A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
- Autores
- Infantino, Julieta Lorena
- Año de publicación
- 2015
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- The purpose of this paper is to study the process of resurgence and redefinition of popular practices promoted in the city ofBuenos Aires,Argentina, in post- dictatorial years, through the case of circus arts. Therefore, I will first present some historical data that will enable understanding of the transitional legitimacy given to circus in the late nineteenth century and synthetically introduce the social processes that led circus into a process of retraction. Then I will focus on the social actors who recovered these artistic languages in the post- dictatorship, contextualizing their practices with the socio-political changes of the time. The analyses will center on the way in which young artists recovered certain elements of the past to give sense to the present activity and innovated in the artistic practice, legitimizing their practices and challenging their recognition.
Fil: Infantino, Julieta Lorena. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina - Materia
-
popular arts
New Circus
Circo Criollo
democratisation of arts
Street Circus
Social Circus
post-dictatorship Argentina - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/51524
Ver los metadatos del registro completo
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A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular artInfantino, Julieta Lorenapopular artsNew CircusCirco Criollodemocratisation of artsStreet CircusSocial Circuspost-dictatorship Argentinahttps://purl.org/becyt/ford/5.4https://purl.org/becyt/ford/5The purpose of this paper is to study the process of resurgence and redefinition of popular practices promoted in the city ofBuenos Aires,Argentina, in post- dictatorial years, through the case of circus arts. Therefore, I will first present some historical data that will enable understanding of the transitional legitimacy given to circus in the late nineteenth century and synthetically introduce the social processes that led circus into a process of retraction. Then I will focus on the social actors who recovered these artistic languages in the post- dictatorship, contextualizing their practices with the socio-political changes of the time. The analyses will center on the way in which young artists recovered certain elements of the past to give sense to the present activity and innovated in the artistic practice, legitimizing their practices and challenging their recognition.Fil: Infantino, Julieta Lorena. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaUniversity of Newcastle2015-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/51524Infantino, Julieta Lorena; A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art; University of Newcastle; Popular Entertainment Studies; 6; 1; 3-2015; 42-611837-9303CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://novaojs.newcastle.edu.au/ojs/index.php/pes/article/view/153info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T14:20:37Zoai:ri.conicet.gov.ar:11336/51524instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 14:20:37.879CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art |
title |
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art |
spellingShingle |
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art Infantino, Julieta Lorena popular arts New Circus Circo Criollo democratisation of arts Street Circus Social Circus post-dictatorship Argentina |
title_short |
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art |
title_full |
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art |
title_fullStr |
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art |
title_full_unstemmed |
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art |
title_sort |
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art |
dc.creator.none.fl_str_mv |
Infantino, Julieta Lorena |
author |
Infantino, Julieta Lorena |
author_facet |
Infantino, Julieta Lorena |
author_role |
author |
dc.subject.none.fl_str_mv |
popular arts New Circus Circo Criollo democratisation of arts Street Circus Social Circus post-dictatorship Argentina |
topic |
popular arts New Circus Circo Criollo democratisation of arts Street Circus Social Circus post-dictatorship Argentina |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/5.4 https://purl.org/becyt/ford/5 |
dc.description.none.fl_txt_mv |
The purpose of this paper is to study the process of resurgence and redefinition of popular practices promoted in the city ofBuenos Aires,Argentina, in post- dictatorial years, through the case of circus arts. Therefore, I will first present some historical data that will enable understanding of the transitional legitimacy given to circus in the late nineteenth century and synthetically introduce the social processes that led circus into a process of retraction. Then I will focus on the social actors who recovered these artistic languages in the post- dictatorship, contextualizing their practices with the socio-political changes of the time. The analyses will center on the way in which young artists recovered certain elements of the past to give sense to the present activity and innovated in the artistic practice, legitimizing their practices and challenging their recognition. Fil: Infantino, Julieta Lorena. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina |
description |
The purpose of this paper is to study the process of resurgence and redefinition of popular practices promoted in the city ofBuenos Aires,Argentina, in post- dictatorial years, through the case of circus arts. Therefore, I will first present some historical data that will enable understanding of the transitional legitimacy given to circus in the late nineteenth century and synthetically introduce the social processes that led circus into a process of retraction. Then I will focus on the social actors who recovered these artistic languages in the post- dictatorship, contextualizing their practices with the socio-political changes of the time. The analyses will center on the way in which young artists recovered certain elements of the past to give sense to the present activity and innovated in the artistic practice, legitimizing their practices and challenging their recognition. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-03 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/51524 Infantino, Julieta Lorena; A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art; University of Newcastle; Popular Entertainment Studies; 6; 1; 3-2015; 42-61 1837-9303 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/51524 |
identifier_str_mv |
Infantino, Julieta Lorena; A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art; University of Newcastle; Popular Entertainment Studies; 6; 1; 3-2015; 42-61 1837-9303 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/https://novaojs.newcastle.edu.au/ojs/index.php/pes/article/view/153 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
University of Newcastle |
publisher.none.fl_str_mv |
University of Newcastle |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) |
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CONICET Digital (CONICET) |
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Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
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dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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13.221938 |