Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina
- Autores
- Carden, Natalia Marina; Miotti, Laura Lucía
- Año de publicación
- 2025
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- In this work, we explore the way in which rock art mediates social memory. Our study case is based on the rock art sequence established for Los Toldos archaeological locality, Argentina, which begins in the Pleistocene/Holocene transition and extends to the Late Holocene. The analysis focuses on superimpositions, with an emphasis on the human attitudes towards previous images. Despite changes detected along the sequence, Los Toldos manifests a strong emphasis on recalling the past, which is evidenced by the superimposition, replication, maintenance and recycling of motifs. These behaviors show a multi-generational dialogue that kept an ancestral memory alive but also recreated it through grouping images from different times for telling stories. This study places an emphasis on the users/consumers of rock art rather than on its makers. This focus narrows the gap between the archaeological record and the ethnographic sources by claiming that the Tehuelche people were engaged with rock art even though they did not make it.
Facultad de Ciencias Naturales y Museo - Materia
-
Arqueología
Antropología
hunter gatherers
social memory
Patagonia
rock art - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by/4.0/
- Repositorio
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/181413
Ver los metadatos del registro completo
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Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, ArgentinaCarden, Natalia MarinaMiotti, Laura LucíaArqueologíaAntropologíahunter gathererssocial memoryPatagoniarock artIn this work, we explore the way in which rock art mediates social memory. Our study case is based on the rock art sequence established for Los Toldos archaeological locality, Argentina, which begins in the Pleistocene/Holocene transition and extends to the Late Holocene. The analysis focuses on superimpositions, with an emphasis on the human attitudes towards previous images. Despite changes detected along the sequence, Los Toldos manifests a strong emphasis on recalling the past, which is evidenced by the superimposition, replication, maintenance and recycling of motifs. These behaviors show a multi-generational dialogue that kept an ancestral memory alive but also recreated it through grouping images from different times for telling stories. This study places an emphasis on the users/consumers of rock art rather than on its makers. This focus narrows the gap between the archaeological record and the ethnographic sources by claiming that the Tehuelche people were engaged with rock art even though they did not make it.Facultad de Ciencias Naturales y Museo2025-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/181413enginfo:eu-repo/semantics/altIdentifier/issn/2076-0752info:eu-repo/semantics/altIdentifier/doi/10.3390/arts14020042info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by/4.0/Creative Commons Attribution 4.0 International (CC BY 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-17T10:32:05Zoai:sedici.unlp.edu.ar:10915/181413Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-17 10:32:05.696SEDICI (UNLP) - Universidad Nacional de La Platafalse |
dc.title.none.fl_str_mv |
Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina |
title |
Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina |
spellingShingle |
Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina Carden, Natalia Marina Arqueología Antropología hunter gatherers social memory Patagonia rock art |
title_short |
Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina |
title_full |
Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina |
title_fullStr |
Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina |
title_full_unstemmed |
Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina |
title_sort |
Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina |
dc.creator.none.fl_str_mv |
Carden, Natalia Marina Miotti, Laura Lucía |
author |
Carden, Natalia Marina |
author_facet |
Carden, Natalia Marina Miotti, Laura Lucía |
author_role |
author |
author2 |
Miotti, Laura Lucía |
author2_role |
author |
dc.subject.none.fl_str_mv |
Arqueología Antropología hunter gatherers social memory Patagonia rock art |
topic |
Arqueología Antropología hunter gatherers social memory Patagonia rock art |
dc.description.none.fl_txt_mv |
In this work, we explore the way in which rock art mediates social memory. Our study case is based on the rock art sequence established for Los Toldos archaeological locality, Argentina, which begins in the Pleistocene/Holocene transition and extends to the Late Holocene. The analysis focuses on superimpositions, with an emphasis on the human attitudes towards previous images. Despite changes detected along the sequence, Los Toldos manifests a strong emphasis on recalling the past, which is evidenced by the superimposition, replication, maintenance and recycling of motifs. These behaviors show a multi-generational dialogue that kept an ancestral memory alive but also recreated it through grouping images from different times for telling stories. This study places an emphasis on the users/consumers of rock art rather than on its makers. This focus narrows the gap between the archaeological record and the ethnographic sources by claiming that the Tehuelche people were engaged with rock art even though they did not make it. Facultad de Ciencias Naturales y Museo |
description |
In this work, we explore the way in which rock art mediates social memory. Our study case is based on the rock art sequence established for Los Toldos archaeological locality, Argentina, which begins in the Pleistocene/Holocene transition and extends to the Late Holocene. The analysis focuses on superimpositions, with an emphasis on the human attitudes towards previous images. Despite changes detected along the sequence, Los Toldos manifests a strong emphasis on recalling the past, which is evidenced by the superimposition, replication, maintenance and recycling of motifs. These behaviors show a multi-generational dialogue that kept an ancestral memory alive but also recreated it through grouping images from different times for telling stories. This study places an emphasis on the users/consumers of rock art rather than on its makers. This focus narrows the gap between the archaeological record and the ethnographic sources by claiming that the Tehuelche people were engaged with rock art even though they did not make it. |
publishDate |
2025 |
dc.date.none.fl_str_mv |
2025-04 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Articulo http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://sedici.unlp.edu.ar/handle/10915/181413 |
url |
http://sedici.unlp.edu.ar/handle/10915/181413 |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/issn/2076-0752 info:eu-repo/semantics/altIdentifier/doi/10.3390/arts14020042 |
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info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by/4.0/ Creative Commons Attribution 4.0 International (CC BY 4.0) |
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openAccess |
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http://creativecommons.org/licenses/by/4.0/ Creative Commons Attribution 4.0 International (CC BY 4.0) |
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application/pdf |
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SEDICI (UNLP) - Universidad Nacional de La Plata |
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alira@sedici.unlp.edu.ar |
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