A cross-cultural comparison of colour emotion for two-colour combinations
- Autores
- Ou, Li Chen; Luo, M. Ronnier; Sun, Pei Li; Hu, Neng Chung; Chen, Hung Shing; Guan, Shing Sheng; Woodcock, Andrée; Caivano, Jose Luis Ricardo; Huertas, Rafael; Treméau, Alain; Billger, Monica; Izadan, Hossein; Ritcher, Klaus
- Año de publicación
- 2012
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- Psychophysical experiments were conducted in the UK, Taiwan, France, Germany, Spain, Sweden, Argentina, and Iran to assess colour emotion for two-colour combinations using semantic scales warm/cool, heavy/ light, active/passive, and like/dislike. A total of 223 observers participated, each presented with 190 colour pairs as the stimuli, shown individually on a cathode ray tube display. The results show consistent responses across cultures only for warm/cool, heavy/light, and active/passive. The like/dislike scale, however, showed some differences between the observer groups, in particular between the Argentinian responses and those obtained from the other observers. Factor analysis reveals that the Argentinian observers preferred passive colour pairs to active ones more than the other observers. In addition to the cultural difference in like/dislike, the experimental results show some effects of gender, professional background (design vs. nondesign), and age. Female observers were found to prefer colour pairs with high-lightness or lowchroma values more than their male counterparts. Observers with a design background liked low-chroma colour pairs or those containing colours of similar hue more than nondesign observers. Older observers liked colour pairs with high-lightness or high-chroma values more than young observers did. Based on the findings, a two-level theory of colour emotion is proposed, in which warm/cool, heavy/light, and active/passive are identified as the reactive-level responses and like/dislike the reflective-level response.
Fil: Ou, Li Chen. University of Leeds; Reino Unido
Fil: Luo, M. Ronnier. University of Leeds; Reino Unido
Fil: Sun, Pei Li. National Taiwan University of Science and Technology; República de China
Fil: Hu, Neng Chung. National Taiwan University of Science and Technology; República de China
Fil: Chen, Hung Shing. National Taiwan University of Science and Technology; República de China
Fil: Guan, Shing Sheng. National Taiwan University of Science and Technology; República de China
Fil: Woodcock, Andrée. Coventry University; Reino Unido
Fil: Caivano, Jose Luis Ricardo. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Huertas, Rafael. Universidad de Granada; España
Fil: Treméau, Alain. Université Jean Monnet; Francia
Fil: Billger, Monica. Chalmers University Of Technology; Suecia
Fil: Izadan, Hossein. Isfahan University of Technology; Irán
Fil: Ritcher, Klaus. Bundesanstalt für Materialforschung und -prüfung; Alemania - Materia
-
Colour Emotion
Colour Preference
Cultural Difference
Design - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/15881
Ver los metadatos del registro completo
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A cross-cultural comparison of colour emotion for two-colour combinationsOu, Li ChenLuo, M. RonnierSun, Pei LiHu, Neng ChungChen, Hung ShingGuan, Shing ShengWoodcock, AndréeCaivano, Jose Luis RicardoHuertas, RafaelTreméau, AlainBillger, MonicaIzadan, HosseinRitcher, KlausColour EmotionColour PreferenceCultural DifferenceDesignhttps://purl.org/becyt/ford/5.1https://purl.org/becyt/ford/5Psychophysical experiments were conducted in the UK, Taiwan, France, Germany, Spain, Sweden, Argentina, and Iran to assess colour emotion for two-colour combinations using semantic scales warm/cool, heavy/ light, active/passive, and like/dislike. A total of 223 observers participated, each presented with 190 colour pairs as the stimuli, shown individually on a cathode ray tube display. The results show consistent responses across cultures only for warm/cool, heavy/light, and active/passive. The like/dislike scale, however, showed some differences between the observer groups, in particular between the Argentinian responses and those obtained from the other observers. Factor analysis reveals that the Argentinian observers preferred passive colour pairs to active ones more than the other observers. In addition to the cultural difference in like/dislike, the experimental results show some effects of gender, professional background (design vs. nondesign), and age. Female observers were found to prefer colour pairs with high-lightness or lowchroma values more than their male counterparts. Observers with a design background