Notes on some Argentinian corpses

Autores
Aguilar, Gonzalo Moises
Año de publicación
2019
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
Cinema takes part in the tradition of rites for evoking the dead that are also rites of separation from their corpses. Once the image is formed, the corpse can be buried. Sometimes this image is a tombstone, others a death mask or a photo. Cinema provided a new possibility: filming or recording the corpse while it was alive. In this way, photography and cinema were the two most powerful instruments of immortalization (embalming) of the 20th century. This article investigates immanent and transcendent corpses in Argentinian history: Evita Perón, the desaparecidos (“missing people”) of the last military dictatorship, and Pedro Eugenio Aramburu (the de facto ex-President who overthrew Perón in 1955 and was murdered by Montoneros’ guerrilla organization), among others. Based on the cinematographic representations which evoke these corpses (with varying degrees of accuracy), as well as the popular expressions that accompanied them (militant songs, colloquial expressions, etc.), this text explores the transformation of a corpse, as such, to its consecration as the image of the people.
Recorrido por los cadáveres en el cine y la literatura argentina para reflexionar sobre la memoria y los desaparecidos.
Fil: Aguilar, Gonzalo Moises. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina. Universidad Nacional de San Martín. Escuela de Humanidades. Centro de Estudios del Lenguaje En Sociedad; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
CINE ARGENTINO
CULTURA POPULAR
MEMORIA
CORPSE REPRESENTATION
POPULAR CULTURE
ARGENTINA FILM HISTORY
DESAPARECIDOS
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/131036
Acceder
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network_name_str CONICET Digital (CONICET)
spelling Notes on some Argentinian corpsesAguilar, Gonzalo MoisesCINE ARGENTINOCULTURA POPULARMEMORIACORPSE REPRESENTATIONPOPULAR CULTUREARGENTINA FILM HISTORYDESAPARECIDOShttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6Cinema takes part in the tradition of rites for evoking the dead that are also rites of separation from their corpses. Once the image is formed, the corpse can be buried. Sometimes this image is a tombstone, others a death mask or a photo. Cinema provided a new possibility: filming or recording the corpse while it was alive. In this way, photography and cinema were the two most powerful instruments of immortalization (embalming) of the 20th century. This article investigates immanent and transcendent corpses in Argentinian history: Evita Perón, the desaparecidos (“missing people”) of the last military dictatorship, and Pedro Eugenio Aramburu (the de facto ex-President who overthrew Perón in 1955 and was murdered by Montoneros’ guerrilla organization), among others. Based on the cinematographic representations which evoke these corpses (with varying degrees of accuracy), as well as the popular expressions that accompanied them (militant songs, colloquial expressions, etc.), this text explores the transformation of a corpse, as such, to its consecration as the image of the people.Recorrido por los cadáveres en el cine y la literatura argentina para reflexionar sobre la memoria y los desaparecidos.Fil: Aguilar, Gonzalo Moises. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina. Universidad Nacional de San Martín. Escuela de Humanidades. Centro de Estudios del Lenguaje En Sociedad; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaUniversitat Pompeu Fabra. Departamento de Comunicación2019-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/131036Aguilar, Gonzalo Moises; Notes on some Argentinian corpses; Universitat Pompeu Fabra. Departamento de Comunicación; Comparative Cinema; VII; 13; 6-2019; 39-462604-9821CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.raco.cat/index.php/Comparativecinema/article/view/360956info:eu-repo/semantics/altIdentifier/doi/10.31009/cc.2019.v7.i13.03info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:58:51Zoai:ri.conicet.gov.ar:11336/131036instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:58:51.651CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Notes on some Argentinian corpses
title Notes on some Argentinian corpses
spellingShingle Notes on some Argentinian corpses
Aguilar, Gonzalo Moises
