Conceptions of woodwind students regarding the process of learning a piece of music

Autores
Marín, Cristina; Pérez Echeverría, M. del P.; Scheuer, Nora
Año de publicación
2013
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
The way in which students and teachers conceive the nature of knowledge and its acquisition have been deeply investigated in recent decades, since these conceptions underlie teaching and learning processes themselves. In this study we analysed how woodwind students from different levels of expertise conceive the process of learning a musical piece. As in previous studies about learning processes in music, we divide it into three stages: the beginning (first sessions of study of the new piece), the middle of the process (the student continues practising) and the end (the sessions before the performance). Sixty-eight Spanish woodwind students from three different levels of instruction completed an open- ended questionnaire. A statistical analysis of textual data was applied to the responses, in order to identify lexical differences among groups of participants about their learning conceptions. Statistical significant lexical differences were found for the variable ?Level?, and three lexical groups were identified for each stage of learning, corresponding to the three levels. Elementary students held a conception of learning in which there is a linear relationship between conditions (amount of practice time, repetition) and outcomes (mainly related to notational elements), giving a small presence to the learner?s agency. Intermediate students began to consider the internal structure of the piece and its expressive function, and they particularly emphasized mental processes involved in learning. Advanced students suggested activities requiring a greater degree of autonomy and reflection, considering the piece as an element for the performer?s expression. Changes in goals and activities mentioned for the different stages of learning were also identified for each level. Results suggest that as level of instruction progress, it becomes more probable to find more sophisticatedconceptions, which is consistent with previous research in several knowledge domains. Implications for education are discussed.
Fil: Marín, Cristina. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España;
Fil: Pérez Echeverría, M. del P.. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España;
Fil: Scheuer, Nora. Universidad Nacional del Comahue. Centro Regional Universitario Bariloche; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Patagonia Norte; Argentina
Materia
Conceptions
Musical Learning
Musical Expertise
Music Students
Learning Strategies
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/2658

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spelling Conceptions of woodwind students regarding the process of learning a piece of musicMarín, CristinaPérez Echeverría, M. del P.Scheuer, NoraConceptionsMusical LearningMusical ExpertiseMusic StudentsLearning Strategieshttps://purl.org/becyt/ford/5.1https://purl.org/becyt/ford/5The way in which students and teachers conceive the nature of knowledge and its acquisition have been deeply investigated in recent decades, since these conceptions underlie teaching and learning processes themselves. In this study we analysed how woodwind students from different levels of expertise conceive the process of learning a musical piece. As in previous studies about learning processes in music, we divide it into three stages: the beginning (first sessions of study of the new piece), the middle of the process (the student continues practising) and the end (the sessions before the performance). Sixty-eight Spanish woodwind students from three different levels of instruction completed an open- ended questionnaire. A statistical analysis of textual data was applied to the responses, in order to identify lexical differences among groups of participants about their learning conceptions. Statistical significant lexical differences were found for the variable ?Level?, and three lexical groups were identified for each stage of learning, corresponding to the three levels. Elementary students held a conception of learning in which there is a linear relationship between conditions (amount of practice time, repetition) and outcomes (mainly related to notational elements), giving a small presence to the learner?s agency. Intermediate students began to consider the internal structure of the piece and its expressive function, and they particularly emphasized mental processes involved in learning. Advanced students suggested activities requiring a greater degree of autonomy and reflection, considering the piece as an element for the performer?s expression. Changes in goals and activities mentioned for the different stages of learning were also identified for each level. Results suggest that as level of instruction progress, it becomes more probable to find more sophisticatedconceptions, which is consistent with previous research in several knowledge domains. Implications for education are discussed.Fil: Marín, Cristina. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España;Fil: Pérez Echeverría, M. del P.. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España;Fil: Scheuer, Nora. Universidad Nacional del Comahue. Centro Regional Universitario Bariloche; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Patagonia Norte; ArgentinaTaylor & Francis2013-08-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/2658Marín, Cristina; Pérez Echeverría, M. del P.; Scheuer, Nora; Conceptions of woodwind students regarding the process of learning a piece of music; Taylor & Francis; Research Papers in Education; 29; 4; 13-8-2013; 479-5110267-1522enginfo:eu-repo/semantics/altIdentifier/doi/info:eu-repo/semantics/altIdentifier/doi/10.1080/02671522.2013.825310info:eu-repo/semantics/altIdentifier/url/http://www.tandfonline.com/doi/full/10.1080/02671522.2013.825310#tabModuleinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-12-23T14:54:25Zoai:ri.conicet.gov.ar:11336/2658instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-12-23 14:54:25.361CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Conceptions of woodwind students regarding the process of learning a piece of music
title Conceptions of woodwind students regarding the process of learning a piece of music
spellingShingle Conceptions of woodwind students regarding the process of learning a piece of music
Marín, Cristina
Conceptions
Musical Learning
Musical Expertise
Music Students
Learning Strategies
title_short Conceptions of woodwind students regarding the process of learning a piece of music
title_full Conceptions of woodwind students regarding the process of learning a piece of music
title_fullStr Conceptions of woodwind students regarding the process of learning a piece of music
title_full_unstemmed Conceptions of woodwind students regarding the process of learning a piece of music
title_sort Conceptions of woodwind students regarding the process of learning a piece of music
dc.creator.none.fl_str_mv Marín, Cristina
Pérez Echeverría, M. del P.
