Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes

Autores
Fiore, Danae; Acevedo, Agustín
Año de publicación
2015
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
In this paper we present a comparative discussion on several issues about hunter-gatherer rock art in two regions of central-southern Patagonia: Extremo Sur del Macizo del Deseado (ESMD) and Margen Norte del Río Santa Cruz (MNRS). The landscapes, bedrocks and topographies of both regions are compared, showing clear differences in the availability of rock surfaces on which to produce rock art: ESDM is characterised by a great number of caves and rockshelters, on which most rock art images have been painted, while MNRSC is characterised by large extensions of open-air basalt walls, on which most rock art images have been engraved. This may be related to the fact that ESMD?s topographies offer greater chances for the conservation of the paintings, while the open-air walls of MNRSC do not offer such shelter, and thus the choice of making engraved images in these bedrocks may have been linked to the higher conservation chances that such technique offers for images displayed in open air walls. The depicted themes and motif types repertoires of each region are presented and compared, showing the existence of some inter-regional similarities which suggest that visual communication occurred at some degree at an inter-regional scale, which is consistent with the existence of hunter-gatherer mobility and contact between both regions. However, such comparison also shows the existence of visual, technical and landscape construction differences in both regions, thus suggesting that in spite of the above mentioned inter-regional contact, visual communication mostly occurred at intra-regional scales.
Fil: Fiore, Danae. Asociación de Investigaciones Antropológicas; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Acevedo, Agustín. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Saavedra 15. Instituto Multidisciplinario de Historia y Ciencias Humanas; Argentina
Materia
Rock Art
Patagonia Centro Sur
Temas Visuales y Técnicos
Paisajes
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/41875

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spelling Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapesFiore, DanaeAcevedo, AgustínRock ArtPatagonia Centro SurTemas Visuales y TécnicosPaisajeshttps://purl.org/becyt/ford/6.1https://purl.org/becyt/ford/6In this paper we present a comparative discussion on several issues about hunter-gatherer rock art in two regions of central-southern Patagonia: Extremo Sur del Macizo del Deseado (ESMD) and Margen Norte del Río Santa Cruz (MNRS). The landscapes, bedrocks and topographies of both regions are compared, showing clear differences in the availability of rock surfaces on which to produce rock art: ESDM is characterised by a great number of caves and rockshelters, on which most rock art images have been painted, while MNRSC is characterised by large extensions of open-air basalt walls, on which most rock art images have been engraved. This may be related to the fact that ESMD?s topographies offer greater chances for the conservation of the paintings, while the open-air walls of MNRSC do not offer such shelter, and thus the choice of making engraved images in these bedrocks may have been linked to the higher conservation chances that such technique offers for images displayed in open air walls. The depicted themes and motif types repertoires of each region are presented and compared, showing the existence of some inter-regional similarities which suggest that visual communication occurred at some degree at an inter-regional scale, which is consistent with the existence of hunter-gatherer mobility and contact between both regions. However, such comparison also shows the existence of visual, technical and landscape construction differences in both regions, thus suggesting that in spite of the above mentioned inter-regional contact, visual communication mostly occurred at intra-regional scales.Fil: Fiore, Danae. Asociación de Investigaciones Antropológicas; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFil: Acevedo, Agustín. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Saavedra 15. Instituto Multidisciplinario de Historia y Ciencias Humanas; Argentinatelier Research Center in Conceptual Anthropology2015-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/41875Fiore, Danae; Acevedo, Agustín; Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes; telier Research Center in Conceptual Anthropology; Expression; 8; 6-2015; 63-682395-4132CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://www.atelier-etno.it/e-journal-expression/info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-11-12T09:38:18Zoai:ri.conicet.gov.ar:11336/41875instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-11-12 09:38:18.756CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes
title Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes
spellingShingle Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes
Fiore, Danae
Rock Art
Patagonia Centro Sur
Temas Visuales y Técnicos
Paisajes
title_short Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes
