Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968)

Autores
Longoni, Ana
Año de publicación
2014
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
Tucumán Arde (hereafter referred to by its English translation, Tucumán Burns), nearly half a century after its opening in 1968, still remains largely unclassifiable. Part information campaign, part research endeavor, part political action, part counter-information exhibition, part collective art happening, part mythical legend, and part abysmal failure, it sought to have a direct impact on the revolutionary process then regarded as imminent by its artist-participants. More has been written about Tucumán Burns than about any other Argentine art event, and it continues to have a surprising capacity to be appropriated by very different arguments, positions, and genealogies, many of which seem to separate themselves from and even contradict the organizers’ original and radical intentions.
Fil: Longoni, Ana. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina
Materia
Vanguardia
Arte y Política
Argentina
Años Sesenta
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/35390
Acceder
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spelling Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968)Longoni, AnaVanguardiaArte y PolíticaArgentinaAños Sesentahttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6Tucumán Arde (hereafter referred to by its English translation, Tucumán Burns), nearly half a century after its opening in 1968, still remains largely unclassifiable. Part information campaign, part research endeavor, part political action, part counter-information exhibition, part collective art happening, part mythical legend, and part abysmal failure, it sought to have a direct impact on the revolutionary process then regarded as imminent by its artist-participants. More has been written about Tucumán Burns than about any other Argentine art event, and it continues to have a surprising capacity to be appropriated by very different arguments, positions, and genealogies, many of which seem to separate themselves from and even contradict the organizers’ original and radical intentions.Fil: Longoni, Ana. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; ArgentinaContrappunto2014-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/35390Longoni, Ana; Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968) ; Contrappunto; Mousse; 2; 4-2014; 1-182035-2565CONICET DigitalCONICETenginfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-11-12T09:42:50Zoai:ri.conicet.gov.ar:11336/35390instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-11-12 09:42:51.267CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968)
title Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968)
spellingShingle Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968)
Longoni, Ana
Vanguardia
Arte y Política
Argentina
Años Sesenta
title_short Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968)
title_full Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968)
title_fullStr Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968)
title_full_unstemmed Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968)
title_sort Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968)
dc.creator.none.fl_str_mv Longoni, Ana
author Longoni, Ana
author_facet Longoni, Ana
author_role author
dc.subject.none.fl_str_mv Vanguardia
Arte y Política
Argentina
Años Sesenta
topic Vanguardia
Arte y Política
Argentina
Años Sesenta
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv Tucumán Arde (hereafter referred to by its English translation, Tucumán Burns), nearly half a century after its opening in 1968, still remains largely unclassifiable. Part information campaign, part research endeavor, part political action, part counter-information exhibition, part collective art happening, part mythical legend, and part abysmal failure, it sought to have a direct impact on the revolutionary process then regarded as imminent by its artist-participants. More has been written about Tucumán Burns than about any other Argentine art event, and it continues to have a surprising capacity to be appropriated by very different arguments, positions, and genealogies, many of which seem to separate themselves from and even contradict the organizers’ original and radical intentions.
Fil: Longoni, Ana. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina
description Tucumán Arde (hereafter referred to by its English translation, Tucumán Burns), nearly half a century after its opening in 1968, still remains largely unclassifiable. Part information campaign, part research endeavor, part political action, part counter-information exhibition, part collective art happening, part mythical legend, and part abysmal failure, it sought to have a direct impact on the revolutionary process then regarded as imminent by its artist-participants. More has been written about Tucumán Burns than about any other Argentine art event, and it continues to have a surprising capacity to be appropriated by very different arguments, positions, and genealogies, many of which seem to separate themselves from and even contradict the organizers’ original and radical intentions.
publishDate 2014
dc.date.none.fl_str_mv 2014-04
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/35390
Longoni, Ana; Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968) ; Contrappunto; Mousse; 2; 4-2014; 1-18
2035-2565
CONICET Digital
CONICET
url http://hdl.handle.net/11336/35390
identifier_str_mv Longoni, Ana; Avant-Garde Argentinian Visual Artists Group, Tucumán Burns (1968) ; Contrappunto; Mousse; 2; 4-2014; 1-18
2035-2565
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Contrappunto
publisher.none.fl_str_mv Contrappunto
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.24909

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