Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting
- Autores
- de Haro, Andrea Mariel; Córdova, María de Los Milagros; Rua Landa, Carlos; Huck Iriart, Cristián; Siracusano, Gabriela Silvana; Maier, Marta Silvia; Tomasini, Eugenia Paula
- Año de publicación
- 2023
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and establish the origin (natural or synthetic) of the atacamite pigment in Andean cultural heritage objects. Optical microscopy (OM), scanning electron microscopy with energy-dispersive spectroscopy (SEM-EDS), portable X-ray fluorescence spectroscopy (pXRF), attenuated total reflection infrared spectroscopy (FTIR-ATR), micro-Raman spectroscopy, and wide-angle X-ray scattering (WAXS) were applied to analyse green pigments from the altarpiece of the Church of Ancoraimes, atacamite mineral samples from Chile, and atacamite obtained as a secondary product from traditional recipes used to produce verdigris, a copper acetate. Viride salsum by Teófilo Presbítero (SXII) and the Spanish translation by Andrés de Laguna (1566) of “De Materia Médica” from Dioscorides are both texts that include recipes involving the use of metallic copper as a starting material. These studies will contribute to the history of Spanish American Colonial art and to the knowledge on technological capacities and skills in the Andean region during this period.
Fil: de Haro, Andrea Mariel. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Ciudad Universitaria. Unidad de Microanálisis y Métodos Físicos en Química Orgánica. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Unidad de Microanálisis y Métodos Físicos en Química Orgánica; Argentina
Fil: Córdova, María de Los Milagros. Instituto Nacional de Tecnología Industrial; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura;
Fil: Rua Landa, Carlos. Ministerio de Culturas y Turismo;
Fil: Huck Iriart, Cristián. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Escuela de Ciencia y Tecnología; Argentina. ALBA Synchrotron Light Source; España
Fil: Siracusano, Gabriela Silvana. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura;
Fil: Maier, Marta Silvia. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Ciudad Universitaria. Unidad de Microanálisis y Métodos Físicos en Química Orgánica. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Unidad de Microanálisis y Métodos Físicos en Química Orgánica; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura;
Fil: Tomasini, Eugenia Paula. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura; - Materia
-
ANDEAN COLONIAL ART
ANTIQUITY RECIPES
ATACAMITE
POLYCHROME SCULPTURE
RAMAN AND IR SPECTROSCOPY
WAXS - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/222664
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Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Paintingde Haro, Andrea MarielCórdova, María de Los MilagrosRua Landa, CarlosHuck Iriart, CristiánSiracusano, Gabriela SilvanaMaier, Marta SilviaTomasini, Eugenia PaulaANDEAN COLONIAL ARTANTIQUITY RECIPESATACAMITEPOLYCHROME SCULPTURERAMAN AND IR SPECTROSCOPYWAXShttps://purl.org/becyt/ford/1.4https://purl.org/becyt/ford/1Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and establish the origin (natural or synthetic) of the atacamite pigment in Andean cultural heritage objects. Optical microscopy (OM), scanning electron microscopy with energy-dispersive spectroscopy (SEM-EDS), portable X-ray fluorescence spectroscopy (pXRF), attenuated total reflection infrared spectroscopy (FTIR-ATR), micro-Raman spectroscopy, and wide-angle X-ray scattering (WAXS) were applied to analyse green pigments from the altarpiece of the Church of Ancoraimes, atacamite mineral samples from Chile, and atacamite obtained as a secondary product from traditional recipes used to produce verdigris, a copper acetate. Viride salsum by Teófilo Presbítero (SXII) and the Spanish translation by Andrés de Laguna (1566) of “De Materia Médica” from Dioscorides are both texts that include recipes involving the use of metallic copper as a starting material. These studies will contribute to the history of Spanish American Colonial art and to the knowledge on technological capacities and skills in the Andean region during this period.Fil: de Haro, Andrea Mariel. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Ciudad Universitaria. Unidad de Microanálisis y Métodos Físicos en Química Orgánica. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Unidad de Microanálisis y Métodos Físicos en Química Orgánica; ArgentinaFil: Córdova, María de Los Milagros. Instituto Nacional de Tecnología Industrial; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura;Fil: Rua Landa, Carlos. Ministerio de Culturas y Turismo;Fil: Huck Iriart, Cristián. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Escuela de Ciencia y Tecnología; Argentina. ALBA Synchrotron Light Source; EspañaFil: Siracusano, Gabriela Silvana. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura;Fil: Maier, Marta Silvia. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Ciudad Universitaria. Unidad de Microanálisis y Métodos Físicos en Química Orgánica. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Unidad de Microanálisis y Métodos Físicos en Química Orgánica; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura;Fil: Tomasini, Eugenia Paula. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura;Multidisciplinary Digital Publishing Institute2023-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/222664de Haro, Andrea Mariel; Córdova, María de Los Milagros; Rua Landa, Carlos; Huck Iriart, Cristián; Siracusano, Gabriela Silvana; et al.; Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting; Multidisciplinary Digital Publishing Institute; Heritage; 6; 7; 7-2023; 5116-51292571-9408CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.mdpi.com/2571-9408/6/7/272info:eu-repo/semantics/altIdentifier/doi/10.3390/heritage6070272info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:13:36Zoai:ri.conicet.gov.ar:11336/222664instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:13:37.143CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting |
title |
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting |
spellingShingle |
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting de Haro, Andrea Mariel ANDEAN COLONIAL ART ANTIQUITY RECIPES ATACAMITE POLYCHROME SCULPTURE RAMAN AND IR SPECTROSCOPY WAXS |