title_full Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes
title_fullStr Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes
title_full_unstemmed Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes
title_sort Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes
dc.creator.none.fl_str_mv Fiore, Danae
Acevedo, Agustín
author Fiore, Danae
author_facet Fiore, Danae
Acevedo, Agustín
author_role author
author2 Acevedo, Agustín
author2_role author
dc.subject.none.fl_str_mv Rock Art
Patagonia Centro Sur
Temas Visuales y Técnicos
Paisajes
topic Rock Art
Patagonia Centro Sur
Temas Visuales y Técnicos
Paisajes
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.1
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv In this paper we present a comparative discussion on several issues about hunter-gatherer rock art in two regions of central-southern Patagonia: Extremo Sur del Macizo del Deseado (ESMD) and Margen Norte del Río Santa Cruz (MNRS). The landscapes, bedrocks and topographies of both regions are compared, showing clear differences in the availability of rock surfaces on which to produce rock art: ESDM is characterised by a great number of caves and rockshelters, on which most rock art images have been painted, while MNRSC is characterised by large extensions of open-air basalt walls, on which most rock art images have been engraved. This may be related to the fact that ESMD?s topographies offer greater chances for the conservation of the paintings, while the open-air walls of MNRSC do not offer such shelter, and thus the choice of making engraved images in these bedrocks may have been linked to the higher conservation chances that such technique offers for images displayed in open air walls. The depicted themes and motif types repertoires of each region are presented and compared, showing the existence of some inter-regional similarities which suggest that visual communication occurred at some degree at an inter-regional scale, which is consistent with the existence of hunter-gatherer mobility and contact between both regions. However, such comparison also shows the existence of visual, technical and landscape construction differences in both regions, thus suggesting that in spite of the above mentioned inter-regional contact, visual communication mostly occurred at intra-regional scales.
Fil: Fiore, Danae. Asociación de Investigaciones Antropológicas; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Acevedo, Agustín. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Saavedra 15. Instituto Multidisciplinario de Historia y Ciencias Humanas; Argentina
description In this paper we present a comparative discussion on several issues about hunter-gatherer rock art in two regions of central-southern Patagonia: Extremo Sur del Macizo del Deseado (ESMD) and Margen Norte del Río Santa Cruz (MNRS). The landscapes, bedrocks and topographies of both regions are compared, showing clear differences in the availability of rock surfaces on which to produce rock art: ESDM is characterised by a great number of caves and rockshelters, on which most rock art images have been painted, while MNRSC is characterised by large extensions of open-air basalt walls, on which most rock art images have been engraved. This may be related to the fact that ESMD?s topographies offer greater chances for the conservation of the paintings, while the open-air walls of MNRSC do not offer such shelter, and thus the choice of making engraved images in these bedrocks may have been linked to the higher conservation chances that such technique offers for images displayed in open air walls. The depicted themes and motif types repertoires of each region are presented and compared, showing the existence of some inter-regional similarities which suggest that visual communication occurred at some degree at an inter-regional scale, which is consistent with the existence of hunter-gatherer mobility and contact between both regions. However, such comparison also shows the existence of visual, technical and landscape construction differences in both regions, thus suggesting that in spite of the above mentioned inter-regional contact, visual communication mostly occurred at intra-regional scales.
publishDate 2015
dc.date.none.fl_str_mv 2015-06
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/41875
Fiore, Danae; Acevedo, Agustín; Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes; telier Research Center in Conceptual Anthropology; Expression; 8; 6-2015; 63-68
2395-4132
CONICET Digital
CONICET
url http://hdl.handle.net/11336/41875
identifier_str_mv Fiore, Danae; Acevedo, Agustín; Hunter-gatherer rock art in two regions of Central-Southern Patagonia (Argentina): contrasting visual themes, techniques and landscapes; telier Research Center in Conceptual Anthropology; Expression; 8; 6-2015; 63-68
2395-4132
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/http://www.atelier-etno.it/e-journal-expression/
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
application/pdf
dc.publisher.none.fl_str_mv telier Research Center in Conceptual Anthropology
publisher.none.fl_str_mv telier Research Center in Conceptual Anthropology
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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