Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America)
- Autores
- Fiore, Danae
- Año de publicación
- 2011
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- This paper explores the differential rates of diachronic change developed by diverse features of portable art in southern Tierra del Fuego. It is argued that decorative designs and techniques, which simultaneously constitute each decorated artefact, had asynchronic rates of change throughout the archaeological sequence. Results indicate that: (I) decorated harpoon points (1) had a broader and more complex design repertoire which entailed a higher labour investment and showed a faster rate of change than beads, due to a greater individual input in their decoration, (2) were richly decorated in spite of their high risk of loss/fracture, yet their decoration was concentrated in the early period of the archaeological sequence and then decreased in time due: a) to such loss/fracture risk, which jeopardised the labour invested in their decoration, (b) to a relative decrease in pinniped hunting which might have reduced the socio-economic and symbolic value of harpoons; (II) decorated beads (1) had a simpler and more standardised design repetoire which entailed a lower labour investment and showed a slower rate of change than harpoons, due to a stricter process of teaching/learning or imitation during their production and a collective way of ornamentation during their display, (2) increased with time and have been decorated during the three periods of the archaeological sequence due to: (a) their lower risk of loss/fracture,which did not endanger the labour invested in their decoration, (b) their social function as a shared form of ornamentation; (III) decorative techniques had a slower rate of change than decorative designs throughout the archaeological sequence due to their differential instrinsic variability potentials.
Fil: Fiore, Danae. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina - Materia
-
DESIGN
PORTABLE ART
RATES OF CHANGE
TECHNOLOGY
TIERRA DEL FUEGO
TIME - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/194314
Ver los metadatos del registro completo
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Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America)Fiore, DanaeDESIGNPORTABLE ARTRATES OF CHANGETECHNOLOGYTIERRA DEL FUEGOTIMEhttps://purl.org/becyt/ford/6.1https://purl.org/becyt/ford/6This paper explores the differential rates of diachronic change developed by diverse features of portable art in southern Tierra del Fuego. It is argued that decorative designs and techniques, which simultaneously constitute each decorated artefact, had asynchronic rates of change throughout the archaeological sequence. Results indicate that: (I) decorated harpoon points (1) had a broader and more complex design repertoire which entailed a higher labour investment and showed a faster rate of change than beads, due to a greater individual input in their decoration, (2) were richly decorated in spite of their high risk of loss/fracture, yet their decoration was concentrated in the early period of the archaeological sequence and then decreased in time due: a) to such loss/fracture risk, which jeopardised the labour invested in their decoration, (b) to a relative decrease in pinniped hunting which might have reduced the socio-economic and symbolic value of harpoons; (II) decorated beads (1) had a simpler and more standardised design repetoire which entailed a lower labour investment and showed a slower rate of change than harpoons, due to a stricter process of teaching/learning or imitation during their production and a collective way of ornamentation during their display, (2) increased with time and have been decorated during the three periods of the archaeological sequence due to: (a) their lower risk of loss/fracture,which did not endanger the labour invested in their decoration, (b) their social function as a shared form of ornamentation; (III) decorative techniques had a slower rate of change than decorative designs throughout the archaeological sequence due to their differential instrinsic variability potentials.Fil: Fiore, Danae. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaElsevier2011-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/194314Fiore, Danae; Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America); Elsevier; Journal of Anthropological Archaeology; 30; 4; 12-2011; 484-5010278-41651090-2686CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.sciencedirect.com/science/article/pii/S0278416511000432info:eu-repo/semantics/altIdentifier/doi/10.1016/j.jaa.2011.07.002info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:28:04Zoai:ri.conicet.gov.ar:11336/194314instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:28:05.075CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America) |
title |
Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America) |
spellingShingle |
Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America) Fiore, Danae DESIGN PORTABLE ART RATES OF CHANGE TECHNOLOGY TIERRA DEL FUEGO TIME |
title_short |
Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America) |
title_full |
Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America) |
title_fullStr |
Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America) |
