Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414)
- Autores
- Fernandez, Claudia Nelida
- Año de publicación
- 2021
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- Blepsidemus is associated with the comic figure of the bomolochos, as he serves as a ludicrous counterpoint for Chremylus in his debate with Poverty. But the moment in which Blepsidemus demonstrates all of his potential as a dramatic character occurs during the previous scene to the agon (vv. 332–414), when he takes part in a dialogue with his friend. This was highlighted as the only example of quiproquo (“misunderstanding”) in Aristophanes’ plays. The aim of this paper is to explore the aesthetic efficacy of its composition and its semantic impact on the comedy.
Fil: Fernandez, Claudia Nelida. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; Argentina - Materia
-
ARISTOPHANES’ WEALTH
BLEPSIDEMUS
BOMOLOCHOS
QUIPROQUO - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/181551
Ver los metadatos del registro completo
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Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414)Fernandez, Claudia NelidaARISTOPHANES’ WEALTHBLEPSIDEMUSBOMOLOCHOSQUIPROQUOhttps://purl.org/becyt/ford/6.2https://purl.org/becyt/ford/6Blepsidemus is associated with the comic figure of the bomolochos, as he serves as a ludicrous counterpoint for Chremylus in his debate with Poverty. But the moment in which Blepsidemus demonstrates all of his potential as a dramatic character occurs during the previous scene to the agon (vv. 332–414), when he takes part in a dialogue with his friend. This was highlighted as the only example of quiproquo (“misunderstanding”) in Aristophanes’ plays. The aim of this paper is to explore the aesthetic efficacy of its composition and its semantic impact on the comedy.Fil: Fernandez, Claudia Nelida. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; ArgentinaMasaryk University2021-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/181551Fernandez, Claudia Nelida; Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414); Masaryk University; Graeco-Latina Brunensia; 26; 2; 8-2021; 67-821803-74022336-4424CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://digilib.phil.muni.cz/handle/11222.digilib/144587info:eu-repo/semantics/altIdentifier/doi/10.5817/GLB2021-2-5info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T14:31:43Zoai:ri.conicet.gov.ar:11336/181551instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 14:31:43.533CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414) |
title |
Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414) |
spellingShingle |
Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414) Fernandez, Claudia Nelida ARISTOPHANES’ WEALTH BLEPSIDEMUS BOMOLOCHOS QUIPROQUO |
title_short |
Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414) |
title_full |
Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414) |
title_fullStr |
Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414) |
title_full_unstemmed |
Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414) |
title_sort |
Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414) |
dc.creator.none.fl_str_mv |
Fernandez, Claudia Nelida |
author |
Fernandez, Claudia Nelida |
author_facet |
Fernandez, Claudia Nelida |
author_role |
author |
dc.subject.none.fl_str_mv |
ARISTOPHANES’ WEALTH BLEPSIDEMUS BOMOLOCHOS QUIPROQUO |
topic |
ARISTOPHANES’ WEALTH BLEPSIDEMUS BOMOLOCHOS QUIPROQUO |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.2 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
Blepsidemus is associated with the comic figure of the bomolochos, as he serves as a ludicrous counterpoint for Chremylus in his debate with Poverty. But the moment in which Blepsidemus demonstrates all of his potential as a dramatic character occurs during the previous scene to the agon (vv. 332–414), when he takes part in a dialogue with his friend. This was highlighted as the only example of quiproquo (“misunderstanding”) in Aristophanes’ plays. The aim of this paper is to explore the aesthetic efficacy of its composition and its semantic impact on the comedy. Fil: Fernandez, Claudia Nelida. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; Argentina |
description |
Blepsidemus is associated with the comic figure of the bomolochos, as he serves as a ludicrous counterpoint for Chremylus in his debate with Poverty. But the moment in which Blepsidemus demonstrates all of his potential as a dramatic character occurs during the previous scene to the agon (vv. 332–414), when he takes part in a dialogue with his friend. This was highlighted as the only example of quiproquo (“misunderstanding”) in Aristophanes’ plays. The aim of this paper is to explore the aesthetic efficacy of its composition and its semantic impact on the comedy. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-08 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/181551 Fernandez, Claudia Nelida; Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414); Masaryk University; Graeco-Latina Brunensia; 26; 2; 8-2021; 67-82 1803-7402 2336-4424 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/181551 |
identifier_str_mv |
Fernandez, Claudia Nelida; Chremylus encounters Blepsidemus: The first quiproquo? (Aristophanes’ Wealth 332–414); Masaryk University; Graeco-Latina Brunensia; 26; 2; 8-2021; 67-82 1803-7402 2336-4424 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
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dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-sa/2.5/ar/ |
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openAccess |
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https://creativecommons.org/licenses/by-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Masaryk University |
publisher.none.fl_str_mv |
Masaryk University |
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CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
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dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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