Almafuerte: Metal pesado argento and its construction of Argentinian nationalism

Autores
Calvo, Manuela Belén
Año de publicación
2016
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This article analyses the tension between the local and the global in metal pesado argento of Almafuerte, the most massive band in the metal scene of Argentina. This group reinforces their local identity through their dialogue with tango and folklore, the emblematic music genres of this country. Metal pesado argento, as a bricolage of genres and metal, can be seen as contradictory and controversial. Here these aspects are studied in relation to a particular type of nationalism and its historical context, and as a feature of global metal code. Three dimensions of Almafuerte’s production – sonic, visual and verbal – are analysed and discussed against the theoretical framework that accounts for the production of music and culture in the context of globalization, with particular emphasis on processes of mundialization as well as on the semiotic of culture and the notion of semiosphere. Both theories make it possible to engage in a dialogue without hierarchical levels.
Fil: Calvo, Manuela Belén. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Tandil. Instituto de Geografía, Historia y Ciencias Sociales. Universidad Nacional del Centro de la Provincia de Buenos Aires. Instituto de Geografía, Historia y Ciencias Sociales; Argentina
Materia
Argentina
Nationalism
Tango
Folklore
Heavy Metal
Globalization
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/26685

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spelling Almafuerte: Metal pesado argento and its construction of Argentinian nationalismCalvo, Manuela BelénArgentinaNationalismTangoFolkloreHeavy MetalGlobalizationhttps://purl.org/becyt/ford/6.1https://purl.org/becyt/ford/6This article analyses the tension between the local and the global in metal pesado argento of Almafuerte, the most massive band in the metal scene of Argentina. This group reinforces their local identity through their dialogue with tango and folklore, the emblematic music genres of this country. Metal pesado argento, as a bricolage of genres and metal, can be seen as contradictory and controversial. Here these aspects are studied in relation to a particular type of nationalism and its historical context, and as a feature of global metal code. Three dimensions of Almafuerte’s production – sonic, visual and verbal – are analysed and discussed against the theoretical framework that accounts for the production of music and culture in the context of globalization, with particular emphasis on processes of mundialization as well as on the semiotic of culture and the notion of semiosphere. Both theories make it possible to engage in a dialogue without hierarchical levels.Fil: Calvo, Manuela Belén. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Tandil. Instituto de Geografía, Historia y Ciencias Sociales. Universidad Nacional del Centro de la Provincia de Buenos Aires. Instituto de Geografía, Historia y Ciencias Sociales; ArgentinaInternational Society for Metal Music Studies2016-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/26685Calvo, Manuela Belén; Almafuerte: Metal pesado argento and its construction of Argentinian nationalism; International Society for Metal Music Studies; Metal Music Studies; 2; 1; 3-2016; 21-372052-39982052-4005CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://www.ingentaconnect.com/content/intellect/mms/2016/00000002/00000001/art00003info:eu-repo/semantics/altIdentifier/doi/10.1386/mms.2.1.21_1info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:49:26Zoai:ri.conicet.gov.ar:11336/26685instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:49:26.429CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Almafuerte: Metal pesado argento and its construction of Argentinian nationalism
title Almafuerte: Metal pesado argento and its construction of Argentinian nationalism
spellingShingle Almafuerte: Metal pesado argento and its construction of Argentinian nationalism
Calvo, Manuela Belén
Argentina
Nationalism
Tango
Folklore
Heavy Metal
Globalization
title_short Almafuerte: Metal pesado argento and its construction of Argentinian nationalism
title_full Almafuerte: Metal pesado argento and its construction of Argentinian nationalism
title_fullStr Almafuerte: Metal pesado argento and its construction of Argentinian nationalism
title_full_unstemmed Almafuerte: Metal pesado argento and its construction of Argentinian nationalism
title_sort Almafuerte: Metal pesado argento and its construction of Argentinian nationalism
dc.creator.none.fl_str_mv Calvo, Manuela Belén
author Calvo, Manuela Belén
author_facet Calvo, Manuela Belén
author_role author
dc.subject.none.fl_str_mv Argentina
Nationalism
Tango
Folklore
Heavy Metal
Globalization
topic Argentina
Nationalism
Tango
Folklore
Heavy Metal
Globalization
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.1
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv This article analyses the tension between the local and the global in metal pesado argento of Almafuerte, the most massive band in the metal scene of Argentina. This group reinforces their local identity through their dialogue with tango and folklore, the emblematic music genres of this country. Metal pesado argento, as a bricolage of genres and metal, can be seen as contradictory and controversial. Here these aspects are studied in relation to a particular type of nationalism and its historical context, and as a feature of global metal code. Three dimensions of Almafuerte’s production – sonic, visual and verbal – are analysed and discussed against the theoretical framework that accounts for the production of music and culture in the context of globalization, with particular emphasis on processes of mundialization as well as on the semiotic of culture and the notion of semiosphere. Both theories make it possible to engage in a dialogue without hierarchical levels.
Fil: Calvo, Manuela Belén. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Tandil. Instituto de Geografía, Historia y Ciencias Sociales. Universidad Nacional del Centro de la Provincia de Buenos Aires. Instituto de Geografía, Historia y Ciencias Sociales; Argentina
description This article analyses the tension between the local and the global in metal pesado argento of Almafuerte, the most massive band in the metal scene of Argentina. This group reinforces their local identity through their dialogue with tango and folklore, the emblematic music genres of this country. Metal pesado argento, as a bricolage of genres and metal, can be seen as contradictory and controversial. Here these aspects are studied in relation to a particular type of nationalism and its historical context, and as a feature of global metal code. Three dimensions of Almafuerte’s production – sonic, visual and verbal – are analysed and discussed against the theoretical framework that accounts for the production of music and culture in the context of globalization, with particular emphasis on processes of mundialization as well as on the semiotic of culture and the notion of semiosphere. Both theories make it possible to engage in a dialogue without hierarchical levels.
publishDate 2016
dc.date.none.fl_str_mv 2016-03
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/26685
Calvo, Manuela Belén; Almafuerte: Metal pesado argento and its construction of Argentinian nationalism; International Society for Metal Music Studies; Metal Music Studies; 2; 1; 3-2016; 21-37
2052-3998
2052-4005
CONICET Digital
CONICET
url http://hdl.handle.net/11336/26685
identifier_str_mv Calvo, Manuela Belén; Almafuerte: Metal pesado argento and its construction of Argentinian nationalism; International Society for Metal Music Studies; Metal Music Studies; 2; 1; 3-2016; 21-37
2052-3998
2052-4005
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/http://www.ingentaconnect.com/content/intellect/mms/2016/00000002/00000001/art00003
info:eu-repo/semantics/altIdentifier/doi/10.1386/mms.2.1.21_1
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv International Society for Metal Music Studies
publisher.none.fl_str_mv International Society for Metal Music Studies
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.13397