A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art

Autores
Infantino, Julieta Lorena
Año de publicación
2015
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
The purpose of this paper is to study the process of resurgence and redefinition of popular practices promoted in the city ofBuenos Aires,Argentina, in post- dictatorial years, through the case of circus arts. Therefore, I will first present some historical data that will enable understanding of the transitional legitimacy given to circus in the late nineteenth century and synthetically introduce the social processes that led circus into a process of retraction. Then I will focus on the social actors who recovered these artistic languages in the post- dictatorship, contextualizing their practices with the socio-political changes of the time. The analyses will center on the way in which young artists recovered certain elements of the past to give sense to the present activity and innovated in the artistic practice, legitimizing their practices and challenging their recognition.
Fil: Infantino, Julieta Lorena. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
popular arts
New Circus
Circo Criollo
democratisation of arts
Street Circus
Social Circus
post-dictatorship Argentina
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/51524

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spelling A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular artInfantino, Julieta Lorenapopular artsNew CircusCirco Criollodemocratisation of artsStreet CircusSocial Circuspost-dictatorship Argentinahttps://purl.org/becyt/ford/5.4https://purl.org/becyt/ford/5The purpose of this paper is to study the process of resurgence and redefinition of popular practices promoted in the city ofBuenos Aires,Argentina, in post- dictatorial years, through the case of circus arts. Therefore, I will first present some historical data that will enable understanding of the transitional legitimacy given to circus in the late nineteenth century and synthetically introduce the social processes that led circus into a process of retraction. Then I will focus on the social actors who recovered these artistic languages in the post- dictatorship, contextualizing their practices with the socio-political changes of the time. The analyses will center on the way in which young artists recovered certain elements of the past to give sense to the present activity and innovated in the artistic practice, legitimizing their practices and challenging their recognition.Fil: Infantino, Julieta Lorena. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaUniversity of Newcastle2015-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/51524Infantino, Julieta Lorena; A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art; University of Newcastle; Popular Entertainment Studies; 6; 1; 3-2015; 42-611837-9303CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://novaojs.newcastle.edu.au/ojs/index.php/pes/article/view/153info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T14:20:37Zoai:ri.conicet.gov.ar:11336/51524instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 14:20:37.879CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
title A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
spellingShingle A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
Infantino, Julieta Lorena
popular arts
New Circus
Circo Criollo
democratisation of arts
Street Circus
Social Circus
post-dictatorship Argentina
title_short A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
title_full A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
title_fullStr A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
title_full_unstemmed A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
title_sort A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
dc.creator.none.fl_str_mv Infantino, Julieta Lorena
author Infantino, Julieta Lorena
author_facet Infantino, Julieta Lorena
author_role author
dc.subject.none.fl_str_mv popular arts
New Circus
Circo Criollo
democratisation of arts
Street Circus
Social Circus
post-dictatorship Argentina
topic popular arts
New Circus
Circo Criollo
democratisation of arts
Street Circus
Social Circus
post-dictatorship Argentina
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.4
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv The purpose of this paper is to study the process of resurgence and redefinition of popular practices promoted in the city ofBuenos Aires,Argentina, in post- dictatorial years, through the case of circus arts. Therefore, I will first present some historical data that will enable understanding of the transitional legitimacy given to circus in the late nineteenth century and synthetically introduce the social processes that led circus into a process of retraction. Then I will focus on the social actors who recovered these artistic languages in the post- dictatorship, contextualizing their practices with the socio-political changes of the time. The analyses will center on the way in which young artists recovered certain elements of the past to give sense to the present activity and innovated in the artistic practice, legitimizing their practices and challenging their recognition.
Fil: Infantino, Julieta Lorena. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description The purpose of this paper is to study the process of resurgence and redefinition of popular practices promoted in the city ofBuenos Aires,Argentina, in post- dictatorial years, through the case of circus arts. Therefore, I will first present some historical data that will enable understanding of the transitional legitimacy given to circus in the late nineteenth century and synthetically introduce the social processes that led circus into a process of retraction. Then I will focus on the social actors who recovered these artistic languages in the post- dictatorship, contextualizing their practices with the socio-political changes of the time. The analyses will center on the way in which young artists recovered certain elements of the past to give sense to the present activity and innovated in the artistic practice, legitimizing their practices and challenging their recognition.
publishDate 2015
dc.date.none.fl_str_mv 2015-03
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/51524
Infantino, Julieta Lorena; A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art; University of Newcastle; Popular Entertainment Studies; 6; 1; 3-2015; 42-61
1837-9303
CONICET Digital
CONICET
url http://hdl.handle.net/11336/51524
identifier_str_mv Infantino, Julieta Lorena; A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art; University of Newcastle; Popular Entertainment Studies; 6; 1; 3-2015; 42-61
1837-9303
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://novaojs.newcastle.edu.au/ojs/index.php/pes/article/view/153
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv University of Newcastle
publisher.none.fl_str_mv University of Newcastle
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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