Conceptions of woodwind students regarding the process of learning a piece of music
- Autores
- Marín, Cristina; Pérez Echeverría, M. del P.; Scheuer, Nora
- Año de publicación
- 2013
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- The way in which students and teachers conceive the nature of knowledge and its acquisition have been deeply investigated in recent decades, since these conceptions underlie teaching and learning processes themselves. In this study we analysed how woodwind students from different levels of expertise conceive the process of learning a musical piece. As in previous studies about learning processes in music, we divide it into three stages: the beginning (first sessions of study of the new piece), the middle of the process (the student continues practising) and the end (the sessions before the performance). Sixty-eight Spanish woodwind students from three different levels of instruction completed an open- ended questionnaire. A statistical analysis of textual data was applied to the responses, in order to identify lexical differences among groups of participants about their learning conceptions. Statistical significant lexical differences were found for the variable ?Level?, and three lexical groups were identified for each stage of learning, corresponding to the three levels. Elementary students held a conception of learning in which there is a linear relationship between conditions (amount of practice time, repetition) and outcomes (mainly related to notational elements), giving a small presence to the learner?s agency. Intermediate students began to consider the internal structure of the piece and its expressive function, and they particularly emphasized mental processes involved in learning. Advanced students suggested activities requiring a greater degree of autonomy and reflection, considering the piece as an element for the performer?s expression. Changes in goals and activities mentioned for the different stages of learning were also identified for each level. Results suggest that as level of instruction progress, it becomes more probable to find more sophisticatedconceptions, which is consistent with previous research in several knowledge domains. Implications for education are discussed.
Fil: Marín, Cristina. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España;
Fil: Pérez Echeverría, M. del P.. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España;
Fil: Scheuer, Nora. Universidad Nacional del Comahue. Centro Regional Universitario Bariloche; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Patagonia Norte; Argentina - Materia
-
Conceptions
Musical Learning
Musical Expertise
Music Students
Learning Strategies - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
.jpg)
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/2658
Ver los metadatos del registro completo
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Conceptions of woodwind students regarding the process of learning a piece of musicMarín, CristinaPérez Echeverría, M. del P.Scheuer, NoraConceptionsMusical LearningMusical ExpertiseMusic StudentsLearning Strategieshttps://purl.org/becyt/ford/5.1https://purl.org/becyt/ford/5The way in which students and teachers conceive the nature of knowledge and its acquisition have been deeply investigated in recent decades, since these conceptions underlie teaching and learning processes themselves. In this study we analysed how woodwind students from different levels of expertise conceive the process of learning a musical piece. As in previous studies about learning processes in music, we divide it into three stages: the beginning (first sessions of study of the new piece), the middle of the process (the student continues practising) and the end (the sessions before the performance). Sixty-eight Spanish woodwind students from three different levels of instruction completed an open- ended questionnaire. A statistical analysis of textual data was applied to the responses, in order to identify lexical differences among groups of participants about their learning conceptions. Statistical significant lexical differences were found for the variable ?Level?, and three lexical groups were identified for each stage of learning, corresponding to the three levels. Elementary students held a conception of learning in which there is a linear relationship between conditions (amount of practice time, repetition) and outcomes (mainly related to notational elements), giving a small presence to the learner?s agency. Intermediate students began to consider the internal structure of the piece and its expressive function, and they particularly emphasized mental processes involved in learning. Advanced students suggested activities requiring a greater degree of autonomy and reflection, considering the piece as an element for the performer?s expression. Changes in goals and activities mentioned for the different stages of learning were also identified for each level. Results suggest that as level of instruction progress, it becomes more probable to find more sophisticatedconceptions, which is consistent with previous research in several knowledge domains. Implications for education are discussed.Fil: Marín, Cristina. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España;Fil: Pérez Echeverría, M. del P.. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España;Fil: Scheuer, Nora. Universidad Nacional del Comahue. Centro Regional Universitario Bariloche; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Patagonia Norte; ArgentinaTaylor & Francis2013-08-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/2658Marín, Cristina; Pérez Echeverría, M. del P.; Scheuer, Nora; Conceptions of woodwind students regarding the process of learning a piece of music; Taylor & Francis; Research Papers in Education; 29; 4; 13-8-2013; 479-5110267-1522enginfo:eu-repo/semantics/altIdentifier/doi/info:eu-repo/semantics/altIdentifier/doi/10.1080/02671522.2013.825310info:eu-repo/semantics/altIdentifier/url/http://www.tandfonline.com/doi/full/10.1080/02671522.2013.825310#tabModuleinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-12-23T14:54:25Zoai:ri.conicet.gov.ar:11336/2658instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-12-23 14:54:25.361CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
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Conceptions of woodwind students regarding the process of learning a piece of music |