CINE ARGENTINO
CULTURA POPULAR
MEMORIA
CORPSE REPRESENTATION
POPULAR CULTURE
ARGENTINA FILM HISTORY
DESAPARECIDOS
title_short Notes on some Argentinian corpses
title_full Notes on some Argentinian corpses
title_fullStr Notes on some Argentinian corpses
title_full_unstemmed Notes on some Argentinian corpses
title_sort Notes on some Argentinian corpses
dc.creator.none.fl_str_mv Aguilar, Gonzalo Moises
author Aguilar, Gonzalo Moises
author_facet Aguilar, Gonzalo Moises
author_role author
dc.subject.none.fl_str_mv CINE ARGENTINO
CULTURA POPULAR
MEMORIA
CORPSE REPRESENTATION
POPULAR CULTURE
ARGENTINA FILM HISTORY
DESAPARECIDOS
topic CINE ARGENTINO
CULTURA POPULAR
MEMORIA
CORPSE REPRESENTATION
POPULAR CULTURE
ARGENTINA FILM HISTORY
DESAPARECIDOS
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv Cinema takes part in the tradition of rites for evoking the dead that are also rites of separation from their corpses. Once the image is formed, the corpse can be buried. Sometimes this image is a tombstone, others a death mask or a photo. Cinema provided a new possibility: filming or recording the corpse while it was alive. In this way, photography and cinema were the two most powerful instruments of immortalization (embalming) of the 20th century. This article investigates immanent and transcendent corpses in Argentinian history: Evita Perón, the desaparecidos (“missing people”) of the last military dictatorship, and Pedro Eugenio Aramburu (the de facto ex-President who overthrew Perón in 1955 and was murdered by Montoneros’ guerrilla organization), among others. Based on the cinematographic representations which evoke these corpses (with varying degrees of accuracy), as well as the popular expressions that accompanied them (militant songs, colloquial expressions, etc.), this text explores the transformation of a corpse, as such, to its consecration as the image of the people.
Recorrido por los cadáveres en el cine y la literatura argentina para reflexionar sobre la memoria y los desaparecidos.
Fil: Aguilar, Gonzalo Moises. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina. Universidad Nacional de San Martín. Escuela de Humanidades. Centro de Estudios del Lenguaje En Sociedad; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description Cinema takes part in the tradition of rites for evoking the dead that are also rites of separation from their corpses. Once the image is formed, the corpse can be buried. Sometimes this image is a tombstone, others a death mask or a photo. Cinema provided a new possibility: filming or recording the corpse while it was alive. In this way, photography and cinema were the two most powerful instruments of immortalization (embalming) of the 20th century. This article investigates immanent and transcendent corpses in Argentinian history: Evita Perón, the desaparecidos (“missing people”) of the last military dictatorship, and Pedro Eugenio Aramburu (the de facto ex-President who overthrew Perón in 1955 and was murdered by Montoneros’ guerrilla organization), among others. Based on the cinematographic representations which evoke these corpses (with varying degrees of accuracy), as well as the popular expressions that accompanied them (militant songs, colloquial expressions, etc.), this text explores the transformation of a corpse, as such, to its consecration as the image of the people.
publishDate 2019
dc.date.none.fl_str_mv 2019-06
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/131036
Aguilar, Gonzalo Moises; Notes on some Argentinian corpses; Universitat Pompeu Fabra. Departamento de Comunicación; Comparative Cinema; VII; 13; 6-2019; 39-46
2604-9821
CONICET Digital
CONICET
url http://hdl.handle.net/11336/131036
identifier_str_mv Aguilar, Gonzalo Moises; Notes on some Argentinian corpses; Universitat Pompeu Fabra. Departamento de Comunicación; Comparative Cinema; VII; 13; 6-2019; 39-46
2604-9821
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://www.raco.cat/index.php/Comparativecinema/article/view/360956
info:eu-repo/semantics/altIdentifier/doi/10.31009/cc.2019.v7.i13.03
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universitat Pompeu Fabra. Departamento de Comunicación
publisher.none.fl_str_mv Universitat Pompeu Fabra. Departamento de Comunicación
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.13397

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