Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”

Autores
Sosa, Cecilia
Año de publicación
2017
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
Alejo Moguillansky’s third film, El loro y el cisne (2013), mischievously articulates the dancing landscapes of an outlandish Argentina through an unusual love story with autobiographical components. The film seems to elude a conventional analysis. It could be read as an improbable southern remake of Swan Lake, drawing upon the rehearsals of Grupo Krapp, an Argentine experimental, independent dance company. Alternately, El loro can be viewed as a quirky rom-com in which the director surreptitiously forms part of the romance while the characters flirt constantly at both sides of the camera. The film could also pass as a contorted musical or as a memoir of first-time fatherhood. El loro is most likely all of the above, and more.
Fil: Sosa, Cecilia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Departamento de Arte y Cultura; Argentina
Materia
Affect
Postdictatorship
Argentina
Loss
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/72596
Acceder
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network_name_str CONICET Digital (CONICET)
spelling Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”Sosa, CeciliaAffectPostdictatorshipArgentinaLosshttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6Alejo Moguillansky’s third film, El loro y el cisne (2013), mischievously articulates the dancing landscapes of an outlandish Argentina through an unusual love story with autobiographical components. The film seems to elude a conventional analysis. It could be read as an improbable southern remake of Swan Lake, drawing upon the rehearsals of Grupo Krapp, an Argentine experimental, independent dance company. Alternately, El loro can be viewed as a quirky rom-com in which the director surreptitiously forms part of the romance while the characters flirt constantly at both sides of the camera. The film could also pass as a contorted musical or as a memoir of first-time fatherhood. El loro is most likely all of the above, and more.Fil: Sosa, Cecilia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Departamento de Arte y Cultura; ArgentinaUniversity of Kansas2017-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/72596Sosa, Cecilia; Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”; University of Kansas; Latin American Theatre Review; 50; 2; 6-2017; 49-700023-88132161-0576CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://journals.ku.edu/latr/article/view/7320info:eu-repo/semantics/altIdentifier/doi/10.1353/ltr.2017.0003info:eu-repo/semantics/altIdentifier/url/http://muse.jhu.edu/article/672727info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:41:39Zoai:ri.conicet.gov.ar:11336/72596instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:41:39.821CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”
title Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”
spellingShingle Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”
Sosa, Cecilia
Affect
Postdictatorship
Argentina
Loss
title_short Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”
title_full Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”
title_fullStr Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”
title_full_unstemmed Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”
title_sort Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”
dc.creator.none.fl_str_mv Sosa, Cecilia
author Sosa, Cecilia
author_facet Sosa, Cecilia
author_role author
dc.subject.none.fl_str_mv Affect
Postdictatorship
Argentina
Loss
topic Affect
Postdictatorship
Argentina
Loss
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv Alejo Moguillansky’s third film, El loro y el cisne (2013), mischievously articulates the dancing landscapes of an outlandish Argentina through an unusual love story with autobiographical components. The film seems to elude a conventional analysis. It could be read as an improbable southern remake of Swan Lake, drawing upon the rehearsals of Grupo Krapp, an Argentine experimental, independent dance company. Alternately, El loro can be viewed as a quirky rom-com in which the director surreptitiously forms part of the romance while the characters flirt constantly at both sides of the camera. The film could also pass as a contorted musical or as a memoir of first-time fatherhood. El loro is most likely all of the above, and more.
Fil: Sosa, Cecilia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Departamento de Arte y Cultura; Argentina
description Alejo Moguillansky’s third film, El loro y el cisne (2013), mischievously articulates the dancing landscapes of an outlandish Argentina through an unusual love story with autobiographical components. The film seems to elude a conventional analysis. It could be read as an improbable southern remake of Swan Lake, drawing upon the rehearsals of Grupo Krapp, an Argentine experimental, independent dance company. Alternately, El loro can be viewed as a quirky rom-com in which the director surreptitiously forms part of the romance while the characters flirt constantly at both sides of the camera. The film could also pass as a contorted musical or as a memoir of first-time fatherhood. El loro is most likely all of the above, and more.
publishDate 2017
dc.date.none.fl_str_mv 2017-06
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/72596
Sosa, Cecilia; Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”; University of Kansas; Latin American Theatre Review; 50; 2; 6-2017; 49-70
0023-8813
2161-0576
CONICET Digital
CONICET
url http://hdl.handle.net/11336/72596
identifier_str_mv Sosa, Cecilia; Dancing Affect in the Aftermath of Loss: El loro y el cisne and Argentina’s Generation “In Between”; University of Kansas; Latin American Theatre Review; 50; 2; 6-2017; 49-70
0023-8813
2161-0576
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://journals.ku.edu/latr/article/view/7320
info:eu-repo/semantics/altIdentifier/doi/10.1353/ltr.2017.0003
info:eu-repo/semantics/altIdentifier/url/http://muse.jhu.edu/article/672727
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv University of Kansas
publisher.none.fl_str_mv University of Kansas
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.070432

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