The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre

Autores
Marin, Fwala-lo
Año de publicación
2024
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This work studies the affective dimension on group processes of artistic creation and analyses, particularly, the case of Argentine independent theatre groups in the city of Córdoba. The study –whose methodology included ethnographic interviews and discourse analysis–is based on the question regarding the way in which groupalities are formed and the role played by theatre direction in them. The objective of this paper is to understand how affects contribute to the formation of groups with artistic creationpurposes. For that, I first recall my conceptualization, which is based on groupality. Secondly, I review theoretical contributions from Sara Ahmed and others in order to analyse the relationships between groups and affects. Lastly, I systematise four affective dimensions experienced by theatre direction, which intervene in the conformation of theatrical groups. The conclusion of this paper values the emotional dimension as a power for the artistic work itself.
Fil: Marin, Fwala-lo. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba; Argentina. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones María Saleme Burnichón; Argentina
Materia
Performing arts
Contemporary theatre
Artistic practices
Theatre directors
Afects
Theatre groups
Artistic creation
Feminism
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/239901

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spelling The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean TheatreMarin, Fwala-loPerforming artsContemporary theatreArtistic practicesTheatre directorsAfectsTheatre groupsArtistic creationFeminismhttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6This work studies the affective dimension on group processes of artistic creation and analyses, particularly, the case of Argentine independent theatre groups in the city of Córdoba. The study –whose methodology included ethnographic interviews and discourse analysis–is based on the question regarding the way in which groupalities are formed and the role played by theatre direction in them. The objective of this paper is to understand how affects contribute to the formation of groups with artistic creationpurposes. For that, I first recall my conceptualization, which is based on groupality. Secondly, I review theoretical contributions from Sara Ahmed and others in order to analyse the relationships between groups and affects. Lastly, I systematise four affective dimensions experienced by theatre direction, which intervene in the conformation of theatrical groups. The conclusion of this paper values the emotional dimension as a power for the artistic work itself.Fil: Marin, Fwala-lo. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba; Argentina. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones María Saleme Burnichón; ArgentinaUniversidade Federal do Rio Grande do Norte2024-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/239901Marin, Fwala-lo; The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre; Universidade Federal do Rio Grande do Norte; Art Research Journal; 11; 1; 4-2024; 1-162357-9978CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://periodicos.ufrn.br/artresearchjournal/article/view/33803info:eu-repo/semantics/altIdentifier/doi/10.36025/arj.v11i1.33803info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:50:20Zoai:ri.conicet.gov.ar:11336/239901instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:50:20.853CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre
title The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre
spellingShingle The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre
Marin, Fwala-lo
Performing arts
Contemporary theatre
Artistic practices
Theatre directors
Afects
Theatre groups
Artistic creation
Feminism
title_short The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre
title_full The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre
title_fullStr The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre
title_full_unstemmed The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre
title_sort The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre
dc.creator.none.fl_str_mv Marin, Fwala-lo
author Marin, Fwala-lo
author_facet Marin, Fwala-lo
author_role author
dc.subject.none.fl_str_mv Performing arts
Contemporary theatre
Artistic practices
Theatre directors
Afects
Theatre groups
Artistic creation
Feminism
topic Performing arts
Contemporary theatre
Artistic practices
Theatre directors
Afects
Theatre groups
Artistic creation
Feminism
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv This work studies the affective dimension on group processes of artistic creation and analyses, particularly, the case of Argentine independent theatre groups in the city of Córdoba. The study –whose methodology included ethnographic interviews and discourse analysis–is based on the question regarding the way in which groupalities are formed and the role played by theatre direction in them. The objective of this paper is to understand how affects contribute to the formation of groups with artistic creationpurposes. For that, I first recall my conceptualization, which is based on groupality. Secondly, I review theoretical contributions from Sara Ahmed and others in order to analyse the relationships between groups and affects. Lastly, I systematise four affective dimensions experienced by theatre direction, which intervene in the conformation of theatrical groups. The conclusion of this paper values the emotional dimension as a power for the artistic work itself.
Fil: Marin, Fwala-lo. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba; Argentina. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones María Saleme Burnichón; Argentina
description This work studies the affective dimension on group processes of artistic creation and analyses, particularly, the case of Argentine independent theatre groups in the city of Córdoba. The study –whose methodology included ethnographic interviews and discourse analysis–is based on the question regarding the way in which groupalities are formed and the role played by theatre direction in them. The objective of this paper is to understand how affects contribute to the formation of groups with artistic creationpurposes. For that, I first recall my conceptualization, which is based on groupality. Secondly, I review theoretical contributions from Sara Ahmed and others in order to analyse the relationships between groups and affects. Lastly, I systematise four affective dimensions experienced by theatre direction, which intervene in the conformation of theatrical groups. The conclusion of this paper values the emotional dimension as a power for the artistic work itself.
publishDate 2024
dc.date.none.fl_str_mv 2024-04
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/239901
Marin, Fwala-lo; The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre; Universidade Federal do Rio Grande do Norte; Art Research Journal; 11; 1; 4-2024; 1-16
2357-9978
CONICET Digital
CONICET
url http://hdl.handle.net/11336/239901
identifier_str_mv Marin, Fwala-lo; The Affective Dimension of Direction and Its Effects on the Conformation of Groups in Contemporary Argentinean Theatre; Universidade Federal do Rio Grande do Norte; Art Research Journal; 11; 1; 4-2024; 1-16
2357-9978
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://periodicos.ufrn.br/artresearchjournal/article/view/33803
info:eu-repo/semantics/altIdentifier/doi/10.36025/arj.v11i1.33803
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Norte
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Norte
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.13397