liked low-chroma colour pairs or those containing colours of similar hue more than nondesign observers. Older observers liked colour pairs with high-lightness or high-chroma values more than young observers did. Based on the findings, a two-level theory of colour emotion is proposed, in which warm/cool, heavy/light, and active/passive are identified as the reactive-level responses and like/dislike the reflective-level response.Fil: Ou, Li Chen. University of Leeds; Reino UnidoFil: Luo, M. Ronnier. University of Leeds; Reino UnidoFil: Sun, Pei Li. National Taiwan University of Science and Technology; República de ChinaFil: Hu, Neng Chung. National Taiwan University of Science and Technology; República de ChinaFil: Chen, Hung Shing. National Taiwan University of Science and Technology; República de ChinaFil: Guan, Shing Sheng. National Taiwan University of Science and Technology; República de ChinaFil: Woodcock, Andrée. Coventry University; Reino UnidoFil: Caivano, Jose Luis Ricardo. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFil: Huertas, Rafael. Universidad de Granada; EspañaFil: Treméau, Alain. Université Jean Monnet; FranciaFil: Billger, Monica. Chalmers University Of Technology; SueciaFil: Izadan, Hossein. Isfahan University of Technology; IránFil: Ritcher, Klaus. Bundesanstalt für Materialforschung und -prüfung; AlemaniaWiley2012-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/15881Ou, Li Chen; Luo, M. Ronnier; Sun, Pei Li; Hu, Neng Chung; Chen, Hung Shing; et al.; A cross-cultural comparison of colour emotion for two-colour combinations; Wiley; Color Research And Application; 37; 1; 2-2012; 23-430361-2317enginfo:eu-repo/semantics/altIdentifier/doi/10.1002/col.20648info:eu-repo/semantics/altIdentifier/url/http://onlinelibrary.wiley.com/doi/10.1002/col.20648/abstractinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-10T13:20:05Zoai:ri.conicet.gov.ar:11336/15881instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-10 13:20:06.06CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
A cross-cultural comparison of colour emotion for two-colour combinations |
title |
A cross-cultural comparison of colour emotion for two-colour combinations |
spellingShingle |
A cross-cultural comparison of colour emotion for two-colour combinations Ou, Li Chen Colour Emotion Colour Preference Cultural Difference Design |
title_short |
A cross-cultural comparison of colour emotion for two-colour combinations |
title_full |
A cross-cultural comparison of colour emotion for two-colour combinations |
title_fullStr |
A cross-cultural comparison of colour emotion for two-colour combinations |
title_full_unstemmed |
A cross-cultural comparison of colour emotion for two-colour combinations |
title_sort |
A cross-cultural comparison of colour emotion for two-colour combinations |
dc.creator.none.fl_str_mv |
Ou, Li Chen Luo, M. Ronnier Sun, Pei Li Hu, Neng Chung Chen, Hung Shing Guan, Shing Sheng Woodcock, Andrée Caivano, Jose Luis Ricardo Huertas, Rafael Treméau, Alain Billger, Monica Izadan, Hossein Ritcher, Klaus |
author |
Ou, Li Chen |
author_facet |
Ou, Li Chen Luo, M. Ronnier Sun, Pei Li Hu, Neng Chung Chen, Hung Shing Guan, Shing Sheng Woodcock, Andrée Caivano, Jose Luis Ricardo Huertas, Rafael Treméau, Alain Billger, Monica Izadan, Hossein Ritcher, Klaus |
author_role |
author |
author2 |
Luo, M. Ronnier Sun, Pei Li Hu, Neng Chung Chen, Hung Shing Guan, Shing Sheng Woodcock, Andrée Caivano, Jose Luis Ricardo Huertas, Rafael Treméau, Alain Billger, Monica Izadan, Hossein Ritcher, Klaus |
author2_role |
author author author author author author author author author author author author |
dc.subject.none.fl_str_mv |
Colour Emotion Colour Preference Cultural Difference Design |
topic |
Colour Emotion Colour Preference Cultural Difference Design |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/5.1 https://purl.org/becyt/ford/5 |
dc.description.none.fl_txt_mv |
Psychophysical experiments were conducted in the UK, Taiwan, France, Germany, Spain, Sweden, Argentina, and Iran to assess colour emotion for two-colour combinations using semantic scales warm/cool, heavy/ light, active/passive, and like/dislike. A total of 223 observers participated, each presented with 190 colour pairs as the stimuli, shown individually on a cathode ray tube display. The results show consistent responses across cultures only for warm/cool, heavy/light, and active/passive. The like/dislike scale, however, showed some differences between the observer groups, in particular between the Argentinian responses and those obtained from the other observers. Factor analysis reveals that