Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires

Autores
Gil Mariño, Cecilia Nuria; Kelly Hopfenblatt, Alejandro; Kriger, Clara Beatriz; Moguillansky, Marina; Sasiain, Sonia Beatriz
Año de publicación
2021
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
The renewal of theoretical and methodological tools, putting the spotlight of film historiography onaudiences and their movie-going routines, has meant a significant shift for the study of national and regional cinemas. The New Cinema History signalled the importance of introducing in-depth, data-based studies of exhibition, distribution and programming, considering individual and collective experiences. One trend in this renewal of cinema history are studies relying on oral testimonies of the elderly to reconstruct their movie-going practices, contributing also to the methodological reflection on the use of memories as historical sources. This article discusses the ways spatial and temporal perceptions appear in oral narratives of movie-going experiences in Buenos Aires during the 1940s and 50s. Based on twenty qualitative interviews with elderly people, we explore how through their imaginaries they build a certain place in the past that contrasts with the perceived present. We trace the ways in which memories are intertwined with the emergence of modern routines and the way the cinematographic experience affected the audience’s cartography of the different environments of Buenos Aires. Film consumption and its imaginaries allowedthe emergence of new sensorial skills related to a changing world.
Fil: Gil Mariño, Cecilia Nuria. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Kelly Hopfenblatt, Alejandro. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Kriger, Clara Beatriz. Universidad de Buenos Aires; Argentina
Fil: Moguillansky, Marina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Sasiain, Sonia Beatriz. Universidad de Buenos Aires; Argentina
Materia
CINEMAGOING
1940
BUENOS AIRES
ROUTINES
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/166918
Acceder
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repository_id_str 3498
network_name_str CONICET Digital (CONICET)
spelling Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos AiresGil Mariño, Cecilia NuriaKelly Hopfenblatt, AlejandroKriger, Clara BeatrizMoguillansky, MarinaSasiain, Sonia BeatrizCINEMAGOING1940BUENOS AIRESROUTINEShttps://purl.org/becyt/ford/5.8https://purl.org/becyt/ford/5The renewal of theoretical and methodological tools, putting the spotlight of film historiography onaudiences and their movie-going routines, has meant a significant shift for the study of national and regional cinemas. The New Cinema History signalled the importance of introducing in-depth, data-based studies of exhibition, distribution and programming, considering individual and collective experiences. One trend in this renewal of cinema history are studies relying on oral testimonies of the elderly to reconstruct their movie-going practices, contributing also to the methodological reflection on the use of memories as historical sources. This article discusses the ways spatial and temporal perceptions appear in oral narratives of movie-going experiences in Buenos Aires during the 1940s and 50s. Based on twenty qualitative interviews with elderly people, we explore how through their imaginaries they build a certain place in the past that contrasts with the perceived present. We trace the ways in which memories are intertwined with the emergence of modern routines and the way the cinematographic experience affected the audience’s cartography of the different environments of Buenos Aires. Film consumption and its imaginaries allowedthe emergence of new sensorial skills related to a changing world.Fil: Gil Mariño, Cecilia Nuria. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFil: Kelly Hopfenblatt, Alejandro. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFil: Kriger, Clara Beatriz. Universidad de Buenos Aires; ArgentinaFil: Moguillansky, Marina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFil: Sasiain, Sonia Beatriz. Universidad de Buenos Aires; ArgentinaUniversity College Cork2021-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/166918Gil Mariño, Cecilia Nuria; Kelly Hopfenblatt, Alejandro; Kriger, Clara Beatriz; Moguillansky, Marina; Sasiain, Sonia Beatriz; Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires; University College Cork; Alphaville; 21; 6-2021; 160-1772009-4078CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://cora.ucc.ie/bitstream/handle/10468/11650/DossierGilMarino.pdf?sequence=1&isAllowed=yinfo:eu-repo/semantics/altIdentifier/doi/10.33178/alpha.21.10info:eu-repo/semantics/altIdentifier/url/https://www.alphavillejournal.com/Issue21/HTML/DossierGilMarino.htmlinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T15:15:07Zoai:ri.conicet.gov.ar:11336/166918instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 15:15:07.723CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires
title Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires
spellingShingle Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires
Gil Mariño, Cecilia Nuria
CINEMAGOING
1940
BUENOS AIRES
ROUTINES
title_short Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires
title_full Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires
title_fullStr Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires
title_full_unstemmed Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires
title_sort Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires
dc.creator.none.fl_str_mv Gil Mariño, Cecilia Nuria
Kelly Hopfenblatt, Alejandro
Kriger, Clara Beatriz
Moguillansky, Marina
Sasiain, Sonia Beatriz
author Gil Mariño, Cecilia Nuria
author_facet Gil Mariño, Cecilia Nuria
Kelly Hopfenblatt, Alejandro
Kriger, Clara Beatriz
Moguillansky, Marina
Sasiain, Sonia Beatriz
author_role author
author2 Kelly Hopfenblatt, Alejandro
Kriger, Clara Beatriz
Moguillansky, Marina
Sasiain, Sonia Beatriz
author2_role author
author
author
author
dc.subject.none.fl_str_mv CINEMAGOING
1940
BUENOS AIRES
ROUTINES
topic CINEMAGOING
1940
BUENOS AIRES
ROUTINES
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.8
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv The renewal of theoretical and methodological tools, putting the spotlight of film historiography onaudiences and their movie-going routines, has meant a significant shift for the study of national and regional cinemas. The New Cinema History signalled the importance of introducing in-depth, data-based studies of exhibition, distribution and programming, considering individual and collective experiences. One trend in this renewal of cinema history are studies relying on oral testimonies of the elderly to reconstruct their movie-going practices, contributing also to the methodological reflection on the use of memories as historical sources. This article discusses the ways spatial and temporal perceptions appear in oral narratives of movie-going experiences in Buenos Aires during the 1940s and 50s. Based on twenty qualitative interviews with elderly people, we explore how through their imaginaries they build a certain place in the past that contrasts with the perceived present. We trace the ways in which memories are intertwined with the emergence of modern routines and the way the cinematographic experience affected the audience’s cartography of the different environments of Buenos Aires. Film consumption and its imaginaries allowedthe emergence of new sensorial skills related to a changing world.
Fil: Gil Mariño, Cecilia Nuria. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Kelly Hopfenblatt, Alejandro. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Kriger, Clara Beatriz. Universidad de Buenos Aires; Argentina
Fil: Moguillansky, Marina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Sasiain, Sonia Beatriz. Universidad de Buenos Aires; Argentina
description The renewal of theoretical and methodological tools, putting the spotlight of film historiography onaudiences and their movie-going routines, has meant a significant shift for the study of national and regional cinemas. The New Cinema History signalled the importance of introducing in-depth, data-based studies of exhibition, distribution and programming, considering individual and collective experiences. One trend in this renewal of cinema history are studies relying on oral testimonies of the elderly to reconstruct their movie-going practices, contributing also to the methodological reflection on the use of memories as historical sources. This article discusses the ways spatial and temporal perceptions appear in oral narratives of movie-going experiences in Buenos Aires during the 1940s and 50s. Based on twenty qualitative interviews with elderly people, we explore how through their imaginaries they build a certain place in the past that contrasts with the perceived present. We trace the ways in which memories are intertwined with the emergence of modern routines and the way the cinematographic experience affected the audience’s cartography of the different environments of Buenos Aires. Film consumption and its imaginaries allowedthe emergence of new sensorial skills related to a changing world.
publishDate 2021
dc.date.none.fl_str_mv 2021-06
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/166918
Gil Mariño, Cecilia Nuria; Kelly Hopfenblatt, Alejandro; Kriger, Clara Beatriz; Moguillansky, Marina; Sasiain, Sonia Beatriz; Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires; University College Cork; Alphaville; 21; 6-2021; 160-177
2009-4078
CONICET Digital
CONICET
url http://hdl.handle.net/11336/166918
identifier_str_mv Gil Mariño, Cecilia Nuria; Kelly Hopfenblatt, Alejandro; Kriger, Clara Beatriz; Moguillansky, Marina; Sasiain, Sonia Beatriz; Modern routines: The Perception of Time and Space in Film Spectator's Memories of Cinemagoing in 1940s Buenos Aires; University College Cork; Alphaville; 21; 6-2021; 160-177
2009-4078
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://cora.ucc.ie/bitstream/handle/10468/11650/DossierGilMarino.pdf?sequence=1&isAllowed=y
info:eu-repo/semantics/altIdentifier/doi/10.33178/alpha.21.10
info:eu-repo/semantics/altIdentifier/url/https://www.alphavillejournal.com/Issue21/HTML/DossierGilMarino.html
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv University College Cork
publisher.none.fl_str_mv University College Cork
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1846083298832416768
score 13.22299

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