Las mimesis aristotélica más allá de los límites de la poética
- Autores
- Suñol, Viviana
- Año de publicación
- 2005
- Idioma
- español castellano
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- From Renaissance on, Aristotelian mimesis had exerted its influence mainly through the principie that "art imitates nature". This principie was interpreted in different and multiple ways reaching its most categorical rejection with nineteenth-century aestheticism. What is surprising is that this principie was neve r explicitly enunciated in the Poetics as subject of the téchne poietiké, although it is frequently mentioned in different treatises devoted to the study of natural history, e.g. Meteor., Phys., Protr., etc. 1n the first pari of this paper, I present a brief examination of some passages that I believe gives evidence of the analogical value that mimetic vocabulary usually has in Aristotle. Then, in the second part I analyze the different formulations of the principie in the corpus in order to elucidate the complex relation of analogy and supplementation between the sphere of art and that of nature. My attempt contradicts Halliwell's interpretation (1999 & 2002), to whom it is imperative to distinguish the wider uses of the term from the proper artistic signification of mimesis in Aristotle's Poetics.
Fil: Suñol, Viviana. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; Argentina - Materia
-
Aristotle
Mimesis
Art
Nature
Analogy
Supplementation - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/148898
Ver los metadatos del registro completo
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Las mimesis aristotélica más allá de los límites de la poéticaSuñol, VivianaAristotleMimesisArtNatureAnalogySupplementationhttps://purl.org/becyt/ford/6.3https://purl.org/becyt/ford/6From Renaissance on, Aristotelian mimesis had exerted its influence mainly through the principie that "art imitates nature". This principie was interpreted in different and multiple ways reaching its most categorical rejection with nineteenth-century aestheticism. What is surprising is that this principie was neve r explicitly enunciated in the Poetics as subject of the téchne poietiké, although it is frequently mentioned in different treatises devoted to the study of natural history, e.g. Meteor., Phys., Protr., etc. 1n the first pari of this paper, I present a brief examination of some passages that I believe gives evidence of the analogical value that mimetic vocabulary usually has in Aristotle. Then, in the second part I analyze the different formulations of the principie in the corpus in order to elucidate the complex relation of analogy and supplementation between the sphere of art and that of nature. My attempt contradicts Halliwell's interpretation (1999 & 2002), to whom it is imperative to distinguish the wider uses of the term from the proper artistic signification of mimesis in Aristotle's Poetics.Fil: Suñol, Viviana. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; ArgentinaUniversidad Estatal de Campinas. Instituto de Estudos da Linguagem2005-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/148898Suñol, Viviana; Las mimesis aristotélica más allá de los límites de la poética; Universidad Estatal de Campinas. Instituto de Estudos da Linguagem; Phaos; 5; 12-2005; 107-1261676-30762526-8058CONICET DigitalCONICETspainfo:eu-repo/semantics/altIdentifier/url/https://revistas.iel.unicamp.br/index.php/phaos/article/view/3456info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T14:39:36Zoai:ri.conicet.gov.ar:11336/148898instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 14:39:36.936CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Las mimesis aristotélica más allá de los límites de la poética |
title |
Las mimesis aristotélica más allá de los límites de la poética |
spellingShingle |
Las mimesis aristotélica más allá de los límites de la poética Suñol, Viviana Aristotle Mimesis Art Nature Analogy Supplementation |
title_short |
Las mimesis aristotélica más allá de los límites de la poética |
title_full |
Las mimesis aristotélica más allá de los límites de la poética |
title_fullStr |
Las mimesis aristotélica más allá de los límites de la poética |
title_full_unstemmed |
Las mimesis aristotélica más allá de los límites de la poética |
title_sort |
Las mimesis aristotélica más allá de los límites de la poética |
dc.creator.none.fl_str_mv |
Suñol, Viviana |
author |
Suñol, Viviana |
author_facet |
Suñol, Viviana |
author_role |
author |
dc.subject.none.fl_str_mv |
Aristotle Mimesis Art Nature Analogy Supplementation |
topic |
Aristotle Mimesis Art Nature Analogy Supplementation |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.3 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
From Renaissance on, Aristotelian mimesis had exerted its influence mainly through the principie that "art imitates nature". This principie was interpreted in different and multiple ways reaching its most categorical rejection with nineteenth-century aestheticism. What is surprising is that this principie was neve r explicitly enunciated in the Poetics as subject of the téchne poietiké, although it is frequently mentioned in different treatises devoted to the study of natural history, e.g. Meteor., Phys., Protr., etc. 1n the first pari of this paper, I present a brief examination of some passages that I believe gives evidence of the analogical value that mimetic vocabulary usually has in Aristotle. Then, in the second part I analyze the different formulations of the principie in the corpus in order to elucidate the complex relation of analogy and supplementation between the sphere of art and that of nature. My attempt contradicts Halliwell's interpretation (1999 & 2002), to whom it is imperative to distinguish the wider uses of the term from the proper artistic signification of mimesis in Aristotle's Poetics. Fil: Suñol, Viviana. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; Argentina |
description |
From Renaissance on, Aristotelian mimesis had exerted its influence mainly through the principie that "art imitates nature". This principie was interpreted in different and multiple ways reaching its most categorical rejection with nineteenth-century aestheticism. What is surprising is that this principie was neve r explicitly enunciated in the Poetics as subject of the téchne poietiké, although it is frequently mentioned in different treatises devoted to the study of natural history, e.g. Meteor., Phys., Protr., etc. 1n the first pari of this paper, I present a brief examination of some passages that I believe gives evidence of the analogical value that mimetic vocabulary usually has in Aristotle. Then, in the second part I analyze the different formulations of the principie in the corpus in order to elucidate the complex relation of analogy and supplementation between the sphere of art and that of nature. My attempt contradicts Halliwell's interpretation (1999 & 2002), to whom it is imperative to distinguish the wider uses of the term from the proper artistic signification of mimesis in Aristotle's Poetics. |
publishDate |
2005 |
dc.date.none.fl_str_mv |
2005-12 |
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http://hdl.handle.net/11336/148898 Suñol, Viviana; Las mimesis aristotélica más allá de los límites de la poética; Universidad Estatal de Campinas. Instituto de Estudos da Linguagem; Phaos; 5; 12-2005; 107-126 1676-3076 2526-8058 CONICET Digital CONICET |
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http://hdl.handle.net/11336/148898 |
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Suñol, Viviana; Las mimesis aristotélica más allá de los límites de la poética; Universidad Estatal de Campinas. Instituto de Estudos da Linguagem; Phaos; 5; 12-2005; 107-126 1676-3076 2526-8058 CONICET Digital CONICET |
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Universidad Estatal de Campinas. Instituto de Estudos da Linguagem |
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Universidad Estatal de Campinas. Instituto de Estudos da Linguagem |
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