"Regis imago Rex est": Iconic Portraits of British Queens

Autores
Ponce, Magdalena
Año de publicación
2006
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
The aim of this paper is to analyze painted portraits of outstanding queens of Britain in order to gain an insight into the function each portrait fulfilled in its socio-cultural and historical context. Every aspect of each painting that provides a deeper understanding of its role and purpose will be studied, namely objects, symbols, references to the context or to other artistic fields, colours, posture, clothing, etc. Besides, the relationship between the artist and the sitter is exposed in the images portrayed, at times mirroring the relationship between the monarch and the vassals, and at times complying with the desires of the sitter. ‘Regis imago Rex est’: the image of the monarch is the monarch; the image of the monarch in a portrait is usually the way the monarch is going to be remembered and identified by the others. So the question is… what did these queens want us to see, or rather, what did these portraitists intend to convey?
Facultad de Humanidades y Ciencias de la Educación
Fuente
Memoria académica
Materia
Letras
Ciencias Sociales
reinas
Inglaterra
Retratos
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/115422
Acceder
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network_name_str SEDICI (UNLP)
spelling "Regis imago Rex est": Iconic Portraits of British QueensPonce, MagdalenaLetrasCiencias SocialesreinasInglaterraRetratosThe aim of this paper is to analyze painted portraits of outstanding queens of Britain in order to gain an insight into the function each portrait fulfilled in its socio-cultural and historical context. Every aspect of each painting that provides a deeper understanding of its role and purpose will be studied, namely objects, symbols, references to the context or to other artistic fields, colours, posture, clothing, etc. Besides, the relationship between the artist and the sitter is exposed in the images portrayed, at times mirroring the relationship between the monarch and the vassals, and at times complying with the desires of the sitter. ‘Regis imago Rex est’: the image of the monarch is the monarch; the image of the monarch in a portrait is usually the way the monarch is going to be remembered and identified by the others. So the question is… what did these queens want us to see, or rather, what did these portraitists intend to convey?Facultad de Humanidades y Ciencias de la Educación2006info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/115422<a href="http://www.memoria.fahce.unlp.edu.ar" target="_blank">Memoria académica</a>reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLPenginfo:eu-repo/semantics/altIdentifier/url/http://www.memoria.fahce.unlp.edu.ar/trab_eventos/ev.13151/ev.13151.pdfinfo:eu-repo/semantics/altIdentifier/issn/1668-8449info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)2025-09-29T11:26:14Zoai:sedici.unlp.edu.ar:10915/115422Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:26:14.914SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv "Regis imago Rex est": Iconic Portraits of British Queens
title "Regis imago Rex est": Iconic Portraits of British Queens
spellingShingle "Regis imago Rex est": Iconic Portraits of British Queens
Ponce, Magdalena
Letras
Ciencias Sociales
reinas
Inglaterra
Retratos
title_short "Regis imago Rex est": Iconic Portraits of British Queens
title_full "Regis imago Rex est": Iconic Portraits of British Queens
title_fullStr "Regis imago Rex est": Iconic Portraits of British Queens
title_full_unstemmed "Regis imago Rex est": Iconic Portraits of British Queens
title_sort "Regis imago Rex est": Iconic Portraits of British Queens
dc.creator.none.fl_str_mv Ponce, Magdalena
author Ponce, Magdalena
author_facet Ponce, Magdalena
author_role author
dc.subject.none.fl_str_mv Letras
Ciencias Sociales
reinas
Inglaterra
Retratos
topic Letras
Ciencias Sociales
reinas
Inglaterra
Retratos
dc.description.none.fl_txt_mv The aim of this paper is to analyze painted portraits of outstanding queens of Britain in order to gain an insight into the function each portrait fulfilled in its socio-cultural and historical context. Every aspect of each painting that provides a deeper understanding of its role and purpose will be studied, namely objects, symbols, references to the context or to other artistic fields, colours, posture, clothing, etc. Besides, the relationship between the artist and the sitter is exposed in the images portrayed, at times mirroring the relationship between the monarch and the vassals, and at times complying with the desires of the sitter. ‘Regis imago Rex est’: the image of the monarch is the monarch; the image of the monarch in a portrait is usually the way the monarch is going to be remembered and identified by the others. So the question is… what did these queens want us to see, or rather, what did these portraitists intend to convey?
Facultad de Humanidades y Ciencias de la Educación
description The aim of this paper is to analyze painted portraits of outstanding queens of Britain in order to gain an insight into the function each portrait fulfilled in its socio-cultural and historical context. Every aspect of each painting that provides a deeper understanding of its role and purpose will be studied, namely objects, symbols, references to the context or to other artistic fields, colours, posture, clothing, etc. Besides, the relationship between the artist and the sitter is exposed in the images portrayed, at times mirroring the relationship between the monarch and the vassals, and at times complying with the desires of the sitter. ‘Regis imago Rex est’: the image of the monarch is the monarch; the image of the monarch in a portrait is usually the way the monarch is going to be remembered and identified by the others. So the question is… what did these queens want us to see, or rather, what did these portraitists intend to convey?
publishDate 2006
dc.date.none.fl_str_mv 2006
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status_str publishedVersion
dc.identifier.none.fl_str_mv http://sedici.unlp.edu.ar/handle/10915/115422
url http://sedici.unlp.edu.ar/handle/10915/115422
dc.language.none.fl_str_mv eng
language eng
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dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
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rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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