Glances in the landscape: Photography and memory in the work of Guadalupe Gaona

Autores
Fortuny, Natalia Soledad
Año de publicación
2014
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This article is framed within the discussion about the ways in which aesthetic artefacts build up memories of traumatic social episodes. I will focus on one of the many photographic memories of the sons and daughters of the victims of the last Argentinean dictatorship. The book Pozo de aire [Well of Air] by Guadalupe Gaona (2009) presents old images of her family album – among which we find the only photograph of the author and her father – mixed together with her own photography and poetry. This combination of images and words allows her to find her father within the landscape and facilitate an impossible reunion with him.
Fil: Fortuny, Natalia Soledad. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina
Materia
ARGENTINEAN PHOTOGRAPHY
POST-DICTATORSHIP
POSTMEMORY
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/33955
Acceder
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network_name_str CONICET Digital (CONICET)
spelling Glances in the landscape: Photography and memory in the work of Guadalupe GaonaFortuny, Natalia SoledadARGENTINEAN PHOTOGRAPHYPOST-DICTATORSHIPPOSTMEMORYhttps://purl.org/becyt/ford/5.9https://purl.org/becyt/ford/5This article is framed within the discussion about the ways in which aesthetic artefacts build up memories of traumatic social episodes. I will focus on one of the many photographic memories of the sons and daughters of the victims of the last Argentinean dictatorship. The book Pozo de aire [Well of Air] by Guadalupe Gaona (2009) presents old images of her family album – among which we find the only photograph of the author and her father – mixed together with her own photography and poetry. This combination of images and words allows her to find her father within the landscape and facilitate an impossible reunion with him.Fil: Fortuny, Natalia Soledad. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; ArgentinaLiverpool University Press2014-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/33955Fortuny, Natalia Soledad; Glances in the landscape: Photography and memory in the work of Guadalupe Gaona; Liverpool University Press; Journal of Romance Studies; 13; 3; 1-2014; 99-1091473-35361752-2331CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/doi/10.3828/jrs.13.3.99info:eu-repo/semantics/altIdentifier/url/http://online.liverpooluniversitypress.co.uk/doi/abs/10.3828/jrs.13.3.99info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:45:54Zoai:ri.conicet.gov.ar:11336/33955instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:45:54.95CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Glances in the landscape: Photography and memory in the work of Guadalupe Gaona
title Glances in the landscape: Photography and memory in the work of Guadalupe Gaona
spellingShingle Glances in the landscape: Photography and memory in the work of Guadalupe Gaona
Fortuny, Natalia Soledad
ARGENTINEAN PHOTOGRAPHY
POST-DICTATORSHIP
POSTMEMORY
title_short Glances in the landscape: Photography and memory in the work of Guadalupe Gaona
title_full Glances in the landscape: Photography and memory in the work of Guadalupe Gaona
title_fullStr Glances in the landscape: Photography and memory in the work of Guadalupe Gaona
title_full_unstemmed Glances in the landscape: Photography and memory in the work of Guadalupe Gaona
title_sort Glances in the landscape: Photography and memory in the work of Guadalupe Gaona
dc.creator.none.fl_str_mv Fortuny, Natalia Soledad
author Fortuny, Natalia Soledad
author_facet Fortuny, Natalia Soledad
author_role author
dc.subject.none.fl_str_mv ARGENTINEAN PHOTOGRAPHY
POST-DICTATORSHIP
POSTMEMORY
topic ARGENTINEAN PHOTOGRAPHY
POST-DICTATORSHIP
POSTMEMORY
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.9
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv This article is framed within the discussion about the ways in which aesthetic artefacts build up memories of traumatic social episodes. I will focus on one of the many photographic memories of the sons and daughters of the victims of the last Argentinean dictatorship. The book Pozo de aire [Well of Air] by Guadalupe Gaona (2009) presents old images of her family album – among which we find the only photograph of the author and her father – mixed together with her own photography and poetry. This combination of images and words allows her to find her father within the landscape and facilitate an impossible reunion with him.
Fil: Fortuny, Natalia Soledad. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina
description This article is framed within the discussion about the ways in which aesthetic artefacts build up memories of traumatic social episodes. I will focus on one of the many photographic memories of the sons and daughters of the victims of the last Argentinean dictatorship. The book Pozo de aire [Well of Air] by Guadalupe Gaona (2009) presents old images of her family album – among which we find the only photograph of the author and her father – mixed together with her own photography and poetry. This combination of images and words allows her to find her father within the landscape and facilitate an impossible reunion with him.
publishDate 2014
dc.date.none.fl_str_mv 2014-01
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/33955
Fortuny, Natalia Soledad; Glances in the landscape: Photography and memory in the work of Guadalupe Gaona; Liverpool University Press; Journal of Romance Studies; 13; 3; 1-2014; 99-109
1473-3536
1752-2331
CONICET Digital
CONICET
url http://hdl.handle.net/11336/33955
identifier_str_mv Fortuny, Natalia Soledad; Glances in the landscape: Photography and memory in the work of Guadalupe Gaona; Liverpool University Press; Journal of Romance Studies; 13; 3; 1-2014; 99-109
1473-3536
1752-2331
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/doi/10.3828/jrs.13.3.99
info:eu-repo/semantics/altIdentifier/url/http://online.liverpooluniversitypress.co.uk/doi/abs/10.3828/jrs.13.3.99
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Liverpool University Press
publisher.none.fl_str_mv Liverpool University Press
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1844614499381805056
score 13.070432

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