Acoustical Design of the Blue Whale Auditorium in Buenos Aires

Autores
Basso, Gustavo Jorge
Año de publicación
2019
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
The "Blue Whale" Auditorium in Buenos Aires opened in 2015. Designed to be the headquarters of the National Symphony Orchestra of Argentina, its goal was to become the city's main space for symphonic music. The architectural program posed several challenges from an acoustic point of view, as 2,000 people had to be accommodated in a square space into which none of the usual architectural typologies fit properly. It was decided, therefore, to place in this space an "ad-hoc" hall, whose shape is far from traditional. The design centred around three main premises: to achieve an enveloping acoustic field, by generating a large number of lateral reflections within the Haas limit; to establish an adequate triple-slope reverberation decay; and to combine reflective and diffusing surfaces to attain a similar acoustic field through the entire audience area. This work details the design process of the Auditorium, during which the final shape was deduced from the established acoustic premises.
Facultad de Bellas Artes
Materia
Música
Symphonic Auditorium
Acoustical Design
Early Reflections
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nd/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/89222

id SEDICI_d271a2a81fca18841e2b0c83a12980a0
oai_identifier_str oai:sedici.unlp.edu.ar:10915/89222
network_acronym_str SEDICI
repository_id_str 1329
network_name_str SEDICI (UNLP)
spelling Acoustical Design of the Blue Whale Auditorium in Buenos AiresBasso, Gustavo JorgeMúsicaSymphonic AuditoriumAcoustical DesignEarly ReflectionsThe "Blue Whale" Auditorium in Buenos Aires opened in 2015. Designed to be the headquarters of the National Symphony Orchestra of Argentina, its goal was to become the city's main space for symphonic music. The architectural program posed several challenges from an acoustic point of view, as 2,000 people had to be accommodated in a square space into which none of the usual architectural typologies fit properly. It was decided, therefore, to place in this space an "ad-hoc" hall, whose shape is far from traditional. The design centred around three main premises: to achieve an enveloping acoustic field, by generating a large number of lateral reflections within the Haas limit; to establish an adequate triple-slope reverberation decay; and to combine reflective and diffusing surfaces to attain a similar acoustic field through the entire audience area. This work details the design process of the Auditorium, during which the final shape was deduced from the established acoustic premises.Facultad de Bellas Artes2019-09-17info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdf201-208http://sedici.unlp.edu.ar/handle/10915/89222enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nd/4.0/Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:18:18Zoai:sedici.unlp.edu.ar:10915/89222Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:18:19.113SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Acoustical Design of the Blue Whale Auditorium in Buenos Aires
title Acoustical Design of the Blue Whale Auditorium in Buenos Aires
spellingShingle Acoustical Design of the Blue Whale Auditorium in Buenos Aires
Basso, Gustavo Jorge
Música
Symphonic Auditorium
Acoustical Design
Early Reflections
title_short Acoustical Design of the Blue Whale Auditorium in Buenos Aires
title_full Acoustical Design of the Blue Whale Auditorium in Buenos Aires
title_fullStr Acoustical Design of the Blue Whale Auditorium in Buenos Aires
title_full_unstemmed Acoustical Design of the Blue Whale Auditorium in Buenos Aires
title_sort Acoustical Design of the Blue Whale Auditorium in Buenos Aires
dc.creator.none.fl_str_mv Basso, Gustavo Jorge
author Basso, Gustavo Jorge
author_facet Basso, Gustavo Jorge
author_role author
dc.subject.none.fl_str_mv Música
Symphonic Auditorium
Acoustical Design
Early Reflections
topic Música
Symphonic Auditorium
Acoustical Design
Early Reflections
dc.description.none.fl_txt_mv The "Blue Whale" Auditorium in Buenos Aires opened in 2015. Designed to be the headquarters of the National Symphony Orchestra of Argentina, its goal was to become the city's main space for symphonic music. The architectural program posed several challenges from an acoustic point of view, as 2,000 people had to be accommodated in a square space into which none of the usual architectural typologies fit properly. It was decided, therefore, to place in this space an "ad-hoc" hall, whose shape is far from traditional. The design centred around three main premises: to achieve an enveloping acoustic field, by generating a large number of lateral reflections within the Haas limit; to establish an adequate triple-slope reverberation decay; and to combine reflective and diffusing surfaces to attain a similar acoustic field through the entire audience area. This work details the design process of the Auditorium, during which the final shape was deduced from the established acoustic premises.
Facultad de Bellas Artes
description The "Blue Whale" Auditorium in Buenos Aires opened in 2015. Designed to be the headquarters of the National Symphony Orchestra of Argentina, its goal was to become the city's main space for symphonic music. The architectural program posed several challenges from an acoustic point of view, as 2,000 people had to be accommodated in a square space into which none of the usual architectural typologies fit properly. It was decided, therefore, to place in this space an "ad-hoc" hall, whose shape is far from traditional. The design centred around three main premises: to achieve an enveloping acoustic field, by generating a large number of lateral reflections within the Haas limit; to establish an adequate triple-slope reverberation decay; and to combine reflective and diffusing surfaces to attain a similar acoustic field through the entire audience area. This work details the design process of the Auditorium, during which the final shape was deduced from the established acoustic premises.
publishDate 2019
dc.date.none.fl_str_mv 2019-09-17
dc.type.none.fl_str_mv info:eu-repo/semantics/conferenceObject
info:eu-repo/semantics/publishedVersion
Objeto de conferencia
http://purl.org/coar/resource_type/c_5794
info:ar-repo/semantics/documentoDeConferencia
format conferenceObject
status_str publishedVersion
dc.identifier.none.fl_str_mv http://sedici.unlp.edu.ar/handle/10915/89222
url http://sedici.unlp.edu.ar/handle/10915/89222
dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nd/4.0/
Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nd/4.0/
Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0)
dc.format.none.fl_str_mv application/pdf
201-208
dc.source.none.fl_str_mv reponame:SEDICI (UNLP)
instname:Universidad Nacional de La Plata
instacron:UNLP
reponame_str SEDICI (UNLP)
collection SEDICI (UNLP)
instname_str Universidad Nacional de La Plata
instacron_str UNLP
institution UNLP
repository.name.fl_str_mv SEDICI (UNLP) - Universidad Nacional de La Plata
repository.mail.fl_str_mv alira@sedici.unlp.edu.ar
_version_ 1844616056802377728
score 13.070432