the Argentinian observers preferred passive colour pairs to active ones more than the other observers. In addition to the cultural difference in like/dislike, the experimental results show some effects of gender, professional background (design vs. nondesign), and age. Female observers were found to prefer colour pairs with high-lightness or lowchroma values more than their male counterparts. Observers with a design background liked low-chroma colour pairs or those containing colours of similar hue more than nondesign observers. Older observers liked colour pairs with high-lightness or high-chroma values more than young observers did. Based on the findings, a two-level theory of colour emotion is proposed, in which warm/cool, heavy/light, and active/passive are identified as the reactive-level responses and like/dislike the reflective-level response. Fil: Ou, Li Chen. University of Leeds; Reino Unido Fil: Luo, M. Ronnier. University of Leeds; Reino Unido Fil: Sun, Pei Li. National Taiwan University of Science and Technology; República de China Fil: Hu, Neng Chung. National Taiwan University of Science and Technology; República de China Fil: Chen, Hung Shing. National Taiwan University of Science and Technology; República de China Fil: Guan, Shing Sheng. National Taiwan University of Science and Technology; República de China Fil: Woodcock, Andrée. Coventry University; Reino Unido Fil: Caivano, Jose Luis Ricardo. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina Fil: Huertas, Rafael. Universidad de Granada; España Fil: Treméau, Alain. Université Jean Monnet; Francia Fil: Billger, Monica. Chalmers University Of Technology; Suecia Fil: Izadan, Hossein. Isfahan University of Technology; Irán Fil: Ritcher, Klaus. Bundesanstalt für Materialforschung und -prüfung; Alemania |
description |
Psychophysical experiments were conducted in the UK, Taiwan, France, Germany, Spain, Sweden, Argentina, and Iran to assess colour emotion for two-colour combinations using semantic scales warm/cool, heavy/ light, active/passive, and like/dislike. A total of 223 observers participated, each presented with 190 colour pairs as the stimuli, shown individually on a cathode ray tube display. The results show consistent responses across cultures only for warm/cool, heavy/light, and active/passive. The like/dislike scale, however, showed some differences between the observer groups, in particular between the Argentinian responses and those obtained from the other observers. Factor analysis reveals that the Argentinian observers preferred passive colour pairs to active ones more than the other observers. In addition to the cultural difference in like/dislike, the experimental results show some effects of gender, professional background (design vs. nondesign), and age. Female observers were found to prefer colour pairs with high-lightness or lowchroma values more than their male counterparts. Observers with a design background liked low-chroma colour pairs or those containing colours of similar hue more than nondesign observers. Older observers liked colour pairs with high-lightness or high-chroma values more than young observers did. Based on the findings, a two-level theory of colour emotion is proposed, in which warm/cool, heavy/light, and active/passive are identified as the reactive-level responses and like/dislike the reflective-level response. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-02 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/15881 Ou, Li Chen; Luo, M. Ronnier; Sun, Pei Li; Hu, Neng Chung; Chen, Hung Shing; et al.; A cross-cultural comparison of colour emotion for two-colour combinations; Wiley; Color Research And Application; 37; 1; 2-2012; 23-43 0361-2317 |
url |
http://hdl.handle.net/11336/15881 |
identifier_str_mv |
Ou, Li Chen; Luo, M. Ronnier; Sun, Pei Li; Hu, Neng Chung; Chen, Hung Shing; et al.; A cross-cultural comparison of colour emotion for two-colour combinations; Wiley; Color Research And Application; 37; 1; 2-2012; 23-43 0361-2317 |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/doi/10.1002/col.20648 info:eu-repo/semantics/altIdentifier/url/http://onlinelibrary.wiley.com/doi/10.1002/col.20648/abstract |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Wiley |
publisher.none.fl_str_mv |
Wiley |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
reponame_str |
CONICET Digital (CONICET) |
collection |
CONICET Digital (CONICET) |
instname_str |
Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.name.fl_str_mv |
CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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12.48226 |