The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River
- Autores
- Gustavsson, Anne Thérése Ellen; Giordano, Mariana Lilian
- Año de publicación
- 2013
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- In this article, we explore how traveling relates to image production and how transcultural filmic representations both uphold and are sustained by a "coloniality of seeing." We pay special attention to the historical conditions of film making in an expedition context and the expectations associated with early film in Sweden. We discuss this through the study of the documentary film Following Indian Trails by the Pilcomayo River, which was recorded during a Swedish expedition to the Argentine Chaco in 1920 and later released in Stockholm in 1950 during a private screening organized by the Swedish Chaco Travellers Association. We argue that the film presents an account inspired by classic ethnography which rescues and puts into circulation images of indigenous people from the "impenetrable" and "savage" Chaco. The ethnographic emphasis in the narrative seems to have shifted with time as it was probably only partly present during the shooting of the footage. In the narrative mode of "monstration," when bodies meet machines "in the field," native performances are presented as an "unstaged" and realist spectacle. Later in the 1950 "macro-narration," encompassing the final cutting and editing of the original footage, fragments of spectacle are systematized into an ethnographic description of primitive life.
Fil: Gustavsson, Anne Thérése Ellen. Universidad Nacional de San Martin. Instituto de Altos Estudios Sociales; Argentina; Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina;
Fil: Giordano, Mariana Lilian. Consejo Nacional de Invest.cientif.y Tecnicas. Centro Cientifico Tecnol.conicet - Nordeste. Instituto de Invest.geohistoricas (i); Argentina; - Materia
-
documentary
Haeger's expedition
Chaco
exotism - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/1404
Ver los metadatos del registro completo
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The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo RiverGustavsson, Anne Thérése EllenGiordano, Mariana LiliandocumentaryHaeger's expeditionChacoexotismhttps://purl.org/becyt/ford/5.9https://purl.org/becyt/ford/5In this article, we explore how traveling relates to image production and how transcultural filmic representations both uphold and are sustained by a "coloniality of seeing." We pay special attention to the historical conditions of film making in an expedition context and the expectations associated with early film in Sweden. We discuss this through the study of the documentary film Following Indian Trails by the Pilcomayo River, which was recorded during a Swedish expedition to the Argentine Chaco in 1920 and later released in Stockholm in 1950 during a private screening organized by the Swedish Chaco Travellers Association. We argue that the film presents an account inspired by classic ethnography which rescues and puts into circulation images of indigenous people from the "impenetrable" and "savage" Chaco. The ethnographic emphasis in the narrative seems to have shifted with time as it was probably only partly present during the shooting of the footage. In the narrative mode of "monstration," when bodies meet machines "in the field," native performances are presented as an "unstaged" and realist spectacle. Later in the 1950 "macro-narration," encompassing the final cutting and editing of the original footage, fragments of spectacle are systematized into an ethnographic description of primitive life.Fil: Gustavsson, Anne Thérése Ellen. Universidad Nacional de San Martin. Instituto de Altos Estudios Sociales; Argentina; Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina;Fil: Giordano, Mariana Lilian. Consejo Nacional de Invest.cientif.y Tecnicas. Centro Cientifico Tecnol.conicet - Nordeste. Instituto de Invest.geohistoricas (i); Argentina;Coaction Publishing2013-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/1404Gustavsson, Anne Thérése Ellen; Giordano, Mariana Lilian; The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River; Coaction Publishing; Journal of Aesthetics & Culture; 5; 10-2013; 1-162000-4214enginfo:eu-repo/semantics/altIdentifier/doi/10.3402/jac.v5i0.21562info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T15:38:14Zoai:ri.conicet.gov.ar:11336/1404instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 15:38:14.876CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River |
title |
The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River |
spellingShingle |
The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River Gustavsson, Anne Thérése Ellen documentary Haeger's expedition Chaco exotism |
title_short |
The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River |
title_full |
The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River |
