On the Very Idea of Romantic Irony

Autores
Lavagnino, Nicolás Alejo
Año de publicación
2014
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
My main goal here is to emphasize that what we could call Rortian pragmatics of language involves the combination of two complex of images. On the one hand the image of the constant re-weaving and widening of experiential circles, a sort of material, fallible and creative vision of culture and thought, and, on the other, the idea of a collective destination self-created and self-assigned, which does not require join or connect with something eminently non-human. Seen this way, what elsewhere I´ve termed "the paradox of Rorty" consists in trying to reconcile ethnocentrism and ironism with the romantic and imaginative horizon of culture. Put more simply: the ethnocentric ironism is not necessarily consistent with the edifying purposes of a self-creative with romantic attributes. In this presentation, then, I´m trying to call attention to a crucial link, rarely analyzed, that leads from to irony, and thence to the metaphorical rupture in pursuit of a romantic perspective of our social world. Simpler still: I propose to show how Rorty, using the figures of, irony and metaphorical romance has helped us to have a different conception on the very idea of a romantic irony.
Fil: Lavagnino, Nicolás Alejo. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Filosofía ; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
Pragmatism
Romanticism
Irony
Metanoia
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/35559

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spelling On the Very Idea of Romantic IronyLavagnino, Nicolás AlejoPragmatismRomanticismIronyMetanoiahttps://purl.org/becyt/ford/6.3https://purl.org/becyt/ford/6My main goal here is to emphasize that what we could call Rortian pragmatics of language involves the combination of two complex of images. On the one hand the image of the constant re-weaving and widening of experiential circles, a sort of material, fallible and creative vision of culture and thought, and, on the other, the idea of a collective destination self-created and self-assigned, which does not require join or connect with something eminently non-human. Seen this way, what elsewhere I´ve termed "the paradox of Rorty" consists in trying to reconcile ethnocentrism and ironism with the romantic and imaginative horizon of culture. Put more simply: the ethnocentric ironism is not necessarily consistent with the edifying purposes of a self-creative with romantic attributes. In this presentation, then, I´m trying to call attention to a crucial link, rarely analyzed, that leads from to irony, and thence to the metaphorical rupture in pursuit of a romantic perspective of our social world. Simpler still: I propose to show how Rorty, using the figures of, irony and metaphorical romance has helped us to have a different conception on the very idea of a romantic irony.Fil: Lavagnino, Nicolás Alejo. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Filosofía ; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaRodopi2014-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/35559Lavagnino, Nicolás Alejo; On the Very Idea of Romantic Irony; Rodopi; Contemporary Pragmatism; 11; 1; 6-2014; 131-1421572-3429CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.questia.com/library/journal/1P3-3708694261/on-the-very-idea-of-romantic-ironyinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T09:55:21Zoai:ri.conicet.gov.ar:11336/35559instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 09:55:22.044CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv On the Very Idea of Romantic Irony
title On the Very Idea of Romantic Irony
spellingShingle On the Very Idea of Romantic Irony
Lavagnino, Nicolás Alejo
Pragmatism
Romanticism
Irony
Metanoia
title_short On the Very Idea of Romantic Irony
title_full On the Very Idea of Romantic Irony
title_fullStr On the Very Idea of Romantic Irony
title_full_unstemmed On the Very Idea of Romantic Irony
title_sort On the Very Idea of Romantic Irony
dc.creator.none.fl_str_mv Lavagnino, Nicolás Alejo
author Lavagnino, Nicolás Alejo
author_facet Lavagnino, Nicolás Alejo
author_role author
dc.subject.none.fl_str_mv Pragmatism
Romanticism
Irony
Metanoia
topic Pragmatism
Romanticism
Irony
Metanoia
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.3
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv My main goal here is to emphasize that what we could call Rortian pragmatics of language involves the combination of two complex of images. On the one hand the image of the constant re-weaving and widening of experiential circles, a sort of material, fallible and creative vision of culture and thought, and, on the other, the idea of a collective destination self-created and self-assigned, which does not require join or connect with something eminently non-human. Seen this way, what elsewhere I´ve termed "the paradox of Rorty" consists in trying to reconcile ethnocentrism and ironism with the romantic and imaginative horizon of culture. Put more simply: the ethnocentric ironism is not necessarily consistent with the edifying purposes of a self-creative with romantic attributes. In this presentation, then, I´m trying to call attention to a crucial link, rarely analyzed, that leads from to irony, and thence to the metaphorical rupture in pursuit of a romantic perspective of our social world. Simpler still: I propose to show how Rorty, using the figures of, irony and metaphorical romance has helped us to have a different conception on the very idea of a romantic irony.
Fil: Lavagnino, Nicolás Alejo. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Filosofía ; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description My main goal here is to emphasize that what we could call Rortian pragmatics of language involves the combination of two complex of images. On the one hand the image of the constant re-weaving and widening of experiential circles, a sort of material, fallible and creative vision of culture and thought, and, on the other, the idea of a collective destination self-created and self-assigned, which does not require join or connect with something eminently non-human. Seen this way, what elsewhere I´ve termed "the paradox of Rorty" consists in trying to reconcile ethnocentrism and ironism with the romantic and imaginative horizon of culture. Put more simply: the ethnocentric ironism is not necessarily consistent with the edifying purposes of a self-creative with romantic attributes. In this presentation, then, I´m trying to call attention to a crucial link, rarely analyzed, that leads from to irony, and thence to the metaphorical rupture in pursuit of a romantic perspective of our social world. Simpler still: I propose to show how Rorty, using the figures of, irony and metaphorical romance has helped us to have a different conception on the very idea of a romantic irony.
publishDate 2014
dc.date.none.fl_str_mv 2014-06
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/35559
Lavagnino, Nicolás Alejo; On the Very Idea of Romantic Irony; Rodopi; Contemporary Pragmatism; 11; 1; 6-2014; 131-142
1572-3429
CONICET Digital
CONICET
url http://hdl.handle.net/11336/35559
identifier_str_mv Lavagnino, Nicolás Alejo; On the Very Idea of Romantic Irony; Rodopi; Contemporary Pragmatism; 11; 1; 6-2014; 131-142
1572-3429
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://www.questia.com/library/journal/1P3-3708694261/on-the-very-idea-of-romantic-irony
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Rodopi
publisher.none.fl_str_mv Rodopi
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.070432