Scheuer, Nora
author Marín, Cristina
author_facet Marín, Cristina
Pérez Echeverría, M. del P.
Scheuer, Nora
author_role author
author2 Pérez Echeverría, M. del P.
Scheuer, Nora
author2_role author
author
dc.subject.none.fl_str_mv Conceptions
Musical Learning
Musical Expertise
Music Students
Learning Strategies
topic Conceptions
Musical Learning
Musical Expertise
Music Students
Learning Strategies
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.1
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv The way in which students and teachers conceive the nature of knowledge and its acquisition have been deeply investigated in recent decades, since these conceptions underlie teaching and learning processes themselves. In this study we analysed how woodwind students from different levels of expertise conceive the process of learning a musical piece. As in previous studies about learning processes in music, we divide it into three stages: the beginning (first sessions of study of the new piece), the middle of the process (the student continues practising) and the end (the sessions before the performance). Sixty-eight Spanish woodwind students from three different levels of instruction completed an open- ended questionnaire. A statistical analysis of textual data was applied to the responses, in order to identify lexical differences among groups of participants about their learning conceptions. Statistical significant lexical differences were found for the variable ?Level?, and three lexical groups were identified for each stage of learning, corresponding to the three levels. Elementary students held a conception of learning in which there is a linear relationship between conditions (amount of practice time, repetition) and outcomes (mainly related to notational elements), giving a small presence to the learner?s agency. Intermediate students began to consider the internal structure of the piece and its expressive function, and they particularly emphasized mental processes involved in learning. Advanced students suggested activities requiring a greater degree of autonomy and reflection, considering the piece as an element for the performer?s expression. Changes in goals and activities mentioned for the different stages of learning were also identified for each level. Results suggest that as level of instruction progress, it becomes more probable to find more sophisticatedconceptions, which is consistent with previous research in several knowledge domains. Implications for education are discussed.
Fil: Marín, Cristina. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España;
Fil: Pérez Echeverría, M. del P.. Universidad Autonoma de Madrid. Facultad de Psicologia. Departamento de Psicologia Basica; España;
Fil: Scheuer, Nora. Universidad Nacional del Comahue. Centro Regional Universitario Bariloche; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Patagonia Norte; Argentina
description The way in which students and teachers conceive the nature of knowledge and its acquisition have been deeply investigated in recent decades, since these conceptions underlie teaching and learning processes themselves. In this study we analysed how woodwind students from different levels of expertise conceive the process of learning a musical piece. As in previous studies about learning processes in music, we divide it into three stages: the beginning (first sessions of study of the new piece), the middle of the process (the student continues practising) and the end (the sessions before the performance). Sixty-eight Spanish woodwind students from three different levels of instruction completed an open- ended questionnaire. A statistical analysis of textual data was applied to the responses, in order to identify lexical differences among groups of participants about their learning conceptions. Statistical significant lexical differences were found for the variable ?Level?, and three lexical groups were identified for each stage of learning, corresponding to the three levels. Elementary students held a conception of learning in which there is a linear relationship between conditions (amount of practice time, repetition) and outcomes (mainly related to notational elements), giving a small presence to the learner?s agency. Intermediate students began to consider the internal structure of the piece and its expressive function, and they particularly emphasized mental processes involved in learning. Advanced students suggested activities requiring a greater degree of autonomy and reflection, considering the piece as an element for the performer?s expression. Changes in goals and activities mentioned for the different stages of learning were also identified for each level. Results suggest that as level of instruction progress, it becomes more probable to find more sophisticatedconceptions, which is consistent with previous research in several knowledge domains. Implications for education are discussed.
publishDate 2013
dc.date.none.fl_str_mv 2013-08-13
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/2658
Marín, Cristina; Pérez Echeverría, M. del P.; Scheuer, Nora; Conceptions of woodwind students regarding the process of learning a piece of music; Taylor & Francis; Research Papers in Education; 29; 4; 13-8-2013; 479-511
0267-1522
url http://hdl.handle.net/11336/2658
identifier_str_mv Marín, Cristina; Pérez Echeverría, M. del P.; Scheuer, Nora; Conceptions of woodwind students regarding the process of learning a piece of music; Taylor & Francis; Research Papers in Education; 29; 4; 13-8-2013; 479-511
0267-1522
dc.language.none.fl_str_mv eng
language eng
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info:eu-repo/semantics/altIdentifier/doi/10.1080/02671522.2013.825310
info:eu-repo/semantics/altIdentifier/url/http://www.tandfonline.com/doi/full/10.1080/02671522.2013.825310#tabModule
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rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Taylor & Francis
publisher.none.fl_str_mv Taylor & Francis
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