To be or not to be –a data set: Art, technology and identity in the new informational order

Autores
Costa, Flavia Gisela
Año de publicación
2020
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
In recent decades, a significant part of public and private governmental efforts has been devoted to developing technologies to collect and analyze data about living beings. On the one hand, data on their biological endowments, such as in biometrics or measurements of organic processes with biomedicine devices. On the other hand, data about their "forms of life": habits, opinions, even emotions, such as in data mining. Between "fingerprint" and "digital footprint", then, is stretched out one of the main lines of force of the techno-scientific intelligibility grid about what we are and what we could be. I will discuss three strategies with which some contemporary artists appropriate the new technologies for recording information from living bodies to unveil critically the mechanisms of capture of individuals and individuations they realize. In the end, I will resituate this question: what is at stake in the incitement to understand ourselves as a "data set"?
Fil: Costa, Flavia Gisela. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Universidad de Buenos Aires; Argentina
Materia
ART AND TECHNOLOGY
BIOART
ALGORITHMS
DIGITAL FOOTPRINTS
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/168660
Acceder
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network_name_str CONICET Digital (CONICET)
spelling To be or not to be –a data set: Art, technology and identity in the new informational orderCosta, Flavia GiselaART AND TECHNOLOGYBIOARTALGORITHMSDIGITAL FOOTPRINTShttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6In recent decades, a significant part of public and private governmental efforts has been devoted to developing technologies to collect and analyze data about living beings. On the one hand, data on their biological endowments, such as in biometrics or measurements of organic processes with biomedicine devices. On the other hand, data about their "forms of life": habits, opinions, even emotions, such as in data mining. Between "fingerprint" and "digital footprint", then, is stretched out one of the main lines of force of the techno-scientific intelligibility grid about what we are and what we could be. I will discuss three strategies with which some contemporary artists appropriate the new technologies for recording information from living bodies to unveil critically the mechanisms of capture of individuals and individuations they realize. In the end, I will resituate this question: what is at stake in the incitement to understand ourselves as a "data set"?Fil: Costa, Flavia Gisela. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Universidad de Buenos Aires; ArgentinaEuropean Alliance for Innovation2020-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/168660Costa, Flavia Gisela; To be or not to be –a data set: Art, technology and identity in the new informational order; European Alliance for Innovation; EAI Endorsed Transactions on Creative Technologies; 7; 22; 4-2020; 1-62409-9708CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://eudl.eu/doi/10.4108/eai.2-4-2020.163848info:eu-repo/semantics/altIdentifier/doi/10.4108/eai.2-4-2020.163848info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T15:20:46Zoai:ri.conicet.gov.ar:11336/168660instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 15:20:46.473CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv To be or not to be –a data set: Art, technology and identity in the new informational order
title To be or not to be –a data set: Art, technology and identity in the new informational order
spellingShingle To be or not to be –a data set: Art, technology and identity in the new informational order
Costa, Flavia Gisela
ART AND TECHNOLOGY
BIOART
ALGORITHMS
DIGITAL FOOTPRINTS
title_short To be or not to be –a data set: Art, technology and identity in the new informational order
title_full To be or not to be –a data set: Art, technology and identity in the new informational order
title_fullStr To be or not to be –a data set: Art, technology and identity in the new informational order
title_full_unstemmed To be or not to be –a data set: Art, technology and identity in the new informational order
title_sort To be or not to be –a data set: Art, technology and identity in the new informational order
dc.creator.none.fl_str_mv Costa, Flavia Gisela
author Costa, Flavia Gisela
author_facet Costa, Flavia Gisela
author_role author
dc.subject.none.fl_str_mv ART AND TECHNOLOGY
BIOART
ALGORITHMS
DIGITAL FOOTPRINTS
topic ART AND TECHNOLOGY
BIOART
ALGORITHMS
DIGITAL FOOTPRINTS
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv In recent decades, a significant part of public and private governmental efforts has been devoted to developing technologies to collect and analyze data about living beings. On the one hand, data on their biological endowments, such as in biometrics or measurements of organic processes with biomedicine devices. On the other hand, data about their "forms of life": habits, opinions, even emotions, such as in data mining. Between "fingerprint" and "digital footprint", then, is stretched out one of the main lines of force of the techno-scientific intelligibility grid about what we are and what we could be. I will discuss three strategies with which some contemporary artists appropriate the new technologies for recording information from living bodies to unveil critically the mechanisms of capture of individuals and individuations they realize. In the end, I will resituate this question: what is at stake in the incitement to understand ourselves as a "data set"?
Fil: Costa, Flavia Gisela. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Universidad de Buenos Aires; Argentina
description In recent decades, a significant part of public and private governmental efforts has been devoted to developing technologies to collect and analyze data about living beings. On the one hand, data on their biological endowments, such as in biometrics or measurements of organic processes with biomedicine devices. On the other hand, data about their "forms of life": habits, opinions, even emotions, such as in data mining. Between "fingerprint" and "digital footprint", then, is stretched out one of the main lines of force of the techno-scientific intelligibility grid about what we are and what we could be. I will discuss three strategies with which some contemporary artists appropriate the new technologies for recording information from living bodies to unveil critically the mechanisms of capture of individuals and individuations they realize. In the end, I will resituate this question: what is at stake in the incitement to understand ourselves as a "data set"?
publishDate 2020
dc.date.none.fl_str_mv 2020-04
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/168660
Costa, Flavia Gisela; To be or not to be –a data set: Art, technology and identity in the new informational order; European Alliance for Innovation; EAI Endorsed Transactions on Creative Technologies; 7; 22; 4-2020; 1-6
2409-9708
CONICET Digital
CONICET
url http://hdl.handle.net/11336/168660
identifier_str_mv Costa, Flavia Gisela; To be or not to be –a data set: Art, technology and identity in the new informational order; European Alliance for Innovation; EAI Endorsed Transactions on Creative Technologies; 7; 22; 4-2020; 1-6
2409-9708
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://eudl.eu/doi/10.4108/eai.2-4-2020.163848
info:eu-repo/semantics/altIdentifier/doi/10.4108/eai.2-4-2020.163848
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
application/pdf
dc.publisher.none.fl_str_mv European Alliance for Innovation
publisher.none.fl_str_mv European Alliance for Innovation
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.221938

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