«Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020)
- Autores
- Puppo, María Lucía
- Año de publicación
- 2024
- Idioma
- español castellano
- Tipo de recurso
- parte de libro
- Estado
- versión publicada
- Descripción
- Social networks played a fundamental role in the Chilean social revolt of October 2019. It is widely known that they were used to call for the first mass mobilizations and that later, they provided alternative information that was not communicated by the official media, particularly regarding the brutal actions of state repression. It is estimated that more than four hundred civilians suffered eye injuries caused by tear gas and shots by police officers. Among them, there are several people who lost an eye or became completely blind. In solidarity with the victims and joining the demands of student, indigenous and feminist groups, among others, many artistic groups participated in the manifestations and also circulated their proposals on Instagram, Facebook and Twitter. In this paper we will refer to two interventions with/by the poet, artist and performer Cecilia Vicuña (Santiago de Chile, 1948) that revolved around the eyes, sight and the visible. On the one hand, we will analyze them in the context of the artistic manifestations that addressed the issue, conceived in the heat of the 2019 events. On the other hand, their examination will allow us to outline some features of a politics of gaze that is consubstantial to Vicuña’s aesthetic project.
Fil: Puppo, María Lucía. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Pontificia Universidad Católica Argentina "Santa María de los Buenos Aires". Facultad de Filosofía y Letras. Departamento de Letras. Centro de Estudios de Literatura Comparada "María T. Maiorana"; Argentina - Materia
-
SEMIÓTICA
ROSTRO
ERA DIGITAL
CECILIA VICUÑA - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/251011
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«Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020)Puppo, María LucíaSEMIÓTICAROSTROERA DIGITALCECILIA VICUÑAhttps://purl.org/becyt/ford/6.5https://purl.org/becyt/ford/6Social networks played a fundamental role in the Chilean social revolt of October 2019. It is widely known that they were used to call for the first mass mobilizations and that later, they provided alternative information that was not communicated by the official media, particularly regarding the brutal actions of state repression. It is estimated that more than four hundred civilians suffered eye injuries caused by tear gas and shots by police officers. Among them, there are several people who lost an eye or became completely blind. In solidarity with the victims and joining the demands of student, indigenous and feminist groups, among others, many artistic groups participated in the manifestations and also circulated their proposals on Instagram, Facebook and Twitter. In this paper we will refer to two interventions with/by the poet, artist and performer Cecilia Vicuña (Santiago de Chile, 1948) that revolved around the eyes, sight and the visible. On the one hand, we will analyze them in the context of the artistic manifestations that addressed the issue, conceived in the heat of the 2019 events. On the other hand, their examination will allow us to outline some features of a politics of gaze that is consubstantial to Vicuña’s aesthetic project.Fil: Puppo, María Lucía. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Pontificia Universidad Católica Argentina "Santa María de los Buenos Aires". Facultad de Filosofía y Letras. Departamento de Letras. Centro de Estudios de Literatura Comparada "María T. Maiorana"; ArgentinaAracneVoto, CristinaSoro, ElsaFernández, José LuisLeone, Massimo2024info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookParthttp://purl.org/coar/resource_type/c_3248info:ar-repo/semantics/parteDeLibroapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/251011Puppo, María Lucía; «Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020); Aracne; 51; 2024; 109-124979-12-218-0853-7CONICET DigitalCONICETspainfo:eu-repo/semantics/altIdentifier/url/https://www.aracneeditrice.eu/free-download/9791221808537.pdfinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T09:37:39Zoai:ri.conicet.gov.ar:11336/251011instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 09:37:39.442CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
«Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020) |
title |
«Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020) |
spellingShingle |
«Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020) Puppo, María Lucía SEMIÓTICA ROSTRO ERA DIGITAL CECILIA VICUÑA |
title_short |
«Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020) |
title_full |
«Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020) |
title_fullStr |
«Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020) |
title_full_unstemmed |
«Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020) |
title_sort |
«Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020) |
dc.creator.none.fl_str_mv |
Puppo, María Lucía |
author |
Puppo, María Lucía |
author_facet |
Puppo, María Lucía |
author_role |
author |
dc.contributor.none.fl_str_mv |
Voto, Cristina Soro, Elsa Fernández, José Luis Leone, Massimo |
dc.subject.none.fl_str_mv |
SEMIÓTICA ROSTRO ERA DIGITAL CECILIA VICUÑA |
topic |
SEMIÓTICA ROSTRO ERA DIGITAL CECILIA VICUÑA |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.5 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
Social networks played a fundamental role in the Chilean social revolt of October 2019. It is widely known that they were used to call for the first mass mobilizations and that later, they provided alternative information that was not communicated by the official media, particularly regarding the brutal actions of state repression. It is estimated that more than four hundred civilians suffered eye injuries caused by tear gas and shots by police officers. Among them, there are several people who lost an eye or became completely blind. In solidarity with the victims and joining the demands of student, indigenous and feminist groups, among others, many artistic groups participated in the manifestations and also circulated their proposals on Instagram, Facebook and Twitter. In this paper we will refer to two interventions with/by the poet, artist and performer Cecilia Vicuña (Santiago de Chile, 1948) that revolved around the eyes, sight and the visible. On the one hand, we will analyze them in the context of the artistic manifestations that addressed the issue, conceived in the heat of the 2019 events. On the other hand, their examination will allow us to outline some features of a politics of gaze that is consubstantial to Vicuña’s aesthetic project. Fil: Puppo, María Lucía. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Pontificia Universidad Católica Argentina "Santa María de los Buenos Aires". Facultad de Filosofía y Letras. Departamento de Letras. Centro de Estudios de Literatura Comparada "María T. Maiorana"; Argentina |
description |
Social networks played a fundamental role in the Chilean social revolt of October 2019. It is widely known that they were used to call for the first mass mobilizations and that later, they provided alternative information that was not communicated by the official media, particularly regarding the brutal actions of state repression. It is estimated that more than four hundred civilians suffered eye injuries caused by tear gas and shots by police officers. Among them, there are several people who lost an eye or became completely blind. In solidarity with the victims and joining the demands of student, indigenous and feminist groups, among others, many artistic groups participated in the manifestations and also circulated their proposals on Instagram, Facebook and Twitter. In this paper we will refer to two interventions with/by the poet, artist and performer Cecilia Vicuña (Santiago de Chile, 1948) that revolved around the eyes, sight and the visible. On the one hand, we will analyze them in the context of the artistic manifestations that addressed the issue, conceived in the heat of the 2019 events. On the other hand, their examination will allow us to outline some features of a politics of gaze that is consubstantial to Vicuña’s aesthetic project. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024 |
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info:eu-repo/semantics/publishedVersion info:eu-repo/semantics/bookPart http://purl.org/coar/resource_type/c_3248 info:ar-repo/semantics/parteDeLibro |
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publishedVersion |
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bookPart |
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http://hdl.handle.net/11336/251011 Puppo, María Lucía; «Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020); Aracne; 51; 2024; 109-124 979-12-218-0853-7 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/251011 |
identifier_str_mv |
Puppo, María Lucía; «Ver la verdad del ver»: El arte de Cecilia Vicuña ante el estallido social chileno (2019-2020); Aracne; 51; 2024; 109-124 979-12-218-0853-7 CONICET Digital CONICET |
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