Analogies to art in French prose fiction of the Fifteenth Century

Autores
Hatzfeld, H. A.
Año de publicación
1972
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
If I were to heed the warnings of the estheticians, I would not only abstain from comparing French literature and art o£ the fifteenth century but would also condemn the grandiose attempt of Johan Huizinga who started such parallels in his fundamental book of 1924, The Waning of the Middle Ages. I don’t know whether Huizinga’s great historical in- tuition would have been helped by a greater theoretical underpinning or methodological rigor but I do know that in his two chapters called "Verbal and plástic expression compared” Huizinga has shown that their mutual elucidation proves clearly that the Middle Ages with its waning symbolism has come to a cióse and that its naturalism has nothing to do as yet with Renaissance, because it is an analytical, descriptive, illus- trative and not an emphatic and evocative naturalism; there are no great ideas in this epoch but a pictorical thinking instead. Even going into greater details Huizinga remains convincing in literature and art.
Facultad de Humanidades y Ciencias de la Educación (FAHCE)
Fuente
Memoria académica
Materia
Humanidades
Filología
Análisis comparativo
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-nd/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/14259

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spelling Analogies to art in French prose fiction of the Fifteenth CenturyHatzfeld, H. A.HumanidadesFilologíaAnálisis comparativoIf I were to heed the warnings of the estheticians, I would not only abstain from comparing French literature and art o£ the fifteenth century but would also condemn the grandiose attempt of Johan Huizinga who started such parallels in his fundamental book of 1924, The Waning of the Middle Ages. I don’t know whether Huizinga’s great historical in- tuition would have been helped by a greater theoretical underpinning or methodological rigor but I do know that in his two chapters called "Verbal and plástic expression compared” Huizinga has shown that their mutual elucidation proves clearly that the Middle Ages with its waning symbolism has come to a cióse and that its naturalism has nothing to do as yet with Renaissance, because it is an analytical, descriptive, illus- trative and not an emphatic and evocative naturalism; there are no great ideas in this epoch but a pictorical thinking instead. Even going into greater details Huizinga remains convincing in literature and art.Facultad de Humanidades y Ciencias de la Educación (FAHCE)1972info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdf161-176http://sedici.unlp.edu.ar/handle/10915/14259<a href="http://www.memoria.fahce.unlp.edu.ar" target="_blank">Memoria académica</a>reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLPenginfo:eu-repo/semantics/altIdentifier/issn/-info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)2025-10-22T16:33:52Zoai:sedici.unlp.edu.ar:10915/14259Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-10-22 16:33:52.879SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Analogies to art in French prose fiction of the Fifteenth Century
title Analogies to art in French prose fiction of the Fifteenth Century
spellingShingle Analogies to art in French prose fiction of the Fifteenth Century
Hatzfeld, H. A.
Humanidades
Filología
Análisis comparativo
title_short Analogies to art in French prose fiction of the Fifteenth Century
title_full Analogies to art in French prose fiction of the Fifteenth Century
title_fullStr Analogies to art in French prose fiction of the Fifteenth Century
title_full_unstemmed Analogies to art in French prose fiction of the Fifteenth Century
title_sort Analogies to art in French prose fiction of the Fifteenth Century
dc.creator.none.fl_str_mv Hatzfeld, H. A.
author Hatzfeld, H. A.
author_facet Hatzfeld, H. A.
author_role author
dc.subject.none.fl_str_mv Humanidades
Filología
Análisis comparativo
topic Humanidades
Filología
Análisis comparativo
dc.description.none.fl_txt_mv If I were to heed the warnings of the estheticians, I would not only abstain from comparing French literature and art o£ the fifteenth century but would also condemn the grandiose attempt of Johan Huizinga who started such parallels in his fundamental book of 1924, The Waning of the Middle Ages. I don’t know whether Huizinga’s great historical in- tuition would have been helped by a greater theoretical underpinning or methodological rigor but I do know that in his two chapters called "Verbal and plástic expression compared” Huizinga has shown that their mutual elucidation proves clearly that the Middle Ages with its waning symbolism has come to a cióse and that its naturalism has nothing to do as yet with Renaissance, because it is an analytical, descriptive, illus- trative and not an emphatic and evocative naturalism; there are no great ideas in this epoch but a pictorical thinking instead. Even going into greater details Huizinga remains convincing in literature and art.
Facultad de Humanidades y Ciencias de la Educación (FAHCE)
description If I were to heed the warnings of the estheticians, I would not only abstain from comparing French literature and art o£ the fifteenth century but would also condemn the grandiose attempt of Johan Huizinga who started such parallels in his fundamental book of 1924, The Waning of the Middle Ages. I don’t know whether Huizinga’s great historical in- tuition would have been helped by a greater theoretical underpinning or methodological rigor but I do know that in his two chapters called "Verbal and plástic expression compared” Huizinga has shown that their mutual elucidation proves clearly that the Middle Ages with its waning symbolism has come to a cióse and that its naturalism has nothing to do as yet with Renaissance, because it is an analytical, descriptive, illus- trative and not an emphatic and evocative naturalism; there are no great ideas in this epoch but a pictorical thinking instead. Even going into greater details Huizinga remains convincing in literature and art.
publishDate 1972
dc.date.none.fl_str_mv 1972
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dc.language.none.fl_str_mv eng
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161-176
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