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Conceptions of woodwind students regarding the process of learning a piece of music |
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Conceptions of woodwind students regarding the process of learning a piece of music Marín, Cristina Conceptions Musical Learning Musical Expertise Music Students Learning Strategies |
| title_short |
Conceptions of woodwind students regarding the process of learning a piece of music |
| title_full |
Conceptions of woodwind students regarding the process of learning a piece of music |
| title_fullStr |
Conceptions of woodwind students regarding the process of learning a piece of music |
| title_full_unstemmed |
Conceptions of woodwind students regarding the process of learning a piece of music |
| title_sort |
Conceptions of woodwind students regarding the process of learning a piece of music |
| dc.creator.none.fl_str_mv |
Marín, Cristina Pérez Echeverría, M. del P. Scheuer, Nora |
| author |
Marín, Cristina |
| author_facet |
Marín, Cristina Pérez Echeverría, M. del P. Scheuer, Nora |
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author |
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Pérez Echeverría, M. del P. Scheuer, Nora |
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author author |
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Conceptions Musical Learning Musical Expertise Music Students Learning Strategies |
| topic |
Conceptions Musical Learning Musical Expertise Music Students Learning Strategies |
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https://purl.org/becyt/ford/5.1 https://purl.org/becyt/ford/5 |
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The way in which students and teachers conceive the nature of knowledge and its acquisition have been deeply investigated in recent decades, since these conceptions underlie teaching and learning processes themselves. In this study we analysed how woodwind students from different levels of expertise conceive the process of learning a musical piece. As in previous studies about learning processes in music, we divide it into three stages: the beginning (first sessions of study of the new piece), the middle of the process (the student continues practising) and the end (the sessions before the performance). Sixty-eight Spanish woodwind students from three different levels of instruction completed an open- ended questionnaire. A statistical analysis of textual data was applied to the responses, in order to identify lexical differences among groups of participants about their learning conceptions. Statistical significant lexical differences were found for the variable ?Level?, and three lexical groups were identified for each stage of learning, corresponding to the three levels. Elementary students held a conception of learning in which there is a linear relationship between conditions (amount of practice time, repetition) and outcomes (mainly related to notational elements), giving a small presence to the learner?s agency. Intermediate students began to consider the internal structure of the piece and its expressive function, and they particularly emphasized mental processes involved in learning. Advanced students suggested activities requiring a greater degree of autonomy and reflection, considering the piece as an element for the performer?s expression. Changes in goals and activities mentioned for the different stages of learning were also identified for each level. Results suggest that as level of instruction progress, it becomes more probable to find more sophisticatedconceptions, which is consistent with previous research in several knowledge domains. Implications for education are discussed. Fil: Marín, Cristina. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España; Fil: Pérez Echeverría, M. del P.. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España; Fil: Scheuer, Nora. Universidad Nacional del Comahue. Centro Regional Universitario Bariloche; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Patagonia Norte; Argentina |
| description |
The way in which students and teachers conceive the nature of knowledge and its acquisition have been deeply investigated in recent decades, since these conceptions underlie teaching and learning processes themselves. In this study we analysed how woodwind students from different levels of expertise conceive the process of learning a musical piece. As in previous studies about learning processes in music, we divide it into three stages: the beginning (first sessions of study of the new piece), the middle of the process (the student continues practising) and the end (the sessions before the performance). Sixty-eight Spanish woodwind students from three different levels of instruction completed an open- ended questionnaire. A statistical analysis of textual data was applied to the responses, in order to identify lexical differences among groups of participants about their learning conceptions. Statistical significant lexical differences were found for the variable ?Level?, and three lexical groups were identified for each stage of learning, corresponding to the three levels. Elementary students held a conception of learning in which there is a linear relationship between conditions (amount of practice time, repetition) and outcomes (mainly related to notational elements), giving a small presence to the learner?s agency. Intermediate students began to consider the internal structure of the piece and its expressive function, and they particularly emphasized mental processes involved in learning. Advanced students suggested activities requiring a greater degree of autonomy and reflection, considering the piece as an element for the performer?s expression. Changes in goals and activities mentioned for the different stages of learning were also identified for each level. Results suggest that as level of instruction progress, it becomes more probable to find more sophisticatedconceptions, which is consistent with previous research in several knowledge domains. Implications for education are discussed. |
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2013 |
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2013-08-13 |
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Marín, Cristina; Pérez Echeverría, M. del P.; Scheuer, Nora; Conceptions of woodwind students regarding the process of learning a piece of music; Taylor & Francis; Research Papers in Education; 29; 4; 13-8-2013; 479-511 0267-1522 |
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