title_full_unstemmed |
Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America) |
title_sort |
Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America) |
dc.creator.none.fl_str_mv |
Fiore, Danae |
author |
Fiore, Danae |
author_facet |
Fiore, Danae |
author_role |
author |
dc.subject.none.fl_str_mv |
DESIGN PORTABLE ART RATES OF CHANGE TECHNOLOGY TIERRA DEL FUEGO TIME |
topic |
DESIGN PORTABLE ART RATES OF CHANGE TECHNOLOGY TIERRA DEL FUEGO TIME |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.1 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
This paper explores the differential rates of diachronic change developed by diverse features of portable art in southern Tierra del Fuego. It is argued that decorative designs and techniques, which simultaneously constitute each decorated artefact, had asynchronic rates of change throughout the archaeological sequence. Results indicate that: (I) decorated harpoon points (1) had a broader and more complex design repertoire which entailed a higher labour investment and showed a faster rate of change than beads, due to a greater individual input in their decoration, (2) were richly decorated in spite of their high risk of loss/fracture, yet their decoration was concentrated in the early period of the archaeological sequence and then decreased in time due: a) to such loss/fracture risk, which jeopardised the labour invested in their decoration, (b) to a relative decrease in pinniped hunting which might have reduced the socio-economic and symbolic value of harpoons; (II) decorated beads (1) had a simpler and more standardised design repetoire which entailed a lower labour investment and showed a slower rate of change than harpoons, due to a stricter process of teaching/learning or imitation during their production and a collective way of ornamentation during their display, (2) increased with time and have been decorated during the three periods of the archaeological sequence due to: (a) their lower risk of loss/fracture,which did not endanger the labour invested in their decoration, (b) their social function as a shared form of ornamentation; (III) decorative techniques had a slower rate of change than decorative designs throughout the archaeological sequence due to their differential instrinsic variability potentials. Fil: Fiore, Danae. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina |
description |
This paper explores the differential rates of diachronic change developed by diverse features of portable art in southern Tierra del Fuego. It is argued that decorative designs and techniques, which simultaneously constitute each decorated artefact, had asynchronic rates of change throughout the archaeological sequence. Results indicate that: (I) decorated harpoon points (1) had a broader and more complex design repertoire which entailed a higher labour investment and showed a faster rate of change than beads, due to a greater individual input in their decoration, (2) were richly decorated in spite of their high risk of loss/fracture, yet their decoration was concentrated in the early period of the archaeological sequence and then decreased in time due: a) to such loss/fracture risk, which jeopardised the labour invested in their decoration, (b) to a relative decrease in pinniped hunting which might have reduced the socio-economic and symbolic value of harpoons; (II) decorated beads (1) had a simpler and more standardised design repetoire which entailed a lower labour investment and showed a slower rate of change than harpoons, due to a stricter process of teaching/learning or imitation during their production and a collective way of ornamentation during their display, (2) increased with time and have been decorated during the three periods of the archaeological sequence due to: (a) their lower risk of loss/fracture,which did not endanger the labour invested in their decoration, (b) their social function as a shared form of ornamentation; (III) decorative techniques had a slower rate of change than decorative designs throughout the archaeological sequence due to their differential instrinsic variability potentials. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-12 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/194314 Fiore, Danae; Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America); Elsevier; Journal of Anthropological Archaeology; 30; 4; 12-2011; 484-501 0278-4165 1090-2686 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/194314 |
identifier_str_mv |
Fiore, Danae; Art in time. Diachronic rates of change in the decoration of bone artefacts from the Beagle Channel region (Tierra del Fuego, Southern South America); Elsevier; Journal of Anthropological Archaeology; 30; 4; 12-2011; 484-501 0278-4165 1090-2686 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/https://www.sciencedirect.com/science/article/pii/S0278416511000432 info:eu-repo/semantics/altIdentifier/doi/10.1016/j.jaa.2011.07.002 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Elsevier |
publisher.none.fl_str_mv |
Elsevier |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
reponame_str |
CONICET Digital (CONICET) |
collection |
CONICET Digital (CONICET) |
instname_str |
Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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13.070432 |