A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control
- Autores
- Matti, Felipe Andres
- Año de publicación
- 2025
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- This paper examines the interplay between affectivity, individuality and territory through the lens of Gilles Deleuze’s philosophy of the image. To such end, this article employs a philosophical and conceptual analysis grounded in Gilles Deleuze’s cinema theory. The method is qualitative and interpretive, focusing on conceptual elaboration, theoretical synthesis and philosophical critique, rather than empirical research. The article finds that the close-up suspends individuation and expresses the pure affect by deterritorialising the subject. However, in contemporary media, this potential is reterritorialised through political messaging that uses close-up imagery to fix affect within ideological frameworks. Instead of expressing affect, political figures represent and capture it, neutralising its disruptive force.
Fil: Matti, Felipe Andres. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Pontificia Universidad Católica Argentina "Santa María de los Buenos Aires"; Argentina - Materia
-
Deleuze
Guattari
Image
Politics - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
.jpg)
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/274230
Ver los metadatos del registro completo
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A Suspended Individual: The Close-up as Deterritorialisation and Political Device of ControlMatti, Felipe AndresDeleuzeGuattariImagePoliticshttps://purl.org/becyt/ford/6.3https://purl.org/becyt/ford/6This paper examines the interplay between affectivity, individuality and territory through the lens of Gilles Deleuze’s philosophy of the image. To such end, this article employs a philosophical and conceptual analysis grounded in Gilles Deleuze’s cinema theory. The method is qualitative and interpretive, focusing on conceptual elaboration, theoretical synthesis and philosophical critique, rather than empirical research. The article finds that the close-up suspends individuation and expresses the pure affect by deterritorialising the subject. However, in contemporary media, this potential is reterritorialised through political messaging that uses close-up imagery to fix affect within ideological frameworks. Instead of expressing affect, political figures represent and capture it, neutralising its disruptive force.Fil: Matti, Felipe Andres. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Pontificia Universidad Católica Argentina "Santa María de los Buenos Aires"; ArgentinaLithuanian Academy of Sciences2025-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/274230Matti, Felipe Andres; A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control; Lithuanian Academy of Sciences; Filosofija. Sociologija; 36; 3; 8-2025; 324–3320235-71862424-4546CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.lmaleidykla.lt/ojs/index.php/filosofija-sociologija/article/view/6477info:eu-repo/semantics/altIdentifier/doi/10.6001/fil-soc.2025.36.3.10info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-11-05T10:00:40Zoai:ri.conicet.gov.ar:11336/274230instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-11-05 10:00:40.94CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
| dc.title.none.fl_str_mv |
A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control |
| title |
A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control |
| spellingShingle |
A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control Matti, Felipe Andres Deleuze Guattari Image Politics |
| title_short |
A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control |
| title_full |
A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control |
| title_fullStr |
A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control |
| title_full_unstemmed |
A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control |
| title_sort |
A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control |
| dc.creator.none.fl_str_mv |
Matti, Felipe Andres |
| author |
Matti, Felipe Andres |
| author_facet |
Matti, Felipe Andres |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Deleuze Guattari Image Politics |
| topic |
Deleuze Guattari Image Politics |
| purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.3 https://purl.org/becyt/ford/6 |
| dc.description.none.fl_txt_mv |
This paper examines the interplay between affectivity, individuality and territory through the lens of Gilles Deleuze’s philosophy of the image. To such end, this article employs a philosophical and conceptual analysis grounded in Gilles Deleuze’s cinema theory. The method is qualitative and interpretive, focusing on conceptual elaboration, theoretical synthesis and philosophical critique, rather than empirical research. The article finds that the close-up suspends individuation and expresses the pure affect by deterritorialising the subject. However, in contemporary media, this potential is reterritorialised through political messaging that uses close-up imagery to fix affect within ideological frameworks. Instead of expressing affect, political figures represent and capture it, neutralising its disruptive force. Fil: Matti, Felipe Andres. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Pontificia Universidad Católica Argentina "Santa María de los Buenos Aires"; Argentina |
| description |
This paper examines the interplay between affectivity, individuality and territory through the lens of Gilles Deleuze’s philosophy of the image. To such end, this article employs a philosophical and conceptual analysis grounded in Gilles Deleuze’s cinema theory. The method is qualitative and interpretive, focusing on conceptual elaboration, theoretical synthesis and philosophical critique, rather than empirical research. The article finds that the close-up suspends individuation and expresses the pure affect by deterritorialising the subject. However, in contemporary media, this potential is reterritorialised through political messaging that uses close-up imagery to fix affect within ideological frameworks. Instead of expressing affect, political figures represent and capture it, neutralising its disruptive force. |
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2025 |
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2025-08 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
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article |
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http://hdl.handle.net/11336/274230 Matti, Felipe Andres; A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control; Lithuanian Academy of Sciences; Filosofija. Sociologija; 36; 3; 8-2025; 324–332 0235-7186 2424-4546 CONICET Digital CONICET |
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http://hdl.handle.net/11336/274230 |
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Matti, Felipe Andres; A Suspended Individual: The Close-up as Deterritorialisation and Political Device of Control; Lithuanian Academy of Sciences; Filosofija. Sociologija; 36; 3; 8-2025; 324–332 0235-7186 2424-4546 CONICET Digital CONICET |
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eng |
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eng |
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Lithuanian Academy of Sciences |
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Lithuanian Academy of Sciences |
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