Paulo Leminski, from São Paulo Concretism to the Post-Haiku
- Autores
- Cámara, Mario Cesar
- Año de publicación
- 2020
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- In this essay, I examine part of the work of the Brazilian poet Paulo Leminski. From an analysis of his first poems, I define his differences from São Paulo?s concrete poets and demonstrate how Leminski developed a poetic project inspired by the genre of haikai. The "post-haiku" allowed Leminski to articulate a tradition of formal compositional rigor and the idea of poetry as experience.
Fil: Cámara, Mario Cesar. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina - Materia
-
BRAZIL
CONCRETE POETRY
HAIKU
EXPERIMENTATION - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by/2.5/ar/
- Repositorio
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- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/169209
Ver los metadatos del registro completo
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Paulo Leminski, from São Paulo Concretism to the Post-HaikuCámara, Mario CesarBRAZILCONCRETE POETRYHAIKUEXPERIMENTATIONhttps://purl.org/becyt/ford/6.2https://purl.org/becyt/ford/6In this essay, I examine part of the work of the Brazilian poet Paulo Leminski. From an analysis of his first poems, I define his differences from São Paulo?s concrete poets and demonstrate how Leminski developed a poetic project inspired by the genre of haikai. The "post-haiku" allowed Leminski to articulate a tradition of formal compositional rigor and the idea of poetry as experience.Fil: Cámara, Mario Cesar. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; ArgentinaLatin American Cultures Stanford University2020-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/169209Cámara, Mario Cesar; Paulo Leminski, from São Paulo Concretism to the Post-Haiku; Latin American Cultures Stanford University; Journal of Lusophone Studies; 5; 1; 5-2020; 172-1862469-4800CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://jls.apsa.us/index.php/jls/article/view/376info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-22T11:15:42Zoai:ri.conicet.gov.ar:11336/169209instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-22 11:15:43.008CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
| dc.title.none.fl_str_mv |
Paulo Leminski, from São Paulo Concretism to the Post-Haiku |
| title |
Paulo Leminski, from São Paulo Concretism to the Post-Haiku |
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Paulo Leminski, from São Paulo Concretism to the Post-Haiku Cámara, Mario Cesar BRAZIL CONCRETE POETRY HAIKU EXPERIMENTATION |
| title_short |
Paulo Leminski, from São Paulo Concretism to the Post-Haiku |
| title_full |
Paulo Leminski, from São Paulo Concretism to the Post-Haiku |
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Paulo Leminski, from São Paulo Concretism to the Post-Haiku |
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Paulo Leminski, from São Paulo Concretism to the Post-Haiku |
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Paulo Leminski, from São Paulo Concretism to the Post-Haiku |
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Cámara, Mario Cesar |
| author |
Cámara, Mario Cesar |
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Cámara, Mario Cesar |
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author |
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BRAZIL CONCRETE POETRY HAIKU EXPERIMENTATION |
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BRAZIL CONCRETE POETRY HAIKU EXPERIMENTATION |
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https://purl.org/becyt/ford/6.2 https://purl.org/becyt/ford/6 |
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In this essay, I examine part of the work of the Brazilian poet Paulo Leminski. From an analysis of his first poems, I define his differences from São Paulo?s concrete poets and demonstrate how Leminski developed a poetic project inspired by the genre of haikai. The "post-haiku" allowed Leminski to articulate a tradition of formal compositional rigor and the idea of poetry as experience. Fil: Cámara, Mario Cesar. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina |
| description |
In this essay, I examine part of the work of the Brazilian poet Paulo Leminski. From an analysis of his first poems, I define his differences from São Paulo?s concrete poets and demonstrate how Leminski developed a poetic project inspired by the genre of haikai. The "post-haiku" allowed Leminski to articulate a tradition of formal compositional rigor and the idea of poetry as experience. |
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2020 |
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2020-05 |
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article |
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http://hdl.handle.net/11336/169209 Cámara, Mario Cesar; Paulo Leminski, from São Paulo Concretism to the Post-Haiku; Latin American Cultures Stanford University; Journal of Lusophone Studies; 5; 1; 5-2020; 172-186 2469-4800 CONICET Digital CONICET |
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Cámara, Mario Cesar; Paulo Leminski, from São Paulo Concretism to the Post-Haiku; Latin American Cultures Stanford University; Journal of Lusophone Studies; 5; 1; 5-2020; 172-186 2469-4800 CONICET Digital CONICET |
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eng |
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Latin American Cultures Stanford University |
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Latin American Cultures Stanford University |
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