Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s

Autores
Zylberman, Lior Alejandro
Año de publicación
2013
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This work is part of a broader study. This article analyzes Argentine films about the genocide perpetrated by the country’s last military dictatorship (1976-1983). The focus is on the films produced during the 1980s, specifically those made between 1984 and 1989. Generally these films have been analyzed from an aesthetic perspective, or else from a chronological standpoint that connects their historical context to the design aspects of individual films, their mise-en-scène. Central to this latter approach has been what is termed a prevailing “theory of the two demons”. This approach is generally valid, however this article posits that in their narrative strategies— that is, their plots, ideas, and stories— Argentinean films from the late- 1980s present a wealth of elements that exceed such narrow theorizing, in the process enabling comparisons and contrasts with other studies of the country’s genocide.
Fil: Zylberman, Lior Alejandro. Universidad Nacional de Tres de Febrero. Centro de Estudios sobre Genocidio; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
Argentina
Films
Representations of genocide
Narrative strategies
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/28478

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spelling Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980sZylberman, Lior AlejandroArgentinaFilmsRepresentations of genocideNarrative strategieshttps://purl.org/becyt/ford/5.4https://purl.org/becyt/ford/5https://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6This work is part of a broader study. This article analyzes Argentine films about the genocide perpetrated by the country’s last military dictatorship (1976-1983). The focus is on the films produced during the 1980s, specifically those made between 1984 and 1989. Generally these films have been analyzed from an aesthetic perspective, or else from a chronological standpoint that connects their historical context to the design aspects of individual films, their mise-en-scène. Central to this latter approach has been what is termed a prevailing “theory of the two demons”. This approach is generally valid, however this article posits that in their narrative strategies— that is, their plots, ideas, and stories— Argentinean films from the late- 1980s present a wealth of elements that exceed such narrow theorizing, in the process enabling comparisons and contrasts with other studies of the country’s genocide.Fil: Zylberman, Lior Alejandro. Universidad Nacional de Tres de Febrero. Centro de Estudios sobre Genocidio; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaInternational Association of Genocide Scholars2013-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/28478Zylberman, Lior Alejandro; Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s; International Association of Genocide Scholars; Genocide Studies and Prevention; 8; 1; 11-2013; 45-561911-0359CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://scholarcommons.usf.edu/gsp/vol8/iss1/8/info:eu-repo/semantics/altIdentifier/doi/10.5038/1911-9933.8.1.6info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:51:10Zoai:ri.conicet.gov.ar:11336/28478instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:51:10.773CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s
title Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s
spellingShingle Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s
Zylberman, Lior Alejandro
Argentina
Films
Representations of genocide
Narrative strategies
title_short Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s
title_full Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s
title_fullStr Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s
title_full_unstemmed Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s
title_sort Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s
dc.creator.none.fl_str_mv Zylberman, Lior Alejandro
author Zylberman, Lior Alejandro
author_facet Zylberman, Lior Alejandro
author_role author
dc.subject.none.fl_str_mv Argentina
Films
Representations of genocide
Narrative strategies
topic Argentina
Films
Representations of genocide
Narrative strategies
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.4
https://purl.org/becyt/ford/5
https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv This work is part of a broader study. This article analyzes Argentine films about the genocide perpetrated by the country’s last military dictatorship (1976-1983). The focus is on the films produced during the 1980s, specifically those made between 1984 and 1989. Generally these films have been analyzed from an aesthetic perspective, or else from a chronological standpoint that connects their historical context to the design aspects of individual films, their mise-en-scène. Central to this latter approach has been what is termed a prevailing “theory of the two demons”. This approach is generally valid, however this article posits that in their narrative strategies— that is, their plots, ideas, and stories— Argentinean films from the late- 1980s present a wealth of elements that exceed such narrow theorizing, in the process enabling comparisons and contrasts with other studies of the country’s genocide.
Fil: Zylberman, Lior Alejandro. Universidad Nacional de Tres de Febrero. Centro de Estudios sobre Genocidio; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description This work is part of a broader study. This article analyzes Argentine films about the genocide perpetrated by the country’s last military dictatorship (1976-1983). The focus is on the films produced during the 1980s, specifically those made between 1984 and 1989. Generally these films have been analyzed from an aesthetic perspective, or else from a chronological standpoint that connects their historical context to the design aspects of individual films, their mise-en-scène. Central to this latter approach has been what is termed a prevailing “theory of the two demons”. This approach is generally valid, however this article posits that in their narrative strategies— that is, their plots, ideas, and stories— Argentinean films from the late- 1980s present a wealth of elements that exceed such narrow theorizing, in the process enabling comparisons and contrasts with other studies of the country’s genocide.
publishDate 2013
dc.date.none.fl_str_mv 2013-11
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/28478
Zylberman, Lior Alejandro; Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s; International Association of Genocide Scholars; Genocide Studies and Prevention; 8; 1; 11-2013; 45-56
1911-0359
CONICET Digital
CONICET
url http://hdl.handle.net/11336/28478
identifier_str_mv Zylberman, Lior Alejandro; Narrative Strategies of Post-Genocide Argentine Filmmaking: the decade of the 1980s; International Association of Genocide Scholars; Genocide Studies and Prevention; 8; 1; 11-2013; 45-56
1911-0359
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/http://scholarcommons.usf.edu/gsp/vol8/iss1/8/
info:eu-repo/semantics/altIdentifier/doi/10.5038/1911-9933.8.1.6
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv International Association of Genocide Scholars
publisher.none.fl_str_mv International Association of Genocide Scholars
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.13397