Analogies to art in French prose fiction of the Fifteenth Century
- Autores
- Hatzfeld, H. A.
- Año de publicación
- 1972
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- If I were to heed the warnings of the estheticians, I would not only abstain from comparing French literature and art o£ the fifteenth century but would also condemn the grandiose attempt of Johan Huizinga who started such parallels in his fundamental book of 1924, The Waning of the Middle Ages. I don’t know whether Huizinga’s great historical in- tuition would have been helped by a greater theoretical underpinning or methodological rigor but I do know that in his two chapters called "Verbal and plástic expression compared” Huizinga has shown that their mutual elucidation proves clearly that the Middle Ages with its waning symbolism has come to a cióse and that its naturalism has nothing to do as yet with Renaissance, because it is an analytical, descriptive, illus- trative and not an emphatic and evocative naturalism; there are no great ideas in this epoch but a pictorical thinking instead. Even going into greater details Huizinga remains convincing in literature and art.
Facultad de Humanidades y Ciencias de la Educación (FAHCE) - Fuente
- Memoria académica
- Materia
-
Humanidades
Filología
Análisis comparativo - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-nd/4.0/
- Repositorio
.jpg)
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/14259
Ver los metadatos del registro completo
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Analogies to art in French prose fiction of the Fifteenth CenturyHatzfeld, H. A.HumanidadesFilologíaAnálisis comparativoIf I were to heed the warnings of the estheticians, I would not only abstain from comparing French literature and art o£ the fifteenth century but would also condemn the grandiose attempt of Johan Huizinga who started such parallels in his fundamental book of 1924, The Waning of the Middle Ages. I don’t know whether Huizinga’s great historical in- tuition would have been helped by a greater theoretical underpinning or methodological rigor but I do know that in his two chapters called "Verbal and plástic expression compared” Huizinga has shown that their mutual elucidation proves clearly that the Middle Ages with its waning symbolism has come to a cióse and that its naturalism has nothing to do as yet with Renaissance, because it is an analytical, descriptive, illus- trative and not an emphatic and evocative naturalism; there are no great ideas in this epoch but a pictorical thinking instead. Even going into greater details Huizinga remains convincing in literature and art.Facultad de Humanidades y Ciencias de la Educación (FAHCE)1972info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdf161-176http://sedici.unlp.edu.ar/handle/10915/14259<a href="http://www.memoria.fahce.unlp.edu.ar" target="_blank">Memoria académica</a>reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLPenginfo:eu-repo/semantics/altIdentifier/issn/-info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)2025-10-22T16:33:52Zoai:sedici.unlp.edu.ar:10915/14259Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-10-22 16:33:52.879SEDICI (UNLP) - Universidad Nacional de La Platafalse |
| dc.title.none.fl_str_mv |
Analogies to art in French prose fiction of the Fifteenth Century |
| title |
Analogies to art in French prose fiction of the Fifteenth Century |
| spellingShingle |
Analogies to art in French prose fiction of the Fifteenth Century Hatzfeld, H. A. Humanidades Filología Análisis comparativo |
| title_short |
Analogies to art in French prose fiction of the Fifteenth Century |
| title_full |
Analogies to art in French prose fiction of the Fifteenth Century |
| title_fullStr |
Analogies to art in French prose fiction of the Fifteenth Century |
| title_full_unstemmed |
Analogies to art in French prose fiction of the Fifteenth Century |
| title_sort |
Analogies to art in French prose fiction of the Fifteenth Century |
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Hatzfeld, H. A. |
| author |
Hatzfeld, H. A. |
| author_facet |
Hatzfeld, H. A. |
| author_role |
author |
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Humanidades Filología Análisis comparativo |
| topic |
Humanidades Filología Análisis comparativo |
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If I were to heed the warnings of the estheticians, I would not only abstain from comparing French literature and art o£ the fifteenth century but would also condemn the grandiose attempt of Johan Huizinga who started such parallels in his fundamental book of 1924, The Waning of the Middle Ages. I don’t know whether Huizinga’s great historical in- tuition would have been helped by a greater theoretical underpinning or methodological rigor but I do know that in his two chapters called "Verbal and plástic expression compared” Huizinga has shown that their mutual elucidation proves clearly that the Middle Ages with its waning symbolism has come to a cióse and that its naturalism has nothing to do as yet with Renaissance, because it is an analytical, descriptive, illus- trative and not an emphatic and evocative naturalism; there are no great ideas in this epoch but a pictorical thinking instead. Even going into greater details Huizinga remains convincing in literature and art. Facultad de Humanidades y Ciencias de la Educación (FAHCE) |
| description |
If I were to heed the warnings of the estheticians, I would not only abstain from comparing French literature and art o£ the fifteenth century but would also condemn the grandiose attempt of Johan Huizinga who started such parallels in his fundamental book of 1924, The Waning of the Middle Ages. I don’t know whether Huizinga’s great historical in- tuition would have been helped by a greater theoretical underpinning or methodological rigor but I do know that in his two chapters called "Verbal and plástic expression compared” Huizinga has shown that their mutual elucidation proves clearly that the Middle Ages with its waning symbolism has come to a cióse and that its naturalism has nothing to do as yet with Renaissance, because it is an analytical, descriptive, illus- trative and not an emphatic and evocative naturalism; there are no great ideas in this epoch but a pictorical thinking instead. Even going into greater details Huizinga remains convincing in literature and art. |
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1972 |
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1972 |
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