Making heritage: the materialization of the state and the expediency of music. The case of cuarteto característico in Córdoba, Argentina

Autores
Blázquez, Gustavo
Año de publicación
2017
Idioma
inglés
Tipo de recurso
parte de libro
Estado
versión publicada
Descripción
Fil: Blázquez, Gustavo. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Historia; Argentina.
The group of actions performed by the provincial and municipal State of Córdoba in relation to some sonorities of popular tone can be understood as part of the new agreed valueset upon Culture and new ways in which to manage it. In Argentina, like other places in the world, symbolic goods were transformed into important resources for social, economic, and political growth. The actions of the State extended in different spheres of social life, even in those considered intimate, while at the same time privatizing public spaces (Sabsay, 2011). In this context, the cultural policies will be analyzed as part of new government technologies where certain uses and symbolic goods are transformed into a resource. Power not only suppresses but also produces and makes it desirable to recognize itself in aspecific cultural identity. The whole process of (trans)formation of popular sonorities into emblem and heritage in a specific territory has a certain local character and its analysis will allow us to describe, in a micro scale, the mutation of the strategic position of Culture with relation to state practices and changes in forms of govern mentality (Foucault, 1999). Through the analysis of heritagisation cuarteto we can observe how State was (re)produced in Córdoba. Some of the questions this article tries to answer are: Who and in what ways did they create heritage? How was the State materialized in that process?
Fil: Blázquez, Gustavo. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Historia; Argentina.
Tópicos Sociales (estudios de género, estudios de familia, trabajo social, etc.)
Materia
HERITAGE
CULTURAL POLICIES
ARGENTINA
NATION
Nivel de accesibilidad
acceso abierto
Condiciones de uso
Repositorio
Repositorio Digital Universitario (UNC)
Institución
Universidad Nacional de Córdoba
OAI Identificador
oai:rdu.unc.edu.ar:11086/550814

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spelling Making heritage: the materialization of the state and the expediency of music. The case of cuarteto característico in Córdoba, ArgentinaBlázquez, GustavoHERITAGECULTURAL POLICIESARGENTINANATIONFil: Blázquez, Gustavo. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Historia; Argentina.The group of actions performed by the provincial and municipal State of Córdoba in relation to some sonorities of popular tone can be understood as part of the new agreed valueset upon Culture and new ways in which to manage it. In Argentina, like other places in the world, symbolic goods were transformed into important resources for social, economic, and political growth. The actions of the State extended in different spheres of social life, even in those considered intimate, while at the same time privatizing public spaces (Sabsay, 2011). In this context, the cultural policies will be analyzed as part of new government technologies where certain uses and symbolic goods are transformed into a resource. Power not only suppresses but also produces and makes it desirable to recognize itself in aspecific cultural identity. The whole process of (trans)formation of popular sonorities into emblem and heritage in a specific territory has a certain local character and its analysis will allow us to describe, in a micro scale, the mutation of the strategic position of Culture with relation to state practices and changes in forms of govern mentality (Foucault, 1999). Through the analysis of heritagisation cuarteto we can observe how State was (re)produced in Córdoba. Some of the questions this article tries to answer are: Who and in what ways did they create heritage? How was the State materialized in that process?Fil: Blázquez, Gustavo. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Historia; Argentina.Tópicos Sociales (estudios de género, estudios de familia, trabajo social, etc.)2017info:eu-repo/semantics/bookPartinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_3248info:ar-repo/semantics/parteDeLibroapplication/pdf9781472475435http://hdl.handle.net/11086/550814enginfo:eu-repo/semantics/openAccessreponame:Repositorio Digital Universitario (UNC)instname:Universidad Nacional de Córdobainstacron:UNC2025-09-29T13:44:01Zoai:rdu.unc.edu.ar:11086/550814Institucionalhttps://rdu.unc.edu.ar/Universidad públicaNo correspondehttp://rdu.unc.edu.ar/oai/snrdoca.unc@gmail.comArgentinaNo correspondeNo correspondeNo correspondeopendoar:25722025-09-29 13:44:01.59Repositorio Digital Universitario (UNC) - Universidad Nacional de Córdobafalse
dc.title.none.fl_str_mv Making heritage: the materialization of the state and the expediency of music. The case of cuarteto característico in Córdoba, Argentina
title Making heritage: the materialization of the state and the expediency of music. The case of cuarteto característico in Córdoba, Argentina
spellingShingle Making heritage: the materialization of the state and the expediency of music. The case of cuarteto característico in Córdoba, Argentina
Blázquez, Gustavo
HERITAGE
CULTURAL POLICIES
ARGENTINA
NATION
title_short Making heritage: the materialization of the state and the expediency of music. The case of cuarteto característico in Córdoba, Argentina
title_full Making heritage: the materialization of the state and the expediency of music. The case of cuarteto característico in Córdoba, Argentina
title_fullStr Making heritage: the materialization of the state and the expediency of music. The case of cuarteto característico in Córdoba, Argentina
title_full_unstemmed Making heritage: the materialization of the state and the expediency of music. The case of cuarteto característico in Córdoba, Argentina
title_sort Making heritage: the materialization of the state and the expediency of music. The case of cuarteto característico in Córdoba, Argentina
dc.creator.none.fl_str_mv Blázquez, Gustavo
author Blázquez, Gustavo
author_facet Blázquez, Gustavo
author_role author
dc.subject.none.fl_str_mv HERITAGE
CULTURAL POLICIES
ARGENTINA
NATION
topic HERITAGE
CULTURAL POLICIES
ARGENTINA
NATION
dc.description.none.fl_txt_mv Fil: Blázquez, Gustavo. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Historia; Argentina.
The group of actions performed by the provincial and municipal State of Córdoba in relation to some sonorities of popular tone can be understood as part of the new agreed valueset upon Culture and new ways in which to manage it. In Argentina, like other places in the world, symbolic goods were transformed into important resources for social, economic, and political growth. The actions of the State extended in different spheres of social life, even in those considered intimate, while at the same time privatizing public spaces (Sabsay, 2011). In this context, the cultural policies will be analyzed as part of new government technologies where certain uses and symbolic goods are transformed into a resource. Power not only suppresses but also produces and makes it desirable to recognize itself in aspecific cultural identity. The whole process of (trans)formation of popular sonorities into emblem and heritage in a specific territory has a certain local character and its analysis will allow us to describe, in a micro scale, the mutation of the strategic position of Culture with relation to state practices and changes in forms of govern mentality (Foucault, 1999). Through the analysis of heritagisation cuarteto we can observe how State was (re)produced in Córdoba. Some of the questions this article tries to answer are: Who and in what ways did they create heritage? How was the State materialized in that process?
Fil: Blázquez, Gustavo. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Historia; Argentina.
Tópicos Sociales (estudios de género, estudios de familia, trabajo social, etc.)
description Fil: Blázquez, Gustavo. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Historia; Argentina.
publishDate 2017
dc.date.none.fl_str_mv 2017
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dc.identifier.none.fl_str_mv 9781472475435
http://hdl.handle.net/11086/550814
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dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Repositorio Digital Universitario (UNC)
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instacron:UNC
reponame_str Repositorio Digital Universitario (UNC)
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instname_str Universidad Nacional de Córdoba
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repository.name.fl_str_mv Repositorio Digital Universitario (UNC) - Universidad Nacional de Córdoba
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