Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s
- Autores
- Zylberman, Lior Alejandro
- Año de publicación
- 2013
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- This work is part of a broader study. This article analyzes Argentine films about the genocide perpetrated by the country’s last military dictatorship (1976-1983). The focus is on the films produced during the 1980s, specifically those made between 1984 and 1989. Generally these films have been analyzed from an aesthetic perspective, or else from a chronological standpoint that connects their historical context to the design aspects of individual films, their mise-en-scène. Central to this latter approach has been what is termed a prevailing “theory of the two demons”. This approach is generally valid, however this article posits that in their narrative strategies— that is, their plots, ideas, and stories— Argentinean films from the late- 1980s present a wealth of elements that exceed such narrow theorizing, in the process enabling comparisons and contrasts with other studies of the country’s genocide.
Fil: Zylberman, Lior Alejandro. Universidad Nacional de Tres de Febrero. Centro de Estudios sobre Genocidio; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina - Materia
-
Argentina
Films
Representations of genocide
Narrative strategies - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/28478
Ver los metadatos del registro completo
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Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980sZylberman, Lior AlejandroArgentinaFilmsRepresentations of genocideNarrative strategieshttps://purl.org/becyt/ford/5.4https://purl.org/becyt/ford/5https://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6This work is part of a broader study. This article analyzes Argentine films about the genocide perpetrated by the country’s last military dictatorship (1976-1983). The focus is on the films produced during the 1980s, specifically those made between 1984 and 1989. Generally these films have been analyzed from an aesthetic perspective, or else from a chronological standpoint that connects their historical context to the design aspects of individual films, their mise-en-scène. Central to this latter approach has been what is termed a prevailing “theory of the two demons”. This approach is generally valid, however this article posits that in their narrative strategies— that is, their plots, ideas, and stories— Argentinean films from the late- 1980s present a wealth of elements that exceed such narrow theorizing, in the process enabling comparisons and contrasts with other studies of the country’s genocide.Fil: Zylberman, Lior Alejandro. Universidad Nacional de Tres de Febrero. Centro de Estudios sobre Genocidio; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaInternational Association of Genocide Scholars2013-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/28478Zylberman, Lior Alejandro; Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s; International Association of Genocide Scholars; Genocide Studies and Prevention; 8; 1; 11-2013; 45-561911-0359CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://scholarcommons.usf.edu/gsp/vol8/iss1/8/info:eu-repo/semantics/altIdentifier/doi/10.5038/1911-9933.8.1.6info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:51:10Zoai:ri.conicet.gov.ar:11336/28478instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:51:10.773CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s |
title |
Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s |
spellingShingle |
Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s Zylberman, Lior Alejandro Argentina Films Representations of genocide Narrative strategies |
title_short |
Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s |
title_full |
Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s |
title_fullStr |
Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s |
title_full_unstemmed |
Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s |
title_sort |
Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s |
dc.creator.none.fl_str_mv |
Zylberman, Lior Alejandro |
author |
Zylberman, Lior Alejandro |
author_facet |
Zylberman, Lior Alejandro |
author_role |
author |
dc.subject.none.fl_str_mv |
Argentina Films Representations of genocide Narrative strategies |
topic |
Argentina Films Representations of genocide Narrative strategies |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/5.4 https://purl.org/becyt/ford/5 https://purl.org/becyt/ford/6.4 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
This work is part of a broader study. This article analyzes Argentine films about the genocide perpetrated by the country’s last military dictatorship (1976-1983). The focus is on the films produced during the 1980s, specifically those made between 1984 and 1989. Generally these films have been analyzed from an aesthetic perspective, or else from a chronological standpoint that connects their historical context to the design aspects of individual films, their mise-en-scène. Central to this latter approach has been what is termed a prevailing “theory of the two demons”. This approach is generally valid, however this article posits that in their narrative strategies— that is, their plots, ideas, and stories— Argentinean films from the late- 1980s present a wealth of elements that exceed such narrow theorizing, in the process enabling comparisons and contrasts with other studies of the country’s genocide. Fil: Zylberman, Lior Alejandro. Universidad Nacional de Tres de Febrero. Centro de Estudios sobre Genocidio; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina |
description |
This work is part of a broader study. This article analyzes Argentine films about the genocide perpetrated by the country’s last military dictatorship (1976-1983). The focus is on the films produced during the 1980s, specifically those made between 1984 and 1989. Generally these films have been analyzed from an aesthetic perspective, or else from a chronological standpoint that connects their historical context to the design aspects of individual films, their mise-en-scène. Central to this latter approach has been what is termed a prevailing “theory of the two demons”. This approach is generally valid, however this article posits that in their narrative strategies— that is, their plots, ideas, and stories— Argentinean films from the late- 1980s present a wealth of elements that exceed such narrow theorizing, in the process enabling comparisons and contrasts with other studies of the country’s genocide. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-11 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/28478 Zylberman, Lior Alejandro; Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s; International Association of Genocide Scholars; Genocide Studies and Prevention; 8; 1; 11-2013; 45-56 1911-0359 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/28478 |
identifier_str_mv |
Zylberman, Lior Alejandro; Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s; International Association of Genocide Scholars; Genocide Studies and Prevention; 8; 1; 11-2013; 45-56 1911-0359 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/http://scholarcommons.usf.edu/gsp/vol8/iss1/8/ info:eu-repo/semantics/altIdentifier/doi/10.5038/1911-9933.8.1.6 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
International Association of Genocide Scholars |
publisher.none.fl_str_mv |
International Association of Genocide Scholars |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
reponame_str |
CONICET Digital (CONICET) |
collection |
CONICET Digital (CONICET) |
instname_str |
Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.name.fl_str_mv |
CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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1842269077847932928 |
score |
13.13397 |