatory-critique/museo-situado/ info:eu-repo/semantics/altIdentifier/doi/10.5281/zenodo.7354870 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Zürcher Hochschule der Künste |
publisher.none.fl_str_mv |
Zürcher Hochschule der Künste |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) |
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CONICET Digital (CONICET) |
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Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.name.fl_str_mv |
CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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1844613789281943552 |
score |
13.070432 |