Las mimesis aristotélica más allá de los límites de la poética

Autores
Suñol, Viviana
Año de publicación
2005
Idioma
español castellano
Tipo de recurso
artículo
Estado
versión publicada
Descripción
From Renaissance on, Aristotelian mimesis had exerted its influence mainly through the principie that "art imitates nature". This principie was interpreted in different and multiple ways reaching its most categorical rejection with nineteenth-century aestheticism. What is surprising is that this principie was neve r explicitly enunciated in the Poetics as subject of the téchne poietiké, although it is frequently mentioned in different treatises devoted to the study of natural history, e.g. Meteor., Phys., Protr., etc. 1n the first pari of this paper, I present a brief examination of some passages that I believe gives evidence of the analogical value that mimetic vocabulary usually has in Aristotle. Then, in the second part I analyze the different formulations of the principie in the corpus in order to elucidate the complex relation of analogy and supplementation between the sphere of art and that of nature. My attempt contradicts Halliwell's interpretation (1999 & 2002), to whom it is imperative to distinguish the wider uses of the term from the proper artistic signification of mimesis in Aristotle's Poetics.
Fil: Suñol, Viviana. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; Argentina
Materia
Aristotle
Mimesis
Art
Nature
Analogy
Supplementation
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/148898

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spelling Las mimesis aristotélica más allá de los límites de la poéticaSuñol, VivianaAristotleMimesisArtNatureAnalogySupplementationhttps://purl.org/becyt/ford/6.3https://purl.org/becyt/ford/6From Renaissance on, Aristotelian mimesis had exerted its influence mainly through the principie that "art imitates nature". This principie was interpreted in different and multiple ways reaching its most categorical rejection with nineteenth-century aestheticism. What is surprising is that this principie was neve r explicitly enunciated in the Poetics as subject of the téchne poietiké, although it is frequently mentioned in different treatises devoted to the study of natural history, e.g. Meteor., Phys., Protr., etc. 1n the first pari of this paper, I present a brief examination of some passages that I believe gives evidence of the analogical value that mimetic vocabulary usually has in Aristotle. Then, in the second part I analyze the different formulations of the principie in the corpus in order to elucidate the complex relation of analogy and supplementation between the sphere of art and that of nature. My attempt contradicts Halliwell's interpretation (1999 & 2002), to whom it is imperative to distinguish the wider uses of the term from the proper artistic signification of mimesis in Aristotle's Poetics.Fil: Suñol, Viviana. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; ArgentinaUniversidad Estatal de Campinas. Instituto de Estudos da Linguagem2005-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/148898Suñol, Viviana; Las mimesis aristotélica más allá de los límites de la poética; Universidad Estatal de Campinas. Instituto de Estudos da Linguagem; Phaos; 5; 12-2005; 107-1261676-30762526-8058CONICET DigitalCONICETspainfo:eu-repo/semantics/altIdentifier/url/https://revistas.iel.unicamp.br/index.php/phaos/article/view/3456info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T14:39:36Zoai:ri.conicet.gov.ar:11336/148898instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 14:39:36.936CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Las mimesis aristotélica más allá de los límites de la poética
title Las mimesis aristotélica más allá de los límites de la poética
spellingShingle Las mimesis aristotélica más allá de los límites de la poética
Suñol, Viviana
Aristotle
Mimesis
Art
Nature
Analogy
Supplementation
title_short Las mimesis aristotélica más allá de los límites de la poética
title_full Las mimesis aristotélica más allá de los límites de la poética
title_fullStr Las mimesis aristotélica más allá de los límites de la poética
title_full_unstemmed Las mimesis aristotélica más allá de los límites de la poética
title_sort Las mimesis aristotélica más allá de los límites de la poética
dc.creator.none.fl_str_mv Suñol, Viviana
author Suñol, Viviana
author_facet Suñol, Viviana
author_role author
dc.subject.none.fl_str_mv Aristotle
Mimesis
Art
Nature
Analogy
Supplementation
topic Aristotle
Mimesis
Art
Nature
Analogy
Supplementation
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.3
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv From Renaissance on, Aristotelian mimesis had exerted its influence mainly through the principie that "art imitates nature". This principie was interpreted in different and multiple ways reaching its most categorical rejection with nineteenth-century aestheticism. What is surprising is that this principie was neve r explicitly enunciated in the Poetics as subject of the téchne poietiké, although it is frequently mentioned in different treatises devoted to the study of natural history, e.g. Meteor., Phys., Protr., etc. 1n the first pari of this paper, I present a brief examination of some passages that I believe gives evidence of the analogical value that mimetic vocabulary usually has in Aristotle. Then, in the second part I analyze the different formulations of the principie in the corpus in order to elucidate the complex relation of analogy and supplementation between the sphere of art and that of nature. My attempt contradicts Halliwell's interpretation (1999 & 2002), to whom it is imperative to distinguish the wider uses of the term from the proper artistic signification of mimesis in Aristotle's Poetics.
Fil: Suñol, Viviana. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; Argentina
description From Renaissance on, Aristotelian mimesis had exerted its influence mainly through the principie that "art imitates nature". This principie was interpreted in different and multiple ways reaching its most categorical rejection with nineteenth-century aestheticism. What is surprising is that this principie was neve r explicitly enunciated in the Poetics as subject of the téchne poietiké, although it is frequently mentioned in different treatises devoted to the study of natural history, e.g. Meteor., Phys., Protr., etc. 1n the first pari of this paper, I present a brief examination of some passages that I believe gives evidence of the analogical value that mimetic vocabulary usually has in Aristotle. Then, in the second part I analyze the different formulations of the principie in the corpus in order to elucidate the complex relation of analogy and supplementation between the sphere of art and that of nature. My attempt contradicts Halliwell's interpretation (1999 & 2002), to whom it is imperative to distinguish the wider uses of the term from the proper artistic signification of mimesis in Aristotle's Poetics.
publishDate 2005
dc.date.none.fl_str_mv 2005-12
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/148898
Suñol, Viviana; Las mimesis aristotélica más allá de los límites de la poética; Universidad Estatal de Campinas. Instituto de Estudos da Linguagem; Phaos; 5; 12-2005; 107-126
1676-3076
2526-8058
CONICET Digital
CONICET
url http://hdl.handle.net/11336/148898
identifier_str_mv Suñol, Viviana; Las mimesis aristotélica más allá de los límites de la poética; Universidad Estatal de Campinas. Instituto de Estudos da Linguagem; Phaos; 5; 12-2005; 107-126
1676-3076
2526-8058
CONICET Digital
CONICET
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language spa
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://revistas.iel.unicamp.br/index.php/phaos/article/view/3456
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidad Estatal de Campinas. Instituto de Estudos da Linguagem
publisher.none.fl_str_mv Universidad Estatal de Campinas. Instituto de Estudos da Linguagem
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