Almafuerte: Metal pesado argento and its construction of Argentinian nationalism
- Autores
- Calvo, Manuela Belén
- Año de publicación
- 2016
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- This article analyses the tension between the local and the global in metal pesado argento of Almafuerte, the most massive band in the metal scene of Argentina. This group reinforces their local identity through their dialogue with tango and folklore, the emblematic music genres of this country. Metal pesado argento, as a bricolage of genres and metal, can be seen as contradictory and controversial. Here these aspects are studied in relation to a particular type of nationalism and its historical context, and as a feature of global metal code. Three dimensions of Almafuerte’s production – sonic, visual and verbal – are analysed and discussed against the theoretical framework that accounts for the production of music and culture in the context of globalization, with particular emphasis on processes of mundialization as well as on the semiotic of culture and the notion of semiosphere. Both theories make it possible to engage in a dialogue without hierarchical levels.
Fil: Calvo, Manuela Belén. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Tandil. Instituto de Geografía, Historia y Ciencias Sociales. Universidad Nacional del Centro de la Provincia de Buenos Aires. Instituto de Geografía, Historia y Ciencias Sociales; Argentina - Materia
-
Argentina
Nationalism
Tango
Folklore
Heavy Metal
Globalization - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/26685
Ver los metadatos del registro completo
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Almafuerte: Metal pesado argento and its construction of Argentinian nationalismCalvo, Manuela BelénArgentinaNationalismTangoFolkloreHeavy MetalGlobalizationhttps://purl.org/becyt/ford/6.1https://purl.org/becyt/ford/6This article analyses the tension between the local and the global in metal pesado argento of Almafuerte, the most massive band in the metal scene of Argentina. This group reinforces their local identity through their dialogue with tango and folklore, the emblematic music genres of this country. Metal pesado argento, as a bricolage of genres and metal, can be seen as contradictory and controversial. Here these aspects are studied in relation to a particular type of nationalism and its historical context, and as a feature of global metal code. Three dimensions of Almafuerte’s production – sonic, visual and verbal – are analysed and discussed against the theoretical framework that accounts for the production of music and culture in the context of globalization, with particular emphasis on processes of mundialization as well as on the semiotic of culture and the notion of semiosphere. Both theories make it possible to engage in a dialogue without hierarchical levels.Fil: Calvo, Manuela Belén. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Tandil. Instituto de Geografía, Historia y Ciencias Sociales. Universidad Nacional del Centro de la Provincia de Buenos Aires. Instituto de Geografía, Historia y Ciencias Sociales; ArgentinaInternational Society for Metal Music Studies2016-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/26685Calvo, Manuela Belén; Almafuerte: Metal pesado argento and its construction of Argentinian nationalism; International Society for Metal Music Studies; Metal Music Studies; 2; 1; 3-2016; 21-372052-39982052-4005CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://www.ingentaconnect.com/content/intellect/mms/2016/00000002/00000001/art00003info:eu-repo/semantics/altIdentifier/doi/10.1386/mms.2.1.21_1info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:49:26Zoai:ri.conicet.gov.ar:11336/26685instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:49:26.429CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
title |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
spellingShingle |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism Calvo, Manuela Belén Argentina Nationalism Tango Folklore Heavy Metal Globalization |
title_short |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
title_full |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
title_fullStr |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
title_full_unstemmed |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
title_sort |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
dc.creator.none.fl_str_mv |
Calvo, Manuela Belén |
author |
Calvo, Manuela Belén |
author_facet |
Calvo, Manuela Belén |
author_role |
author |
dc.subject.none.fl_str_mv |
Argentina Nationalism Tango Folklore Heavy Metal Globalization |
topic |
Argentina Nationalism Tango Folklore Heavy Metal Globalization |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.1 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
This article analyses the tension between the local and the global in metal pesado argento of Almafuerte, the most massive band in the metal scene of Argentina. This group reinforces their local identity through their dialogue with tango and folklore, the emblematic music genres of this country. Metal pesado argento, as a bricolage of genres and metal, can be seen as contradictory and controversial. Here these aspects are studied in relation to a particular type of nationalism and its historical context, and as a feature of global metal code. Three dimensions of Almafuerte’s production – sonic, visual and verbal – are analysed and discussed against the theoretical framework that accounts for the production of music and culture in the context of globalization, with particular emphasis on processes of mundialization as well as on the semiotic of culture and the notion of semiosphere. Both theories make it possible to engage in a dialogue without hierarchical levels. Fil: Calvo, Manuela Belén. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Tandil. Instituto de Geografía, Historia y Ciencias Sociales. Universidad Nacional del Centro de la Provincia de Buenos Aires. Instituto de Geografía, Historia y Ciencias Sociales; Argentina |
description |
This article analyses the tension between the local and the global in metal pesado argento of Almafuerte, the most massive band in the metal scene of Argentina. This group reinforces their local identity through their dialogue with tango and folklore, the emblematic music genres of this country. Metal pesado argento, as a bricolage of genres and metal, can be seen as contradictory and controversial. Here these aspects are studied in relation to a particular type of nationalism and its historical context, and as a feature of global metal code. Three dimensions of Almafuerte’s production – sonic, visual and verbal – are analysed and discussed against the theoretical framework that accounts for the production of music and culture in the context of globalization, with particular emphasis on processes of mundialization as well as on the semiotic of culture and the notion of semiosphere. Both theories make it possible to engage in a dialogue without hierarchical levels. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-03 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/26685 Calvo, Manuela Belén; Almafuerte: Metal pesado argento and its construction of Argentinian nationalism; International Society for Metal Music Studies; Metal Music Studies; 2; 1; 3-2016; 21-37 2052-3998 2052-4005 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/26685 |
identifier_str_mv |
Calvo, Manuela Belén; Almafuerte: Metal pesado argento and its construction of Argentinian nationalism; International Society for Metal Music Studies; Metal Music Studies; 2; 1; 3-2016; 21-37 2052-3998 2052-4005 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/http://www.ingentaconnect.com/content/intellect/mms/2016/00000002/00000001/art00003 info:eu-repo/semantics/altIdentifier/doi/10.1386/mms.2.1.21_1 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
International Society for Metal Music Studies |
publisher.none.fl_str_mv |
International Society for Metal Music Studies |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
reponame_str |
CONICET Digital (CONICET) |
collection |
CONICET Digital (CONICET) |
instname_str |
Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.name.fl_str_mv |
CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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1842268972218580992 |
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13.13397 |