title_fullStr |
The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River |
title_full_unstemmed |
The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River |
title_sort |
The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River |
dc.creator.none.fl_str_mv |
Gustavsson, Anne Thérése Ellen Giordano, Mariana Lilian |
author |
Gustavsson, Anne Thérése Ellen |
author_facet |
Gustavsson, Anne Thérése Ellen Giordano, Mariana Lilian |
author_role |
author |
author2 |
Giordano, Mariana Lilian |
author2_role |
author |
dc.subject.none.fl_str_mv |
documentary Haeger's expedition Chaco exotism |
topic |
documentary Haeger's expedition Chaco exotism |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/5.9 https://purl.org/becyt/ford/5 |
dc.description.none.fl_txt_mv |
In this article, we explore how traveling relates to image production and how transcultural filmic representations both uphold and are sustained by a "coloniality of seeing." We pay special attention to the historical conditions of film making in an expedition context and the expectations associated with early film in Sweden. We discuss this through the study of the documentary film Following Indian Trails by the Pilcomayo River, which was recorded during a Swedish expedition to the Argentine Chaco in 1920 and later released in Stockholm in 1950 during a private screening organized by the Swedish Chaco Travellers Association. We argue that the film presents an account inspired by classic ethnography which rescues and puts into circulation images of indigenous people from the "impenetrable" and "savage" Chaco. The ethnographic emphasis in the narrative seems to have shifted with time as it was probably only partly present during the shooting of the footage. In the narrative mode of "monstration," when bodies meet machines "in the field," native performances are presented as an "unstaged" and realist spectacle. Later in the 1950 "macro-narration," encompassing the final cutting and editing of the original footage, fragments of spectacle are systematized into an ethnographic description of primitive life. Fil: Gustavsson, Anne Thérése Ellen. Universidad Nacional de San Martin. Instituto de Altos Estudios Sociales; Argentina; Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina; Fil: Giordano, Mariana Lilian. Consejo Nacional de Invest.cientif.y Tecnicas. Centro Cientifico Tecnol.conicet - Nordeste. Instituto de Invest.geohistoricas (i); Argentina; |
description |
In this article, we explore how traveling relates to image production and how transcultural filmic representations both uphold and are sustained by a "coloniality of seeing." We pay special attention to the historical conditions of film making in an expedition context and the expectations associated with early film in Sweden. We discuss this through the study of the documentary film Following Indian Trails by the Pilcomayo River, which was recorded during a Swedish expedition to the Argentine Chaco in 1920 and later released in Stockholm in 1950 during a private screening organized by the Swedish Chaco Travellers Association. We argue that the film presents an account inspired by classic ethnography which rescues and puts into circulation images of indigenous people from the "impenetrable" and "savage" Chaco. The ethnographic emphasis in the narrative seems to have shifted with time as it was probably only partly present during the shooting of the footage. In the narrative mode of "monstration," when bodies meet machines "in the field," native performances are presented as an "unstaged" and realist spectacle. Later in the 1950 "macro-narration," encompassing the final cutting and editing of the original footage, fragments of spectacle are systematized into an ethnographic description of primitive life. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-10 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/1404 Gustavsson, Anne Thérése Ellen; Giordano, Mariana Lilian; The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River; Coaction Publishing; Journal of Aesthetics & Culture; 5; 10-2013; 1-16 2000-4214 |
url |
http://hdl.handle.net/11336/1404 |
identifier_str_mv |
Gustavsson, Anne Thérése Ellen; Giordano, Mariana Lilian; The Pilaga of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River; Coaction Publishing; Journal of Aesthetics & Culture; 5; 10-2013; 1-16 2000-4214 |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/doi/10.3402/jac.v5i0.21562 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Coaction Publishing |
publisher.none.fl_str_mv |
Coaction Publishing |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) |
collection |
CONICET Digital (CONICET) |
instname_str |
Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.name.fl_str_mv |
CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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1846083501358579712 |
score |
13.22299 |