Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio

Autores
Navone, Santiago
Año de publicación
2015
Idioma
español castellano
Tipo de recurso
artículo
Estado
versión publicada
Descripción
The aim of this article is to analyze the ambiguous characteristics of the male representations in Leonardo Favio’s Soñar, soñar (1976). Favio was one of the most popular directors of the period. His films always present figures related to Argentina’s popular classes. In Soñar, soñar, Carlos, a young man from a small town (played by Carlos Monzón) and a popular Argentine boxing champion, meets Mario, an urban artist (played by Gian Franco Pagliaro) and a popular Argentine singer. Carlos decides to travel with Mario to Buenos Aires to become an artist himself. The affective relationship between the characters is ambiguous and exceeds the usual boundaries of Argentine homosocial bonds. Specifically, Carlos’s character is a “country man” in a performance that, intensifying sentimentalism and ridicule, vindicates his subaltern position, thus exceeding the usual limits of the traditional Argentine conceptions of masculinity. These disruptive male figures are displayed in a plot with elements of popular melodrama.
Fil: Navone, Santiago. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mar del Plata; Argentina. Universidad Nacional de Mar del Plata. Facultad de Humanidades. Departamento de Historia. Centro de Estudios Históricos; Argentina
Materia
Masculinidades
Cine
Homosociabilidad
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/51509
Acceder
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spelling Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo FavioNavone, SantiagoMasculinidadesCineHomosociabilidadhttps://purl.org/becyt/ford/5.4https://purl.org/becyt/ford/5The aim of this article is to analyze the ambiguous characteristics of the male representations in Leonardo Favio’s Soñar, soñar (1976). Favio was one of the most popular directors of the period. His films always present figures related to Argentina’s popular classes. In Soñar, soñar, Carlos, a young man from a small town (played by Carlos Monzón) and a popular Argentine boxing champion, meets Mario, an urban artist (played by Gian Franco Pagliaro) and a popular Argentine singer. Carlos decides to travel with Mario to Buenos Aires to become an artist himself. The affective relationship between the characters is ambiguous and exceeds the usual boundaries of Argentine homosocial bonds. Specifically, Carlos’s character is a “country man” in a performance that, intensifying sentimentalism and ridicule, vindicates his subaltern position, thus exceeding the usual limits of the traditional Argentine conceptions of masculinity. These disruptive male figures are displayed in a plot with elements of popular melodrama.Fil: Navone, Santiago. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mar del Plata; Argentina. Universidad Nacional de Mar del Plata. Facultad de Humanidades. Departamento de Historia. Centro de Estudios Históricos; ArgentinaUniversity of Texas2015-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/51509Navone, Santiago; Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio; University of Texas; Studies in Latin American Popular Culture; 33; 6-2015; 75-880730-9139CONICET DigitalCONICETspainfo:eu-repo/semantics/altIdentifier/url/https://www.utexaspressjournals.org/doi/abs/10.7560/SLAPC3306info:eu-repo/semantics/altIdentifier/doi/10.7560/SLAPC3306info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:13:02Zoai:ri.conicet.gov.ar:11336/51509instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:13:02.733CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio
title Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio
spellingShingle Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio
Navone, Santiago
Masculinidades
Cine
Homosociabilidad
title_short Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio
title_full Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio
title_fullStr Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio
title_full_unstemmed Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio
title_sort Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio
dc.creator.none.fl_str_mv Navone, Santiago
author Navone, Santiago
author_facet Navone, Santiago
author_role author
dc.subject.none.fl_str_mv Masculinidades
Cine
Homosociabilidad
topic Masculinidades
Cine
Homosociabilidad
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.4
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv The aim of this article is to analyze the ambiguous characteristics of the male representations in Leonardo Favio’s Soñar, soñar (1976). Favio was one of the most popular directors of the period. His films always present figures related to Argentina’s popular classes. In Soñar, soñar, Carlos, a young man from a small town (played by Carlos Monzón) and a popular Argentine boxing champion, meets Mario, an urban artist (played by Gian Franco Pagliaro) and a popular Argentine singer. Carlos decides to travel with Mario to Buenos Aires to become an artist himself. The affective relationship between the characters is ambiguous and exceeds the usual boundaries of Argentine homosocial bonds. Specifically, Carlos’s character is a “country man” in a performance that, intensifying sentimentalism and ridicule, vindicates his subaltern position, thus exceeding the usual limits of the traditional Argentine conceptions of masculinity. These disruptive male figures are displayed in a plot with elements of popular melodrama.
Fil: Navone, Santiago. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mar del Plata; Argentina. Universidad Nacional de Mar del Plata. Facultad de Humanidades. Departamento de Historia. Centro de Estudios Históricos; Argentina
description The aim of this article is to analyze the ambiguous characteristics of the male representations in Leonardo Favio’s Soñar, soñar (1976). Favio was one of the most popular directors of the period. His films always present figures related to Argentina’s popular classes. In Soñar, soñar, Carlos, a young man from a small town (played by Carlos Monzón) and a popular Argentine boxing champion, meets Mario, an urban artist (played by Gian Franco Pagliaro) and a popular Argentine singer. Carlos decides to travel with Mario to Buenos Aires to become an artist himself. The affective relationship between the characters is ambiguous and exceeds the usual boundaries of Argentine homosocial bonds. Specifically, Carlos’s character is a “country man” in a performance that, intensifying sentimentalism and ridicule, vindicates his subaltern position, thus exceeding the usual limits of the traditional Argentine conceptions of masculinity. These disruptive male figures are displayed in a plot with elements of popular melodrama.
publishDate 2015
dc.date.none.fl_str_mv 2015-06
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/51509
Navone, Santiago; Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio; University of Texas; Studies in Latin American Popular Culture; 33; 6-2015; 75-88
0730-9139
CONICET Digital
CONICET
url http://hdl.handle.net/11336/51509
identifier_str_mv Navone, Santiago; Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio; University of Texas; Studies in Latin American Popular Culture; 33; 6-2015; 75-88
0730-9139
CONICET Digital
CONICET
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://www.utexaspressjournals.org/doi/abs/10.7560/SLAPC3306
info:eu-repo/semantics/altIdentifier/doi/10.7560/SLAPC3306
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv University of Texas
publisher.none.fl_str_mv University of Texas
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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