Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink

Autores
Pascual, Luciano
Año de publicación
2022
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
The aim of this article is to deepen reflections on the links between the technical aspects of techno music, the experience of listening to it and its social function. In order to achieve that goal, we carry out a comparative analysis between Theodor Adorno and Robert Fink, which allows us to construct an interpretation of the social dimensions of the techno technique, specifically from the analysis of its teleology and time. This work acknowledges the irreconcilable aspects of the authors; where Fink finds a liberating possibility of manifestation and creation of desire or an expression of an emerging new subjectivity, Adorno finds the innermost fibres of a mechanism of social alienation. These contradictory interpretations, complexified by contributions from other authors (such as Rick Snoman, Mark Butler and Diedrich Diederichsen, Ragnhild Solberg and Juliane Rebentisch), allow us to build a detailed description of the particularities of techno aesthetics.
Fil: Pascual, Luciano. Max Planck Institute For Empirical Aesthetics; Alemania. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba. Instituto de Humanidades. Universidad Nacional de Córdoba. Instituto de Humanidades; Argentina
Materia
AESTHETICS
EXPERIENCE
SOCIAL FUNCTION
TECHNO MUSIC
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/203425
Acceder
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network_name_str CONICET Digital (CONICET)
spelling Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert FinkPascual, LucianoAESTHETICSEXPERIENCESOCIAL FUNCTIONTECHNO MUSIChttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6The aim of this article is to deepen reflections on the links between the technical aspects of techno music, the experience of listening to it and its social function. In order to achieve that goal, we carry out a comparative analysis between Theodor Adorno and Robert Fink, which allows us to construct an interpretation of the social dimensions of the techno technique, specifically from the analysis of its teleology and time. This work acknowledges the irreconcilable aspects of the authors; where Fink finds a liberating possibility of manifestation and creation of desire or an expression of an emerging new subjectivity, Adorno finds the innermost fibres of a mechanism of social alienation. These contradictory interpretations, complexified by contributions from other authors (such as Rick Snoman, Mark Butler and Diedrich Diederichsen, Ragnhild Solberg and Juliane Rebentisch), allow us to build a detailed description of the particularities of techno aesthetics.Fil: Pascual, Luciano. Max Planck Institute For Empirical Aesthetics; Alemania. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba. Instituto de Humanidades. Universidad Nacional de Córdoba. Instituto de Humanidades; ArgentinaNational University of Ireland Maynooth2022-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/203425Pascual, Luciano; Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink; National University of Ireland Maynooth; Dancecult; 14; 1; 11-2022; 23-381947-5403CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/doi/10.12801/1947-5403.2022.14.01.02info:eu-repo/semantics/altIdentifier/url/https://dj.dancecult.net/index.php/dancecult/article/view/1207info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-22T12:05:30Zoai:ri.conicet.gov.ar:11336/203425instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-22 12:05:30.533CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink
title Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink
spellingShingle Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink
Pascual, Luciano
AESTHETICS
EXPERIENCE
SOCIAL FUNCTION
TECHNO MUSIC
title_short Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink
title_full Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink
title_fullStr Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink
title_full_unstemmed Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink
title_sort Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink
dc.creator.none.fl_str_mv Pascual, Luciano
author Pascual, Luciano
author_facet Pascual, Luciano
author_role author
dc.subject.none.fl_str_mv AESTHETICS
EXPERIENCE
SOCIAL FUNCTION
TECHNO MUSIC
topic AESTHETICS
EXPERIENCE
SOCIAL FUNCTION
TECHNO MUSIC
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv The aim of this article is to deepen reflections on the links between the technical aspects of techno music, the experience of listening to it and its social function. In order to achieve that goal, we carry out a comparative analysis between Theodor Adorno and Robert Fink, which allows us to construct an interpretation of the social dimensions of the techno technique, specifically from the analysis of its teleology and time. This work acknowledges the irreconcilable aspects of the authors; where Fink finds a liberating possibility of manifestation and creation of desire or an expression of an emerging new subjectivity, Adorno finds the innermost fibres of a mechanism of social alienation. These contradictory interpretations, complexified by contributions from other authors (such as Rick Snoman, Mark Butler and Diedrich Diederichsen, Ragnhild Solberg and Juliane Rebentisch), allow us to build a detailed description of the particularities of techno aesthetics.
Fil: Pascual, Luciano. Max Planck Institute For Empirical Aesthetics; Alemania. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba. Instituto de Humanidades. Universidad Nacional de Córdoba. Instituto de Humanidades; Argentina
description The aim of this article is to deepen reflections on the links between the technical aspects of techno music, the experience of listening to it and its social function. In order to achieve that goal, we carry out a comparative analysis between Theodor Adorno and Robert Fink, which allows us to construct an interpretation of the social dimensions of the techno technique, specifically from the analysis of its teleology and time. This work acknowledges the irreconcilable aspects of the authors; where Fink finds a liberating possibility of manifestation and creation of desire or an expression of an emerging new subjectivity, Adorno finds the innermost fibres of a mechanism of social alienation. These contradictory interpretations, complexified by contributions from other authors (such as Rick Snoman, Mark Butler and Diedrich Diederichsen, Ragnhild Solberg and Juliane Rebentisch), allow us to build a detailed description of the particularities of techno aesthetics.
publishDate 2022
dc.date.none.fl_str_mv 2022-11
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/203425
Pascual, Luciano; Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink; National University of Ireland Maynooth; Dancecult; 14; 1; 11-2022; 23-38
1947-5403
CONICET Digital
CONICET
url http://hdl.handle.net/11336/203425
identifier_str_mv Pascual, Luciano; Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink; National University of Ireland Maynooth; Dancecult; 14; 1; 11-2022; 23-38
1947-5403
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/doi/10.12801/1947-5403.2022.14.01.02
info:eu-repo/semantics/altIdentifier/url/https://dj.dancecult.net/index.php/dancecult/article/view/1207
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv National University of Ireland Maynooth
publisher.none.fl_str_mv National University of Ireland Maynooth
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 12.982451

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