Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina

Autores
Carden, Natalia Marina; Miotti, Laura Lucía
Año de publicación
2025
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
In this work, we explore the way in which rock art mediates social memory. Our study case is based on the rock art sequence established for Los Toldos archaeological locality, Argentina, which begins in the Pleistocene/Holocene transition and extends to the Late Holocene. The analysis focuses on superimpositions, with an emphasis on the human attitudes towards previous images. Despite changes detected along the sequence, Los Toldos manifests a strong emphasis on recalling the past, which is evidenced by the superimposition, replication, maintenance and recycling of motifs. These behaviors show a multi-generational dialogue that kept an ancestral memory alive but also recreated it through grouping images from different times for telling stories. This study places an emphasis on the users/consumers of rock art rather than on its makers. This focus narrows the gap between the archaeological record and the ethnographic sources by claiming that the Tehuelche people were engaged with rock art even though they did not make it.
Facultad de Ciencias Naturales y Museo
Materia
Arqueología
Antropología
hunter gatherers
social memory
Patagonia
rock art
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/181413

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spelling Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, ArgentinaCarden, Natalia MarinaMiotti, Laura LucíaArqueologíaAntropologíahunter gathererssocial memoryPatagoniarock artIn this work, we explore the way in which rock art mediates social memory. Our study case is based on the rock art sequence established for Los Toldos archaeological locality, Argentina, which begins in the Pleistocene/Holocene transition and extends to the Late Holocene. The analysis focuses on superimpositions, with an emphasis on the human attitudes towards previous images. Despite changes detected along the sequence, Los Toldos manifests a strong emphasis on recalling the past, which is evidenced by the superimposition, replication, maintenance and recycling of motifs. These behaviors show a multi-generational dialogue that kept an ancestral memory alive but also recreated it through grouping images from different times for telling stories. This study places an emphasis on the users/consumers of rock art rather than on its makers. This focus narrows the gap between the archaeological record and the ethnographic sources by claiming that the Tehuelche people were engaged with rock art even though they did not make it.Facultad de Ciencias Naturales y Museo2025-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/181413enginfo:eu-repo/semantics/altIdentifier/issn/2076-0752info:eu-repo/semantics/altIdentifier/doi/10.3390/arts14020042info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by/4.0/Creative Commons Attribution 4.0 International (CC BY 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-17T10:32:05Zoai:sedici.unlp.edu.ar:10915/181413Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-17 10:32:05.696SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina
title Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina
spellingShingle Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina
Carden, Natalia Marina
Arqueología
Antropología
hunter gatherers
social memory
Patagonia
rock art
title_short Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina
title_full Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina
title_fullStr Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina
title_full_unstemmed Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina
title_sort Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina
dc.creator.none.fl_str_mv Carden, Natalia Marina
Miotti, Laura Lucía
author Carden, Natalia Marina
author_facet Carden, Natalia Marina
Miotti, Laura Lucía
author_role author
author2 Miotti, Laura Lucía
author2_role author
dc.subject.none.fl_str_mv Arqueología
Antropología
hunter gatherers
social memory
Patagonia
rock art
topic Arqueología
Antropología
hunter gatherers
social memory
Patagonia
rock art
dc.description.none.fl_txt_mv In this work, we explore the way in which rock art mediates social memory. Our study case is based on the rock art sequence established for Los Toldos archaeological locality, Argentina, which begins in the Pleistocene/Holocene transition and extends to the Late Holocene. The analysis focuses on superimpositions, with an emphasis on the human attitudes towards previous images. Despite changes detected along the sequence, Los Toldos manifests a strong emphasis on recalling the past, which is evidenced by the superimposition, replication, maintenance and recycling of motifs. These behaviors show a multi-generational dialogue that kept an ancestral memory alive but also recreated it through grouping images from different times for telling stories. This study places an emphasis on the users/consumers of rock art rather than on its makers. This focus narrows the gap between the archaeological record and the ethnographic sources by claiming that the Tehuelche people were engaged with rock art even though they did not make it.
Facultad de Ciencias Naturales y Museo
description In this work, we explore the way in which rock art mediates social memory. Our study case is based on the rock art sequence established for Los Toldos archaeological locality, Argentina, which begins in the Pleistocene/Holocene transition and extends to the Late Holocene. The analysis focuses on superimpositions, with an emphasis on the human attitudes towards previous images. Despite changes detected along the sequence, Los Toldos manifests a strong emphasis on recalling the past, which is evidenced by the superimposition, replication, maintenance and recycling of motifs. These behaviors show a multi-generational dialogue that kept an ancestral memory alive but also recreated it through grouping images from different times for telling stories. This study places an emphasis on the users/consumers of rock art rather than on its makers. This focus narrows the gap between the archaeological record and the ethnographic sources by claiming that the Tehuelche people were engaged with rock art even though they did not make it.
publishDate 2025
dc.date.none.fl_str_mv 2025-04
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/issn/2076-0752
info:eu-repo/semantics/altIdentifier/doi/10.3390/arts14020042
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by/4.0/
Creative Commons Attribution 4.0 International (CC BY 4.0)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0/
Creative Commons Attribution 4.0 International (CC BY 4.0)
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