Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires

Autores
Gorelik, Adrian Gustavo
Año de publicación
2015
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This article situates Horacio Coppola’s photographs of Buenos Aires from 1929 to 1936 as part of one of the main programs of the porten˜o avant-garde: the criollista quest for identity along the edges of the metropolis, the working class and immigrant suburbs where the avant-garde experimented its double search of synthesis between modernity and tradition, and the city and the pampas. Jorge Luis Borges —with whom Coppola used to explore these distant neighborhoods and who selected two of his first photographs taken there to illustrate the first edition of his Evaristo Carriego in 1930— is a key figure in this quest for identity, and the article postulates that the photographs of Coppola have to be seen as a version and necessary complement of Borges’ “mythological foundation” of Buenos Aires.
Fil: Gorelik, Adrian Gustavo. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales. Centro de Historia Intelectual; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
Horacio Coppola
Buenos Aires
Jorge Luis Borges
Urban Culture
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/41741
Acceder
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spelling Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos AiresGorelik, Adrian GustavoHoracio CoppolaBuenos AiresJorge Luis BorgesUrban Culturehttps://purl.org/becyt/ford/5.8https://purl.org/becyt/ford/5This article situates Horacio Coppola’s photographs of Buenos Aires from 1929 to 1936 as part of one of the main programs of the porten˜o avant-garde: the criollista quest for identity along the edges of the metropolis, the working class and immigrant suburbs where the avant-garde experimented its double search of synthesis between modernity and tradition, and the city and the pampas. Jorge Luis Borges —with whom Coppola used to explore these distant neighborhoods and who selected two of his first photographs taken there to illustrate the first edition of his Evaristo Carriego in 1930— is a key figure in this quest for identity, and the article postulates that the photographs of Coppola have to be seen as a version and necessary complement of Borges’ “mythological foundation” of Buenos Aires.Fil: Gorelik, Adrian Gustavo. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales. Centro de Historia Intelectual; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaTaylor & Francis2015-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/41741Gorelik, Adrian Gustavo; Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires; Taylor & Francis; Journal of Latin American Cultural Studies; 24; 2; 6-2015; 109-1211356-9325CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/doi/10.1080/13569325.2015.1040746info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/abs/10.1080/13569325.2015.1040746info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-10T13:13:22Zoai:ri.conicet.gov.ar:11336/41741instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-10 13:13:22.801CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires
title Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires
spellingShingle Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires
Gorelik, Adrian Gustavo
Horacio Coppola
Buenos Aires
Jorge Luis Borges
Urban Culture
title_short Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires
title_full Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires
title_fullStr Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires
title_full_unstemmed Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires
title_sort Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires
dc.creator.none.fl_str_mv Gorelik, Adrian Gustavo
author Gorelik, Adrian Gustavo
author_facet Gorelik, Adrian Gustavo
author_role author
dc.subject.none.fl_str_mv Horacio Coppola
Buenos Aires
Jorge Luis Borges
Urban Culture
topic Horacio Coppola
Buenos Aires
Jorge Luis Borges
Urban Culture
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.8
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv This article situates Horacio Coppola’s photographs of Buenos Aires from 1929 to 1936 as part of one of the main programs of the porten˜o avant-garde: the criollista quest for identity along the edges of the metropolis, the working class and immigrant suburbs where the avant-garde experimented its double search of synthesis between modernity and tradition, and the city and the pampas. Jorge Luis Borges —with whom Coppola used to explore these distant neighborhoods and who selected two of his first photographs taken there to illustrate the first edition of his Evaristo Carriego in 1930— is a key figure in this quest for identity, and the article postulates that the photographs of Coppola have to be seen as a version and necessary complement of Borges’ “mythological foundation” of Buenos Aires.
Fil: Gorelik, Adrian Gustavo. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales. Centro de Historia Intelectual; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description This article situates Horacio Coppola’s photographs of Buenos Aires from 1929 to 1936 as part of one of the main programs of the porten˜o avant-garde: the criollista quest for identity along the edges of the metropolis, the working class and immigrant suburbs where the avant-garde experimented its double search of synthesis between modernity and tradition, and the city and the pampas. Jorge Luis Borges —with whom Coppola used to explore these distant neighborhoods and who selected two of his first photographs taken there to illustrate the first edition of his Evaristo Carriego in 1930— is a key figure in this quest for identity, and the article postulates that the photographs of Coppola have to be seen as a version and necessary complement of Borges’ “mythological foundation” of Buenos Aires.
publishDate 2015
dc.date.none.fl_str_mv 2015-06
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/41741
Gorelik, Adrian Gustavo; Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires; Taylor & Francis; Journal of Latin American Cultural Studies; 24; 2; 6-2015; 109-121
1356-9325
CONICET Digital
CONICET
url http://hdl.handle.net/11336/41741
identifier_str_mv Gorelik, Adrian Gustavo; Images for a Mythological Foundation. Notes on Horacio Coppola's Photographs of Buenos Aires; Taylor & Francis; Journal of Latin American Cultural Studies; 24; 2; 6-2015; 109-121
1356-9325
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/doi/10.1080/13569325.2015.1040746
info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/abs/10.1080/13569325.2015.1040746
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Taylor & Francis
publisher.none.fl_str_mv Taylor & Francis
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 12.993085

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