An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s)

Autores
Gluzman, Georgina Gabriela
Año de publicación
2019
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
From the late 1920s on, Buenos Aires witnessed the emergence of exhibitions of a separatist character for women artists. Their vast development, the extensive coverage by the press, and their links to feminist institutions have been ignored in traditional art historical literature. Focusing on the Salón Femenino organized by the Club Argentino de Mujeres, this article aims to reconstruct the organization of these events, to examine their reception, and to analyze the careers of some of the participating women artists. These exhibitions offer a new perspective for the analysis of a period of intense feminine artistic activity in Argentina.
Fil: Gluzman, Georgina Gabriela. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Universidad Nacional de San Martín. Centro de Investigaciones en Arte y Patrimonio. - Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Parque Centenario. Centro de Investigaciones en Arte y Patrimonio; Argentina
Materia
ALL-FEMALE SHOWS
WOMEN ARTISTS
ARGENTINE WOMEN ARTISTS
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/136313
Acceder
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spelling An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s)Gluzman, Georgina GabrielaALL-FEMALE SHOWSWOMEN ARTISTSARGENTINE WOMEN ARTISTShttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6From the late 1920s on, Buenos Aires witnessed the emergence of exhibitions of a separatist character for women artists. Their vast development, the extensive coverage by the press, and their links to feminist institutions have been ignored in traditional art historical literature. Focusing on the Salón Femenino organized by the Club Argentino de Mujeres, this article aims to reconstruct the organization of these events, to examine their reception, and to analyze the careers of some of the participating women artists. These exhibitions offer a new perspective for the analysis of a period of intense feminine artistic activity in Argentina.Fil: Gluzman, Georgina Gabriela. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Universidad Nacional de San Martín. Centro de Investigaciones en Arte y Patrimonio. - Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Parque Centenario. Centro de Investigaciones en Arte y Patrimonio; ArgentinaÉcole Normale Supérieure2019-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/136313Gluzman, Georgina Gabriela; An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s); École Normale Supérieure; Artl@s Bulletin; 8; 8-2019; 138-1512264-2668CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1172&context=artlasinfo:eu-repo/semantics/altIdentifier/url/https://docs.lib.purdue.edu/artlas/vol8/iss1/9/?utm_source=docs.lib.purdue.edu%2Fartlas%2Fvol8%2Fiss1%2F9&utm_medium=PDF&utm_campaign=PDFCoverPagesinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T09:58:32Zoai:ri.conicet.gov.ar:11336/136313instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 09:58:32.799CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s)
title An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s)
spellingShingle An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s)
Gluzman, Georgina Gabriela
ALL-FEMALE SHOWS
WOMEN ARTISTS
ARGENTINE WOMEN ARTISTS
title_short An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s)
title_full An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s)
title_fullStr An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s)
title_full_unstemmed An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s)
title_sort An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s)
dc.creator.none.fl_str_mv Gluzman, Georgina Gabriela
author Gluzman, Georgina Gabriela
author_facet Gluzman, Georgina Gabriela
author_role author
dc.subject.none.fl_str_mv ALL-FEMALE SHOWS
WOMEN ARTISTS
ARGENTINE WOMEN ARTISTS
topic ALL-FEMALE SHOWS
WOMEN ARTISTS
ARGENTINE WOMEN ARTISTS
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv From the late 1920s on, Buenos Aires witnessed the emergence of exhibitions of a separatist character for women artists. Their vast development, the extensive coverage by the press, and their links to feminist institutions have been ignored in traditional art historical literature. Focusing on the Salón Femenino organized by the Club Argentino de Mujeres, this article aims to reconstruct the organization of these events, to examine their reception, and to analyze the careers of some of the participating women artists. These exhibitions offer a new perspective for the analysis of a period of intense feminine artistic activity in Argentina.
Fil: Gluzman, Georgina Gabriela. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Universidad Nacional de San Martín. Centro de Investigaciones en Arte y Patrimonio. - Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Parque Centenario. Centro de Investigaciones en Arte y Patrimonio; Argentina
description From the late 1920s on, Buenos Aires witnessed the emergence of exhibitions of a separatist character for women artists. Their vast development, the extensive coverage by the press, and their links to feminist institutions have been ignored in traditional art historical literature. Focusing on the Salón Femenino organized by the Club Argentino de Mujeres, this article aims to reconstruct the organization of these events, to examine their reception, and to analyze the careers of some of the participating women artists. These exhibitions offer a new perspective for the analysis of a period of intense feminine artistic activity in Argentina.
publishDate 2019
dc.date.none.fl_str_mv 2019-08
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/136313
Gluzman, Georgina Gabriela; An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s); École Normale Supérieure; Artl@s Bulletin; 8; 8-2019; 138-151
2264-2668
CONICET Digital
CONICET
url http://hdl.handle.net/11336/136313
identifier_str_mv Gluzman, Georgina Gabriela; An exhibition of one's own: the Salón Femenino de Bellas Artes (Buenos Aires, 1930s-1940s); École Normale Supérieure; Artl@s Bulletin; 8; 8-2019; 138-151
2264-2668
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1172&context=artlas
info:eu-repo/semantics/altIdentifier/url/https://docs.lib.purdue.edu/artlas/vol8/iss1/9/?utm_source=docs.lib.purdue.edu%2Fartlas%2Fvol8%2Fiss1%2F9&utm_medium=PDF&utm_campaign=PDFCoverPages
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv École Normale Supérieure
publisher.none.fl_str_mv École Normale Supérieure
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.070432

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