title_short |
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting |
title_full |
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting |
title_fullStr |
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting |
title_full_unstemmed |
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting |
title_sort |
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting |
dc.creator.none.fl_str_mv |
de Haro, Andrea Mariel Córdova, María de Los Milagros Rua Landa, Carlos Huck Iriart, Cristián Siracusano, Gabriela Silvana Maier, Marta Silvia Tomasini, Eugenia Paula |
author |
de Haro, Andrea Mariel |
author_facet |
de Haro, Andrea Mariel Córdova, María de Los Milagros Rua Landa, Carlos Huck Iriart, Cristián Siracusano, Gabriela Silvana Maier, Marta Silvia Tomasini, Eugenia Paula |
author_role |
author |
author2 |
Córdova, María de Los Milagros Rua Landa, Carlos Huck Iriart, Cristián Siracusano, Gabriela Silvana Maier, Marta Silvia Tomasini, Eugenia Paula |
author2_role |
author author author author author author |
dc.subject.none.fl_str_mv |
ANDEAN COLONIAL ART ANTIQUITY RECIPES ATACAMITE POLYCHROME SCULPTURE RAMAN AND IR SPECTROSCOPY WAXS |
topic |
ANDEAN COLONIAL ART ANTIQUITY RECIPES ATACAMITE POLYCHROME SCULPTURE RAMAN AND IR SPECTROSCOPY WAXS |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/1.4 https://purl.org/becyt/ford/1 |
dc.description.none.fl_txt_mv |
Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and establish the origin (natural or synthetic) of the atacamite pigment in Andean cultural heritage objects. Optical microscopy (OM), scanning electron microscopy with energy-dispersive spectroscopy (SEM-EDS), portable X-ray fluorescence spectroscopy (pXRF), attenuated total reflection infrared spectroscopy (FTIR-ATR), micro-Raman spectroscopy, and wide-angle X-ray scattering (WAXS) were applied to analyse green pigments from the altarpiece of the Church of Ancoraimes, atacamite mineral samples from Chile, and atacamite obtained as a secondary product from traditional recipes used to produce verdigris, a copper acetate. Viride salsum by Teófilo Presbítero (SXII) and the Spanish translation by Andrés de Laguna (1566) of “De Materia Médica” from Dioscorides are both texts that include recipes involving the use of metallic copper as a starting material. These studies will contribute to the history of Spanish American Colonial art and to the knowledge on technological capacities and skills in the Andean region during this period. Fil: de Haro, Andrea Mariel. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Ciudad Universitaria. Unidad de Microanálisis y Métodos Físicos en Química Orgánica. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Unidad de Microanálisis y Métodos Físicos en Química Orgánica; Argentina Fil: Córdova, María de Los Milagros. Instituto Nacional de Tecnología Industrial; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura; Fil: Rua Landa, Carlos. Ministerio de Culturas y Turismo; Fil: Huck Iriart, Cristián. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Escuela de Ciencia y Tecnología; Argentina. ALBA Synchrotron Light Source; España Fil: Siracusano, Gabriela Silvana. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura; Fil: Maier, Marta Silvia. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Ciudad Universitaria. Unidad de Microanálisis y Métodos Físicos en Química Orgánica. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Unidad de Microanálisis y Métodos Físicos en Química Orgánica; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura; Fil: Tomasini, Eugenia Paula. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Instituto de Investigaciones En Arte y Cultura "Dr. Norberto Griffa". Centro de Investigacion en Arte, Materia y Cultura; |
description |
Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and establish the origin (natural or synthetic) of the atacamite pigment in Andean cultural heritage objects. Optical microscopy (OM), scanning electron microscopy with energy-dispersive spectroscopy (SEM-EDS), portable X-ray fluorescence spectroscopy (pXRF), attenuated total reflection infrared spectroscopy (FTIR-ATR), micro-Raman spectroscopy, and wide-angle X-ray scattering (WAXS) were applied to analyse green pigments from the altarpiece of the Church of Ancoraimes, atacamite mineral samples from Chile, and atacamite obtained as a secondary product from traditional recipes used to produce verdigris, a copper acetate. Viride salsum by Teófilo Presbítero (SXII) and the Spanish translation by Andrés de Laguna (1566) of “De Materia Médica” from Dioscorides are both texts that include recipes involving the use of metallic copper as a starting material. These studies will contribute to the history of Spanish American Colonial art and to the knowledge on technological capacities and skills in the Andean region during this period. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-07 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/222664 de Haro, Andrea Mariel; Córdova, María de Los Milagros; Rua Landa, Carlos; Huck Iriart, Cristián; Siracusano, Gabriela Silvana; et al.; Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting; Multidisciplinary Digital Publishing Institute; Heritage; 6; 7; 7-2023; 5116-5129 2571-9408 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/222664 |
identifier_str_mv |
de Haro, Andrea Mariel; Córdova, María de Los Milagros; Rua Landa, Carlos; Huck Iriart, Cristián; Siracusano, Gabriela Silvana; et al.; Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting; Multidisciplinary Digital Publishing Institute; Heritage; 6; 7; 7-2023; 5116-5129 2571-9408 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/https://www.mdpi.com/2571-9408/6/7/272 info:eu-repo/semantics/altIdentifier/doi/10.3390/heritage6070272 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/2.5/ar/ |
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application/pdf application/pdf application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Multidisciplinary Digital Publishing Institute |
publisher.none.fl_str_mv |
Multidisciplinary Digital Publishing Institute |
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reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) |
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Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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13.070432 |